Daigasso! Band Brothers
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Daigasso! Band Brothers
is a music video game published and developed by Nintendo for the Nintendo DS handheld game console. It was released in Japan on December 2, 2004 as a launch game for the Nintendo DS. The game features multiple songs, which include classical music, television themes, and video game music. The game is controlled using both the buttons on the DS as well as its touch screen in certain portions. It uses a variety of different instruments, which are combined selectively in order to compose a song. Besides the primary mode, players may play together, each one playing a different instrument in the song. Players may also compose their own songs. It was to be released in the United States as ''Jam with the Band'', but was never released nor formally cancelled. It has a sequel titled '' Jam with the Band'', which was released in Japan in 2008 and in Europe in 2010. Gameplay The single-player game of Band Brothers includes 35 normal songs, plus three unlockable songs. These are divided ...
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Nintendo Research & Development 2
commonly abbreviated as Nintendo R&D2, was a Japanese team within Nintendo that developed software and peripherals. While usually occupied in system operating software and technical support, the team would come back to early development in the 1990s where several new designers got their start at game development, the most famous being Eiji Aonuma who developed ''Marvelous: Another Treasure Island''. R&D2 was originally led by Masayuki Uemura, who previously worked for Sharp Corporation, using an idea of Sharp's solar technology Uemura's department went on to develop the popular Nintendo beam gun games, selling over 1 million units. Kazuhiko Taniguchi took Uemura's position in 2004. Nintendo R&D2 was later merged into Nintendo Software Planning & Development, Nintendo SPD. History In the 1970s, Nintendo created the R&D2 department. In 2004, the department's general manager Masayuki Uemura retired from Nintendo. Following his retirement, he became a professor at the Ritsumeikan ...
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Abarenbō Shōgun
(Abarenbō Shōgun) was a Japanese television program on the TV Asahi network. Set in the eighteenth century, it showed fictitious events in the life of Yoshimune, the eighth Tokugawa ''shōgun''. The program started in 1978 under the title ''Yoshimune Hyobanki: Abarenbo Shogun'' (''Chronicle in Praise of Yoshimune: The Unfettered Shogun'') who went after rogue councillors and ''daimyō'' who were abusing their power. After a few seasons, they shortened the first two words and the show ran for two decades under the shorter title until the series ended in 2003; a two-hour special aired in 2004. The earliest scripts occasionally wove stories around historic events such as the establishment of firefighting companies of commoners in Edo, but eventually the series adopted a routine of strictly fiction. Along with Zenigata Heiji and Mito Kōmon, it ranks among the longest-running series in the jidaigeki genre. Like many other jidaigeki, it falls in the category of ''kanzen-chōaku ...
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Tritsch-Tratsch-Polka
, Op. 214, is a polka in A major by Johann Strauss II, written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858.Tritsch-Tratsch-Polka
Johann Strauss-Gesellschaft Wien (chit-chat) refers to the Viennese passion for . Strauss may also have been referencing the ' by the famous Austrian dramatist and actor

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Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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Toreador Song
The Toreador Song is the popular name for the aria "" ("I toast you"), from the French opera ''Carmen'', composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy. It is sung by the bullfighter (French: '' toréador'') Escamillo as he enters in act 2 and describes various situations in the bullring, the cheering of the crowds and the fame that comes with victory. The refrain, "", forms the middle part of the prelude to act 1 of ''Carmen''. Music The bass-baritone couplet has a vocal range from B2 to F4 and a tessitura from C3 to E4. Its time signature is common time (4/4), its key is F minor with the refrain in F major. The tempo indication is ''allegro molto moderato'', =108. The orchestra introduces the first melodic section, which is jaunty and flashy. Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfighting ring. In the chorus praising the toreador, the music turns celebratory and co ...
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Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ...
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Trepak (The Nutcracker)
Trepak (russian: Трепак; uk, Трoпак, Трiпак) is one of the character dances from Pyotr Ilyich Tchaikovsky's famous 1892 ballet ''The Nutcracker''. It is based on the traditional Russian and Ukrainian folk dance also called the trepak. In the Ukrainian language the trepak is known as tropak (or tripak).Humeniuk, Andriy (1962): Ukrainian Folk Dances (Українські Hароднi Танцi). Academy of Sciences of the Ukrainian SSR. The piece is also referred to as the Russian dance and is part of the Divertissement in Act II, Tableau III. The other character dances in this divertissement are: Chocolate (Spanish dance), Coffee (Arabian dance) and Tea (Chinese dance). Tchaikovsky's Trepak is written in AABA form. Its tempo is molto vivace – prestissimo, the time signature is , and the key is G major. In popular culture * The Trepak is used in the Disney film ''Fantasia''. In the sequence, flowers take the place of the Cossack dancers, with thistles resemb ...
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Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ...
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Hungarian Dances (Brahms)
The ''Hungarian Dances'' (german: Ungarische Tänze, links=no) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They vary from about a minute to five minutes in length. They are among Brahms's most popular works and were the most profitable for him. Each dance has been arranged for a wide variety of instruments and ensembles. Brahms originally wrote the version for piano four hands (piano duet: two players using one piano) and later arranged the first ten dances for solo piano. Background In 1850 Brahms met the Hungarian violinist Ede Reményi and accompanied him in a number of recitals over the next few years. This was his introduction to "gypsy-style" music such as the '' csardas'', which was later to prove the foundation of his most lucrative and popular compositions, the two sets of ''Hungarian Dances'' (published 1869 and 1880). Only numbers 11, 14 and 16 are entirely original compositions. The better ...
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Johann Strauss Sr
Johann Baptist Strauss I (; also Johann Strauss Sr., the Elder, the Father; 14 March 1804 – 25 September 1849) was an Austrian composer of the Romantic Period. He was famous for his light music, namely waltzes, polkas, and galops, which he popularized alongside Joseph Lanner, thereby setting the foundations for his sons—Johann, Josef and Eduard—to carry on his musical dynasty. He is best known for his composition of the Radetzky March (named after Joseph Radetzky von Radetz). Life and work Johann Strauss was born in Leopoldstadt (now in Vienna). Strauss's parents, Franz Borgias Strauss (10 October 1764 – 5 April 1816) and Barbara Dollmann (3 December 1770 – 28 August 1811), were innkeepers (). He was born a Roman Catholic. Strauss’ mother died of 'creeping fever' when he was seven and five years later his father drowned, possibly as a result of suicide, in the Danube river. Strauss' guardian, the tailor Anton Müller, placed him as an apprentice to the bookbinder, ...
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Radetzky March
"Radetzky March", Op. 228, is a march composed by Johann Strauss Sr. and dedicated to Field Marshal Joseph Radetzky von Radetz. First performed on 31 August 1848 in Vienna, it soon became popular among regimented marching soldiers. It has been noted that its tone is more celebratory than martial; Strauss was commissioned to write the piece to commemorate Radetzky's victory at the Battle of Custoza. Origin Strauss had already used the theme in his ''Jubel-Quadrille'', Op. 130; the upbeat bears a considerable resemblance to the second theme from the Allegro in Joseph Haydn's Symphony No. 100 composed in 1794. The rhythmic pattern—three anapaests, one iamb—has since then been popularised by numerous parody versions. For the trio, Strauss used an older folk melody called ''Alter Tanz aus Wien'' or ''Tinerl-Lied'' (Tinerl was a contemporary Viennese songstress) which was originally in 3/4 time. When Radetzky came back to Vienna after winning the battle of Custoza (1848), h ...
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