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Daitoku-ji
is a Buddhist temple, one of fourteen autonomous branches of the Rinzai school of Japanese Zen. It is located in Kita-ku, Kyoto, Japan. The "mountain name" ('' sangō'') by which it is known is . The Daitoku-ji temple complex today covers more than . History Daitoku-ji originated as a small monastery founded in 1315 or 1319 by the monk , who is known by the title ''Daitō Kokushi'' ("National Teacher of the Great Lamp") given by Emperor Go-Daigo. In 1325, the monastery was converted into a supplication hall for the imperial court at the request of the retired Emperor Hanazono. The dedication ceremony for the imperial supplication hall, with its newly added dharma hall and abbot's living quarters, was held in 1326, and this is generally recognized as the true founding of the temple.Kodansha Encyclopedia of Japan, entry "Daitokuji." Like many other temples in Kyoto during that time, the temple's buildings were destroyed by fire. In 1474, which was when Kyoto was the scene of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sōken-in (Daitoku-ji)
is a sub-temple of Daitoku-ji, Kyoto, Japan. It was founded by Toyotomi Hideyoshi in 1582 as the mortuary temple of Oda Nobunaga. Hideyoshi granted the temple three hundred koku and staged his celebrated Daitoku-ji tea gathering on its grounds in 1585. During the early years of the Meiji period its precinct was demolished and its treasures relocated; Sōken-in was revived in 1926. The seated wooden statue of Oda Nobunaga of 1583, lacquered, with inlaid eyes and an inscription on the base, an Important Cultural Property, was returned in 1961. Nobunaga's funeral and Hideyoshi's foundation of the sub-temple 'with the very best wood available, a remarkable thing to see' was recounted by the Portuguese missionary Luís Fróis in his contemporary ''História de Japam''. See also *Daitoku-ji is a Buddhist temple, one of fourteen autonomous branches of the Rinzai school of Japanese Zen. It is located in Kita-ku, Kyoto, Japan. The "mountain name" ('' sangō'') by which it is known i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jukō-in (Daitoku-ji)
is a sub-temple of Daitoku-ji, Kyoto, Japan. It was founded in 1566 as the mortuary temple of Miyoshi Nagayoshi. In 1589 Sen no Rikyū designated it as the mortuary temple for his family. The Hondō (1583) and chashitsu (1739) are Important Cultural Properties and the gardens have been designated a Place of Scenic Beauty. A painting of Miyoshi Nagayoshi (1566) has also been designated an Important Cultural Property. The temple also contains a great number of fusuma paintings done by Kanō Eitoku. See also *Daitoku-ji *Japanese gardens *Japanese painting *List of Special Places of Scenic Beauty, Special Historic Sites and Special Natural Monuments *List of National Treasures of Japan (paintings) The term "National Treasure (Japan), National Treasure" has been used in Japan to denote Cultural Properties of Japan, cultural properties since 1897. The definition and the criteria have changed since the inception of the term. These paintings a ... References Further reading ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rinzai
The Rinzai school ( ja, , Rinzai-shū, zh, t=臨濟宗, s=临济宗, p=Línjì zōng) is one of three sects of Zen in Japanese Buddhism (along with Sōtō and Ōbaku). The Chinese Linji school of Chan was first transmitted to Japan by Myōan Eisai (1141 –1215). Contemporary Japanese Rinzai is derived entirely from the Ōtōkan lineage transmitted through Hakuin Ekaku (1686–1769), who is a major figure in the revival of the Rinzai tradition. History Rinzai is the Japanese line of the Chinese Linji school, which was founded during the Tang dynasty by Linji Yixuan (Japanese: Rinzai Gigen). Kamakura period (1185–1333) Though there were several attempts to establish Rinzai lines in Japan, it first took root in a lasting way through the efforts of the monk Myōan Eisai. In 1168, Myōan Eisai traveled to China, whereafter he studied Tendai for twenty years. In 1187, he went to China again, and returned to establish a Linji lineage, which is known in Japan as Rinzai. Decades ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daisen-in
The is a sub-temple of Daitoku-ji, a temple of the Rinzai school of Zen in Buddhism, one of the five most important Zen temples of Kyoto. The name means "The Academy of the Great Immortals." Daisen-in was founded by the Zen priest , and was built between 1509 and 1513. The Daisen-in is noted for its screen paintings and for its , or dry landscape garden. The screen paintings inside the temple and the garden are attributed to Sōami ( 1525), a Zen monk, ink painter and follower of the sect of the Amida Buddha. He was particularly known for his use of diluted ink to create delicate and nuanced, misty and ethereal landscapes. His work was influenced by the ink landscape paintings of the Song Dynasty in China. According to art historian Miyeko Murase, the work of Soami represents "the very essence of the serenity of nature, the sacred ideal of all the zen monks and ink painters of the Muromachi period". Rock garden Despite later interpretations on the creation of the Daisen-in's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuho Myocho
- Japanese Zen master of the rinzai school, also known as Daitō Kokushi (大燈 國 師). All the lines of transmission in the rinzai school today are from his teacher. He was the founder and first abbot of the Daitoku-ji (大德寺) in Kyōto, one of Japan's most important temples. Biography He was born in the Harima province near today's Osaka, in the present-day Hyōgo Prefecture. He was an extremely developed child and at the age of 10 he was very disappointed in the world. He was educated by the master Winai. He devoted himself to studying the Buddhist teachings, mainly the "tendai" schools on Mount Shosha, but even these did not fully satisfy him. So he began to practice meditation while still a young man. Soon he went on a pilgrimage to monasteries and hermitages in Japan.Heinrich Dumoulin. ''Zen Buddhism: a History. Japan''. Str. 186 At the age of 21, around 1304, he arrived in Kyoto and entered the Manju monastery, which was then run by Kōhō Kennichi. He di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sen No Rikyū
