Dalí Theatre And Museum
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Dalí Theatre And Museum
The Dalí Theatre and Museum ( ca, Teatre-Museu Dalí, ; es, Teatro-Museo Dalí) is a museum dedicated to the artist Salvador Dalí in his home town of Figueres, in Catalonia, Spain. Salvador Dalí lived there from 1984 to 1989, and is buried in a crypt below the stage. The museum received 1,368,755 visitors in 2016. Museum The heart of the museum is the town's theatre that Dalí knew as a child. It was where one of the first public exhibitions of young Dalí's art was shown. The old theatre was burned during the Spanish Civil War and remained in a state of ruin. In 1960, Dalí and the mayor of Figueres decided to rebuild it as a museum dedicated to the town's most famous son. In 1968, the city council approved the plan, and construction began the following year. The architects were Joaquim de Ros i Ramis and Alexandre Bonaterra. The museum opened on September 28, 1974, and it expanded through the mid-1980s. The museum now includes buildings and courtyards adjacent to the old ...
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Art Museum
An art museum or art gallery is a building or space for the display of art, usually from the museum's own Collection (artwork), collection. It might be in public or private ownership and may be accessible to all or have restrictions in place. Although primarily concerned with Visual arts, visual art, art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections. Terminology An institution dedicated to the display of art can be called an art museum or an art gallery, and the two terms may be used interchangeably. This is reflected in the names of institutions around the world, some of which are called galleries (e.g. the National Gallery and Neue Nationalgalerie), and some of which are called museums (including the Metropolitan Museum of Art, the Museum of Mo ...
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Dionysian
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology. Its popularization is widely attributed to the work ''The Birth of Tragedy'' by Friedrich Nietzsche, though the terms had already been in use prior to this, such as in the writings of poet Friedrich Hölderlin, historian Johann Joachim Winckelmann, and others. The word Dionysian occurs as early as 1608 in Edward Topsell's zoological treatise, ''The History of Serpents''. The concept has since been widely invoked and discussed within Western philosophy and literature. In Greek mythology, Apollo and Dionysus are both sons of Zeus. Apollo, son of Leto, is the god of the sun, of rational thinking and order, and appeals to logic, prudence and purity and stands for reason. Dionysus, son of Semele, is the god of wine and dance, of irrationality and chaos, representing passion, emotions and instincts. The ancient Greeks d ...
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Anamorphic Art
Anamorphosis is a distorted projection requiring the viewer to occupy a specific vantage point, use special devices, or both to view a recognizable image. It is used in painting, photography, sculpture and installation, toys, and film special effects. The word is derived from the Greek prefix ''ana-'', meaning "back" or "again", and the word ''morphe'', meaning "shape" or "form". Extreme anamorphosis has been used by artists to disguise caricatures, erotic and scatological scenes, and other furtive images from a casual spectator, while revealing an undistorted image to the knowledgeable viewer. Types of projection There are two main types of anamorphosis: ''perspective'' (oblique) and ''mirror'' (catoptric). More complex anamorphoses can be devised using distorted lenses, mirrors, or other optical transformations. An oblique anamorphism forms an affine transformation of the subject. Early examples of perspectival anamorphosis date to the Renaissance of the fifteenth cent ...
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Stereograph
A stereoscope is a device for viewing a stereoscopic pair of separate images, depicting left-eye and right-eye views of the same scene, as a single three-dimensional image. A typical stereoscope provides each eye with a lens that makes the image seen through it appear larger and more distant and usually also shifts its apparent horizontal position, so that for a person with normal binocular depth perception the edges of the two images seemingly fuse into one "stereo window". In current practice, the images are prepared so that the scene appears to be beyond this virtual window, through which objects are sometimes allowed to protrude, but this was not always the custom. A divider or other view-limiting feature is usually provided to prevent each eye from being distracted by also seeing the image intended for the other eye. Most people can, with practice and some effort, view stereoscopic image pairs in 3D without the aid of a stereoscope, but the physiological depth cues result ...
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Optical Illusion
Within visual perception, an optical illusion (also called a visual illusion) is an illusion caused by the visual system and characterized by a visual perception, percept that arguably appears to differ from reality. Illusions come in a wide variety; their categorization is difficult because the underlying cause is often not clear but a classification proposed by Richard Gregory is useful as an orientation. According to that, there are three main classes: physical, physiological, and cognitive illusions, and in each class there are four kinds: Ambiguities, distortions, paradoxes, and fictions. A classical example for a physical distortion would be the apparent bending of a stick half immerged in water; an example for a physiological paradox is the motion aftereffect (where, despite movement, position remains unchanged). An example for a physiological fiction is an afterimage. Three typical cognitive distortions are the Ponzo illusion, Ponzo, Poggendorff illusion, Poggendorff, an ...
