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Dalayrac
Nicolas-Marie d'Alayrac (; bapt. 13 June 175326 November 1809), nicknamed the Musician poet, more commonly Nicolas Dalayrac, was a French composer of the Classical period. Intended for a military career, he made the acquaintance of many musicians in the Parisian salons, which convinced him of his true vocation. Among his most popular works, '' Nina, or The Woman Crazed with Love'' (1786), which tackles the theme of madness and arouses real enthusiasm during its creation, premiered on 23 November at the Stroganov Palace. '' The Two Little Savoyards'' (1789), which deals with the rapprochement of social classes, a theme bearing the ideals of the French Revolution, Camille ou le Souterrain (1791), judged as his best production or even Léon ou le Château de Monténéro (1798) who by his leitmotifs announces a new genre. If he forges an international reputation, he remains nevertheless less known in the lyrical field than André Grétry. His first compositions were violin ...
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Nicolas Dalayrac
Nicolas-Marie d'Alayrac (; bapt. 13 June 175326 November 1809), nicknamed the Musician poet, more commonly Nicolas Dalayrac, was a French composer of the Classical period. Intended for a military career, he made the acquaintance of many musicians in the Parisian salons, which convinced him of his true vocation. Among his most popular works, '' Nina, or The Woman Crazed with Love'' (1786), which tackles the theme of madness and arouses real enthusiasm during its creation, premiered on 23 November at the Stroganov Palace. '' The Two Little Savoyards'' (1789), which deals with the rapprochement of social classes, a theme bearing the ideals of the French Revolution, Camille ou le Souterrain (1791), judged as his best production or even Léon ou le Château de Monténéro (1798) who by his leitmotifs announces a new genre. If he forges an international reputation, he remains nevertheless less known in the lyrical field than André Grétry. His first compositions were violin du ...
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Nina (Dalayrac)
''Nina, ou La folle par amour'' (''Nina, or The Woman Crazed with Love'') is an opéra-comique in one act by the French composer Nicolas Dalayrac. It was first performed on 15 May 1786 by the Comédie-Italienne at the first Salle Favart in Paris. The libretto, by Benoît-Joseph Marsollier des Vivetières, is based on a short story by Baculard d'Arnaud. Background and performance history ''Nina'' was Dalayrac's first collaboration with Marsollier des Vivetières, who would go on to write many more librettos for him, including ''Les deux petits savoyards''. Revived by the Opéra-Comique at the Salle Feydeau in July 1802, ''Nina'' was a popular success, which it remained until receiving its last performance by the company in 1852. It was also performed in translation in London and Hamburg in 1787 and in Italy in 1788. Its most famous aria, "Quand le bien-aimé reviendra" ("When my sweetheart returns to me"), is mentioned by Hector Berlioz in his ''Memoirs'' as his "first musical e ...
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Les Deux Petits Savoyards
''Les deux petits savoyards'' (''The Two Little Savoyards'') is a comic opera in one act by the French composer Nicolas Dalayrac. It was first performed by the Comédie-Italienne at the first Salle Favart in Paris on 14 January 1789. The libretto is by Benoît-Joseph Marsollier des Vivetières. The opera was a great success; according to the records of the Comédie-Italienne, 104,000 spectators had seen it by 1793. The theme of reconciliation between the social classes appealed to audiences at the beginning of the French Revolution. ''Les deux petits savoyards'' received its British premiere at Sadler's Wells in June 1789 and it first appeared in the United States in Philadelphia in 1797. Roles Synopsis The two little Savoyard boys of the title (played by female sopranos) make a living by exhibiting their pet marmot at country fairs. When they arrive at a fair near Lyons they catch the attention of the local landowner, Verseuil. Verseuil has spent much of his life making money ...
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Les Deux Petits Savoyards
''Les deux petits savoyards'' (''The Two Little Savoyards'') is a comic opera in one act by the French composer Nicolas Dalayrac. It was first performed by the Comédie-Italienne at the first Salle Favart in Paris on 14 January 1789. The libretto is by Benoît-Joseph Marsollier des Vivetières. The opera was a great success; according to the records of the Comédie-Italienne, 104,000 spectators had seen it by 1793. The theme of reconciliation between the social classes appealed to audiences at the beginning of the French Revolution. ''Les deux petits savoyards'' received its British premiere at Sadler's Wells in June 1789 and it first appeared in the United States in Philadelphia in 1797. Roles Synopsis The two little Savoyard boys of the title (played by female sopranos) make a living by exhibiting their pet marmot at country fairs. When they arrive at a fair near Lyons they catch the attention of the local landowner, Verseuil. Verseuil has spent much of his life making money ...
