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Dabo River Caprice
''Dabo River Caprice'' ''( 达勃河随想曲 )'' is a work for Chinese Orchestra, composed by He Xuntian in 1982. Introduction This piece consists of two movement, the first being adagio and the second, allegretto. It depicts the exotic beauty of Dabo River and the joyful scene of Baima Tibetans living there. For the first time, grand chorus was included in folk orchestral music. This piece was composed in 1982. It has won a number of prizes, including the 1st Prize in the Third National Musical Compositions Competition. It has been performed in more than ten countries around the world. Instrumentation ''Dabo River Caprice'' is scored for the following orchestra: Woodwinds :''Bangdi'' (梆笛) I, II :''Qudi'' (曲笛) I, II :''Hengxiao'' (横箫) I, II :''Gaoyin sheng'' (soprano ''sheng''; 高音笙) :''Zhongyin sheng'' (alto ''sheng''; 中音笙) :''Zhongyin guan'' (alto ''guan''; 中音管) :''Diyin guan'' (bass ''guan''; 低音管) I, II Plucked strings :''Pipa'' (琵 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
He Xuntian
He Xuntian (; born in 1952 in Suining, Sichuan) is a composer and professor of music composition at the Shanghai Conservatory of Music. Biography In 1982, he graduated from the Composition Department of the Sichuan Conservatory of Music. In 1981, he established ''Three Periods Theory'' and ''Theory of Musical Dimension''; In 1982, he developed ''RD Composition ( Composition)'', the first compositional method of contemporary China; In 1993, he established the ''Five Nons'' (Non-Western, non-Eastern, non-academic, non-folk, and non-non.) ; In 1995, ''Sister Drum'' was launched, making him the first Chinese composer to have his record released worldwide. This album, together with a number of others including '' Voices from the Sky'', was released in more than 80 countries with a total sales volume of several million copies; In 1996, he established ''SS Composition (stream of structure Composition)''; In 1997, he put forward ''Theory of Interspace''; In 1998, he became directo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maraca
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liuqin
The ''liuqin'' (Chinese: , pinyin: ) is a three, four or five -stringed Chinese mandolin with a pear-shaped body. The range of its voice is much higher than the ''pipa'', and it has its own special place in Chinese music, whether in orchestral music or in solo pieces. This has been the result of a modernization in its usage in recent years, leading to a gradual elevation in status of the ''liuqin'' from an accompaniment instrument in folk Chinese opera, to an instrument well-appreciated for its unique tonal and acoustic qualities. The position of the instrument is lower than the pipa, being held diagonally like the Chinese ruan and yueqin. Like the ruan and unlike the pipa its strings are elevated by a bridge and the soundboard has two prominent soundholes. Finally, the instrument is played with a pick with similar technique to both ruan and yueqin, whereas the pipa is played with the fingers. Therefore, the liuqin is most commonly played and doubled by those with ruan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suona
''Suona'' (IPA: /swoʊˈnɑː/, ), also called ''dida'' (from Cantonese / '' īdá'), ''laba'' or ''haidi'', is a traditional Chinese music instrument with double-reed horn. The suona's basic design originated in ancient Iran, then called "Surna". Suona appeared in China around the 3rd century. It had a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan, where it has long been used for festival and military purposes. It is still being used, in combination with sheng mouth organs, gongs, drums, and sometimes other instruments in weddings and funeral processions. Such wind and percussion ensembles are called ''chuida'' () or ''guchui'' (; this name refers to the ''suona'' itself in Taiwanese Hokkien). Stephen Jones has written extensively on its use in ritual music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diyingehu
The bass ''gehu'' (低音革胡; pinyin: ''dīyīngéhú'', ; also called ''digehu'' or ''beigehu'' 倍革胡, literally "bass ''gehu''") is a Chinese bowed string instrument in the ''huqin'' family. It was developed by Yang Yusen along with the ''gehu'' in the 20th century. It has four strings and is the Chinese equivalent of the double bass. See also *Gehu *Laruan *Dihu * Dahu *Guqin *Traditional Chinese musical instruments Chinese musical instruments are traditionally grouped into eight categories known as (). The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these group ... * String External links''Diyingehu'' page Chinese musical instruments Drumhead lutes Bowed instruments Contrabass instruments {{huqin-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gehu