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Bathtub
A bathtub, also known simply as a bath or tub, is a container for holding water in which a person or animal may bathe. Most modern bathtubs are made of thermoformed acrylic, porcelain-enameled steel or cast iron, or fiberglass-reinforced polyester. A bathtub is usually placed in a bathroom, either as a stand-alone fixture or in conjunction with a shower. Modern bathtubs have overflow and waste drains and may have taps mounted on them. They are usually built-in, but may be free-standing or sometimes sunken. Until acrylic thermoforming technology permitted other shapes, virtually all bathtubs used to be roughly rectangular. Bathtubs are commonly white in color, although many other colors can be found. Two main styles are common: * Western style bathtubs in which the bather lies down. These baths are typically shallow and long. * Eastern style bathtubs in which the bather sits up. These are known as ''furo'' in Japan and are typically short and deep. History of bathtubs and ...
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Jewellery
Jewellery ( UK) or jewelry (U.S.) consists of decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a western perspective, the term is restricted to durable ornaments, excluding flowers for example. For many centuries metal such as gold often combined with gemstones, has been the normal material for jewellery, but other materials such as glass, shells and other plant materials may be used. Jewellery is one of the oldest types of archaeological artefact – with 100,000-year-old beads made from ''Nassarius'' shells thought to be the oldest known jewellery.Study reveals 'oldest jewellery'
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Holographic Art
Holography is a technique that enables a wavefront to be recorded and later re-constructed. Holography is best known as a method of generating real three-dimensional images, but it also has a wide range of other applications. In principle, it is possible to make a hologram for any type of wave. A hologram is made by superimposing a second wavefront (normally called the reference beam) on the wavefront of interest, thereby generating an interference pattern which is recorded on a physical medium. When only the second wavefront illuminates the interference pattern, it is diffracted to recreate the original wavefront. Holograms can also be computer-generated by modelling the two wavefronts and adding them together digitally. The resulting digital image is then printed onto a suitable mask or film and illuminated by a suitable source to reconstruct the wavefront of interest. Overview and history The Hungarian-British physicist Dennis Gabor (in Hungarian: ''Gábor Dénes'') ...
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Francesc Pujols
Francesc Pujols i Morgades (1882 in Barcelona – 1962 in Martorell) was a Spanish writer and philosopher. Biography Pujols began to write poetry during his studies in secondary school, influenced by the work of Jacint Verdaguer and Joan Maragall. He took part in the literary competition Jocs Florals of Barcelona in 1902, and won the Natural Flower with the poem “Idil·li”. In 1904 he published ''El llibre que conté les poesies de Francesc Pujols'', with a prologue by Maragall, who saw in Pujols a representative of the “living word”. In that same year, he gave his first lecture at the Ateneu Barcelonès on the subject of the painter Marian Pidelaserra, and thus began his career as an art critic which he continued later in the book ''Recull de crítica artística'' (1921). He made a name for himself as one of the first defenders of the then controversial architect Antoni Gaudí, to whom he dedicated his book ''La visió artística i religiosa d’en Gaudí'' (1927) ...
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Galatea Of The Spheres
''Galatea of the Spheres'' is a painting by Salvador Dalí made in 1952. It depicts Gala Dalí, Salvador Dalí's wife and muse, as pieced together through a series of spheres arranged in a continuous array. The name Galatea refers to a sea nymph of Classical mythology renowned for her virtue, and may also refer to the statue beloved by its creator, Pygmalion. Description Measuring 65.0 x 54.0 cm, the painting depicts the bust of Gala composed of a matrix of spheres seemingly suspended in space. It represents a synthesis of Renaissance art and atomic theory and illustrates the ultimate discontinuity of matter, the spheres themselves representing atomic particles. Dalí's motivation Dalí had been greatly interested in nuclear physics since the first atomic bomb explosions of August 1945, and described the atom as his "favourite food for thought". Recognising that matter was made up of atoms which did not touch each other, he sought to replicate this in his art at the time, with ...
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Leda Atomica
''Leda Atomica'' is a 1949 painting by Salvador Dalí. The picture depicts Leda, the mythological queen of Sparta, with the swan. Leda is a frontal portrait of Dalí's wife, Gala, who is seated on a pedestal with a swan suspended behind and to her left. Different objects such as a book, a set square, two stepping stools and an egg float around the main figure. In the background on both sides, the rocks of Cap Norfeu (on the Costa Brava in Catalonia, between Roses and Cadaqués) define the location of the image. The painting is exhibited in the Dalí Theatre and Museum in Figueres. Mythological background Leda was admired by Zeus, who seduced her in the guise of a swan on her wedding night when she slept with her husband Tyndareus. This double consummation of her marriage resulted in two eggs, each of them hatching twins: from the first egg Castor and Pollux, and from the second Clytemnestra and Helen. Structure of the painting ''Leda Atomica'' is organized according to a ...
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