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Le Congrès Des Rois
''Le congrès des rois'' (''The Congress of the Kings'') was a 3-act French Revolutionary opera of the genre ''comédie mêlée d'ariettes'' with a libretto by De Maillot, a stage name used by Antoine-François Ève early in his career, and music by a collaborative of twelve composers (see below). It was a satire directed against the "enemies of France". The libretto and most of the music (except for that by Henri Montan Berton) has been lost.Wild and Charlton (2005), pp. 56, 200. The composition of the opera was ordered by the ''Comité du Salut public'' (Committee of Public Safety) to be completed in two days. The opera was first performed on 26 February 1794 vent IIby the Opéra-Comique in the first Salle Favart and was presented a total of 2 times. At the premiere, "the length of the work and its couplets' lack of charm tired the audience, which took out its bad feelings on the ballet. Sharp whistles grew louder still, and the authors were not acknowledged." When the sec ...
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Les Neuf Sœurs
La Loge des Neuf Sœurs (; The Nine Sisters), established in Paris in 1776, was a prominent French Masonic Lodge of the Grand Orient de France that was influential in organising French support for the American Revolution. A "Société des Neuf Sœurs," a charitable society that surveyed academic curricula, had been active at the Académie Royale des Sciences since 1769. Its name referred to the nine Muses, the daughters of Mnemosyne/Memory, patrons of the arts and sciences since antiquity, and long significant in French cultural circles. The Lodge of similar name and purpose was opened in 1776, by Jérôme de Lalande. From the start of the French Revolution in 1789 until 1792, Les Neuf Sœurs became a "Société Nationale". During the French Revolution, while the Académie Royale des Sciences et des Arts was drastically reorganised, two members of the lodge, Antoine Laurent de Jussieu and Gilbert Romme, in collaboration with Henri Grégoire, helped to organise a "Société Libre d ...
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René-Charles Guilbert De Pixérécourt
René-Charles Guilbert de PixerécourtOften written as Pixérécourt, although the self-edited ''Théâtre choisi'' omits the first accent. The X was pronounced S. (22 January 1773 – 27 July 1844) was a French theatre director and playwright, active at the Théâtre de la Gaîté and best known for his modern melodramas such as '' The Dog of Montarges'', the performance of which at Weimar roused the indignation of Goethe. Life He was born at Nancy into a Lorraine family of rural nobles. His parents, after the sale of the Pixerécourt estate, bought another in the Vosges, Saint-Vallier, in the hope of recovering their feudal and manorial rights, and possibly in time acquiring a marquisate. The château was in poor condition, the kind which "could make you a marquis and a mendicant in the same instant" in the words of Jules Janin. The family's hopes were ruined by the Revolution. At the age of twenty, in 1793, Pixerécourt abandoned his studies of law and left Nancy "on the ...
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Muret
Muret (; in Gascon Occitan ''Murèth'') is a commune in the Haute-Garonne department, of which it is a subprefecture, in the Occitanie region of southwestern France. Its inhabitants are called ''Muretains''. It is an outer suburb of the city of Toulouse, even though it does not in the region of Toulouse Métropole, which it has declined to join. It lies southwest of Toulouse and is the largest component of the intercommunality of Le Muretain Agglo. Muret is generally known for the Battle of Muret (1213) and as the birthplace of the Renaissance humanist Muretus (1526-1585) and of Clément Ader (1841-1925), inventor and aviation pioneer. It is also the birthplace of the from which Adolphe Niel, Marshal of France and Minister of War, was derived. Geography A floral town (two flowers) located in the and the , south of Toulouse. It is equidistant from the Mediterranean and the Atlantic, on the . Localities and hamlets , Estantens, Cupidou. Communal borders Geology and reli ...
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Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ...
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Légion D'honneur
The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon Bonaparte, it has been retained (with occasional slight alterations) by all later French governments and regimes. The order's motto is ' ("Honour and Fatherland"); its seat is the Palais de la Légion d'Honneur next to the Musée d'Orsay, on the left bank of the Seine in Paris. The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and ' (Grand Cross). History Consulate During the French Revolution, all of the French orders of chivalry were abolished and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers. From this wish was instituted a , a body of men that was not an order of ...
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Portrait Of Madame Dugazon (Louise Rosalie Lefèvre), In The Title Rôle Of Nina (Scene V)
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Comminges
The Comminges (; Occitan/ Gascon: ''Comenge'') is an ancient region of southern France in the foothills of the Pyrenees, corresponding closely to the arrondissement of Saint-Gaudens in the department of Haute-Garonne. This natural region is normally associated with the former domain of the Counts of Comminges, although an earlier definition is based on the Diocese of Comminges, which appeared to include a small part of Aragon. History * The Comminges takes its name from Convenae, the name the Romans gave to the inhabitants of the region. Whilst it is unclear whether this was originally a distinct tribe, the Romanisation of the region established this as the identity of district and its inhabitants. * The origin of the name Comminges is uncertain. It is claimed to date from 473, when Sidonius Apollinaris wrote of the death of the bishop of Comminges, or 506 when Suavis, Bishop of Comminges, attended the Council of Agde. However, the latin texts of the relevant documents use t ...
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