The ''gehu'' (革胡; pinyin: géhú) is a Chinese instrument developed in the 20th century by the Chinese musician Yang Yusen ( 杨 雨 森, 1926–1980). It is a fusion of the Chinese huqin family and the cello. Its four strings are also tuned (from low to high) C-G-D-A, exactly like the cello's. Unlike most other musical instruments in the ''huqin'' family, the bridge does not contact the snakeskin, which faces to the side. There is also a contrabass ''gehu'' that functions as a Chinese double bass, known as the ''diyingehu'', ''digehu'', or ''beigehu'' ( 倍 革 胡). By the late 20th century the ''gehu'' had become a rare instrument, even within China, as the tendency for the snakeskin to lose its tightness increases with humidity. Today, it is used mostly in Hong Kong and Taiwan, although even there, the cello is beginning to become a popular replacement for it. There are also other Chinese instruments that are able to take on the role of bowed bass range instrument, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhonghu
The ''zhonghu'' (), short for ''zhongyin erhu'' () is a low-pitched Chinese bowed string instrument. Together with the erhu and gaohu, it is a member of the huqin family. It was developed in the 1940s as the alto member of the huqin family (similar in range to the European viola) to increase the pitch range of the instruments used in a Chinese orchestra. The ''zhonghu'' is analogous with the erhu, but is slightly larger and lower pitched. Its body is covered on the playing end with snakeskin. The instrument has two strings, which are generally tuned to the interval of a fifth, to A and E or to G and D (this latter tuning equivalent to the violin's lowest two strings). Presence in popular music Composer Jeremy Zuckerman has used the ''Zhonghu'' in critically acclaimed shows' music such as Avatar: The Last Airbender and The Legend of Korra. Specifically, he has said in the podcast Song Exploder that along with the ''Erhu'', the ''Zhonghu'' was used in The Legend of Korra's ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhu
The ''erhu'' (; ) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a ''Southern Fiddle'', and is sometimes known in the Western world as the ''Chinese violin'' or a ''Chinese two-stringed fiddle''. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of China. As a very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as pop, rock and jazz. History The ''Erhu'' can be traced back to proto-Mongolic instruments which first appeared in China during the Tang dynasty. It is believed to have evolved from the '' Xiqin'' ( 奚 琴). The xiqin is believed to have originated from the Xi people located in current northeast China. The first Chinese character of the name of the instrument ( 二, ''èr'', two) is believed to come fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaohu
The ''gaohu'' ( 高胡; pinyin: ''gāohú'', ; Cantonese: gou1 wu4; also called ''yuehu'' 粤 胡) is a Chinese bowed string instrument developed from the ''erhu'' in the 1920s by the musician and composer Lü Wencheng (1898–1981) and used in Cantonese music and Cantonese opera. It belongs to the ''huqin'' family of instruments, together with the ''zhonghu'', ''erhu'', ''banhu'', '' jinghu'', and '' sihu''; its name means "high-pitched ''huqin''". It is the leading instrument of Cantonese music and opera ensembles. Well known pieces for the ''gaohu'' include ''Bu Bu Gao'' (步步高, Higher Step By Step) and ''Ping Hu Qiu Yue'' (平湖秋月, Autumn Moon on Calm Lake). Construction and design The ''gaohu'' is similar in construction to the ''erhu'' but has a slightly smaller soundbox, commonly circular, and is tuned a fourth higher, to G4 and D5. Whereas most ''huqin'' are placed on top of the left thigh, the traditional ''gaohu'' is played with the soundbox held in betw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Yunluo
The ''yunluo'' (simplified: 云锣; traditional: 雲鑼 pinyin: yúnluó, ; literally "cloud gongs" or "cloud of gongs"), is a traditional Chinese musical instrument. It is made up of a set of gongs of varying sizes held within a frame. It was also called ''yún'áo'' ( 雲璈) in ancient times. Traditional yunluo The ''yunluo'' is a set of usually ten small tuned gongs mounted in a wooden frame, with each gong being about 9-12 cm in diameter, and the height of the frame being about 52 cm. The ''yunluos gongs are generally of equal diameter but different thicknesses; the thicker gongs produce a higher pitch. It is often used in wind and percussion ensembles in northern China. Old drawings also depict a smaller ''yunluo'' with just five gongs, which was held by a handle by one hand and played with the other. The traditional ''yunluo'' is sometimes referred to as the ''shimianluo'' ( 十面锣; literally "ten faced gongs") to distinguish it from the modern redesigned ''yunluo''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
