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D Sharp Minor
D-sharp minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has six sharps. Its relative major is F-sharp major (or enharmonically G-flat major), and its parallel major is D-sharp major, usually replaced by E-flat major, since D-sharp major's two double-sharps make it impractical to use. Its enharmonic equivalent, E-flat minor, has the same number of flats. The D-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D-sharp harmonic minor and melodic minor scales are: : : Music in D-sharp minor D-sharp minor is infrequently used as the principal key of pieces in the Classical era. More common is notation in E-flat minor, which is a relatively manageable key for many brass instruments and woodwinds. In the 24 canonic keys, most of the composers preferred E-flat minor, while Johann Sebastian Bach, Sergei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Major
F-sharp major (or the key of F) is a major scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has six sharps. The F-sharp major scale is: : Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp minor. Its direct enharmonic, G-flat major, contains the same number of flats in its key signature. Music in F-sharp major F-sharp major is the key of the minuet in Haydn's "Farewell" Symphony, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's "Va, pensiero" from ''Nabucco'', a part of Franz Liszt's Hungarian Rhapsody No. 2, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata. The key was the favorite tonality of Olivier Messiaen, who used it repeatedly throughout his work to express his most exciting or transcendent moods, most notably in the ''Turangalîla-Symphonie''. Like G-flat major, F-sharp major is rarely used in orchestral musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallel Key
In music theory, a major scale and a minor scale that have the same tonic note are called parallel keys and are said to be in a parallel relationship. Forte, Allen (1979). ''Tonal Harmony'', p.9. 3rd edition. Holt, Rinehart, and Wilson. . "When a major and minor scale both begin with the same note ... they are called ''parallel''. Thus we say that the parallel major key of C minor is C major, the parallel minor of C major is C minor." The parallel minor or tonic minor of a particular major key is the minor key based on the same tonic; similarly the parallel major has the same tonic as the minor key. For example, G major and G minor have different modes but both have the same tonic, G; so G minor is said to be the parallel minor of G major. In contrast, a major scale and a minor scale that have the same key signature (and therefore different tonics) are called relative keys. A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picardy Third
A Picardy third, (; french: tierce picarde) also known as a Picardy cadence or Tierce de Picardie, is a major chord of the tonic at the end of a musical section that is either modal or in a minor key. This is achieved by raising the third of the expected minor triad by a semitone to create a major triad, as a form of resolution. For example, instead of a cadence ending on an A minor chord containing the notes A, C, and E, a Picardy third ending would consist of an A major chord containing the notes A, C, and E. The minor third between the A and C of the A minor chord has become a major third in the Picardy third chord. Philosopher Peter Kivy writes: According to Deryck Cooke, "Western composers, expressing the 'rightness' of happiness by means of a major third, expressed the 'wrongness' of grief by means of the minor third, and for centuries, pieces in a minor key had to have a 'happy ending' – a final major chord (the 'tierce de Picardie') or a bare fifth." As a harmonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Well-Tempered Clavier
''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of instruments, most typically the harpsichord or clavichord, but not excluding the organ. The modern German spelling for the collection is ' (WTK; ). Bach gave the title ' to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later, Bach compiled a second book of the same kind (24 pairs of preludes and fugues), which became known as ''The Well-Tempered Clavier'', Part Two (in German: ''Zweyter Theil'', modern spelling: ''Zweiter Teil''). Modern editions usually refer to both parts as ''The Well-Tempered Clavier, Book I'' (WTC I) and ''The Well-Tempered C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Ponce
Manuel María Ponce Cuéllar (8 December 1882 – 24 April 1948) was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a mostly forgotten tradition of popular song and Mexican folklore. Many of his compositions are strongly influenced by the harmonies and form of traditional songs. Biography Early years Born in Fresnillo, Zacatecas, Manuel Maria Ponce moved with his family to the city of Aguascalientes only a few weeks after his birth and lived there until he was 15 years old. He was famous for being a musical prodigy; according to his biographers, he was barely four years of age when, after having listened to the piano classes received by his sister, Josefina, he sat in front of the instrument and interpreted one of the pieces that he had heard. Immediately, his parents had him receive classes in piano and musical notation. Traveling years In 1901 Ponce entered the Nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Lyapunov
Sergei Mikhailovich Lyapunov (or Liapunov; russian: Серге́й Миха́йлович Ляпуно́в, ; 8 November 1924) was a Russian composer, pianist and conductor. Life Lyapunov was born in Yaroslavl in 1859. After the death of his father, Mikhail Lyapunov, when he was about eight, Sergei, his mother, and his two brothers (one of them was Aleksandr Lyapunov, later a notable mathematician) went to live in the larger town of Nizhny Novgorod. There he attended the grammar school along with classes of the newly formed local branch of the Russian Musical Society. On the recommendation of Nikolai Rubinstein, the Director of the Moscow Conservatory of Music, he enrolled in that institution in 1878. His main teachers were Karl Klindworth (piano; a former pupil of Franz Liszt), and Sergei Taneyev (composition; a former pupil of Pyotr Ilyich Tchaikovsky and his successor at the Conservatory). He graduated in 1883, more attracted by the nationalist elements in music of the New Russ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodwinds
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge of a hole in a cylindrical tube. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Minor Scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also has a harmonic form but lacks a melodic form. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). In some contexts, ''minor scale'' is used to refer to any heptatonic scale with this property (see Related modes below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relative minor'' of C major. Every major key has a relative minor, which starts on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Minor Scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also has a harmonic form but lacks a melodic form. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). In some contexts, ''minor scale'' is used to refer to any heptatonic scale with this property (see Related modes below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relative minor'' of C major. Every major key has a relative minor, which start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