, also known simply as Rikyū, is considered the historical figure with the most profound influence on ''chanoyu,'' the Japanese "Way of Tea", particularly the tradition of '' wabi-cha''. He was also the first to emphasize several key aspects of the ceremony, including rustic simplicity, directness of approach and honesty of self. Originating from the Sengoku period and the Azuchi–Momoyama period, these aspects of the tea ceremony persist. Rikyū is known by many names; for consistency, he will be referred to as Rikyū in this article. There are three ''iemoto'' (''sōke''), or 'head houses' of the Japanese Way of Tea, that are directly descended from Rikyū: the Omotesenke, Urasenke, and Mushakōjisenke, all three of which are dedicated to passing forward the teachings of their mutual family founder, Rikyū. Early life Rikyū was born in Sakai in present-day Osaka Prefecture. His father was a warehouse owner named , who later in life also used the family name Sen, and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six Persimmons
''Six Persimmons'' () is a 13th-century Chinese painting by the monk Muqi Fachang. It was painted during the Song dynasty. Muqi was one of the two great exponents of the ''spontaneous mode'' of Chinese painting (the other being Liang Kai). It features six persimmons floating on an undefined, but skillfully mottled background. It is painted in blue-black ink on paper.Lee Page 379-380 The painting became famous for the tremendous skill of the brushstrokes. Their subtlety of modeling is often remarked upon. The thick and thin brushstrokes that model the lightest of the persimmons make it seem to float in contrast to the dark one next to it. The treatment of the stems and leaves recall Chinese characters, and reveal brush control at its highest level. Professor James Cahill of the University of California Berkeley devoted an entire lecture to it, available online. {{Quotation, (Six Persimmons is) passion... congealed into a stupendous calm. , Arthur Waley, Waley page 231 It currently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mu Qi
Muqi or Muxi (; Japanese: Mokkei; 1210?–1269?), also known as Fachang (), was a Chinese Chan Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty (1127–1279). Today, he is considered to be one of the greatest Chan painters in history. His ink paintings, such as the Daitokuji triptych and ''Six Persimmons'' are regarded as essential Chan paintings. Muqi's style of painting has also profoundly impacted painters from later periods to follow, especially monk painters in Japan. According to Chinese secondary sources, Muqi's surname was thought to be Li. "Muqi" was his art name, and "Fachang" was, in fact, his formal name in the monastery system. Biography Muqi was born in the early 13th century, approximately around 1200–1210, toward the end of Southern Song Dynasty in China. According to Dr. Aaron Rio, specific life details of Muqi are commonly unknown. However, the scholar stated that Muqi was initially from Sichuan, China. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikkyū
was an eccentric, iconoclastic Japanese Zen Buddhist monk and poet. He had a great impact on the infusion of Japanese art and literature with Zen attitudes and ideals,Kodansha Encyclopedia of Japan, entry "Ikkyū" by James H. Sanford as well as on Zen itself, often breaking religious taboos with his stance against celibacy. Biography Childhood Ikkyū was born in 1394 in a small suburb of Kyoto. It is generally held that he was the son of Emperor Go-Komatsu and a low-ranking court noblewoman. His mother was forced to flee to Saga, where Ikkyū was raised by servants. At the age of five, Ikkyū was separated from his mother and placed in a Rinzai Zen temple in Kyoto called Ankoku-ji, as an acolyte. The temple masters taught Chinese culture and language as part of the curriculum, a method termed . He was given the name Shuken, and learned about Chinese poetry, art and literature. Training When Ikkyū turned thirteen he entered Kennin-ji in Kyoto to study Zen under a well known p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kita-ku, Kyoto
is one of the eleven Wards of Kyoto, wards in the Municipalities of Japan, city of Kyoto, Kyoto, Kyoto, in Kyoto Prefecture, Japan. Its name means "North Ward." As of 2020, the ward has an estimated population of 117,165 people. Hiragino typeface is named after an area in the ward. Demographics Education Universities *Bukkyo University *Kyoto Sangyo University *Ritsumeikan University, Kinugasa Campus *Otani University Primary and secondary schools The community previously had a Chosen gakko, North Korean school, Kyoto Korean No. 3 Elementary School (:ja:京都朝鮮第三初級学校, 京都朝鮮第三初級学校).ウリハッキョ一覧 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agency For Cultural Affairs
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guanyin
Guanyin () is a Bodhisattva associated with compassion. She is the East Asian representation of Avalokiteśvara ( sa, अवलोकितेश्वर) and has been adopted by other Eastern religions, including Chinese folk religion. She was first given the appellation of "Goddess of Mercy" or "Mercy Goddess" by Jesuit missionaries in China. Guanyin is short for Guanshiyin, which means " he One WhoPerceives the Sounds of the World." On the 19th day of the sixth lunar month, Guanyin's attainment of Buddhahood is celebrated. Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus, and then sent to the western pure land of Sukhāvatī. Guanyin is often referred to as the "most widely beloved Buddhist Divinity" with miraculous powers to assist all those who pray to her, as is mentioned in the ''Pumen chapter'' of ''Lotus Sutra'' and ''Kāraṇḍavyūha Sūtra''. Several large temples in East Asia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
