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DMP Digital Music Products
DMP Digital Music Products was one of the first digital recording labels, generally specializing in jazz artists. DMP was founded in 1983 by engineer Tom Jung after leaving Sound 80 recording studios in Minneapolis, Minnesota. The label's first releases in 1983 featured pianist Warren Bernhardt, Jay Leonhart, and the group Flim & the BB's. These were among the first non-classical recordings released on compact disc. DMP was one of the few labels to release commercial Digital Audio Tape, DAT recordings, was at the forefront of introducing numerous digital recording technologies, and was a pioneer in the Super Audio CD Super Audio CD, (SACD) digital audio format. DMP issued the first multichannel SACD, ''Sacred Feast''. Notable artists who recorded for DMP include Lynne Arriale, Joe Beck, Warren Bernhardt, Flim & the BB's, Jay Leonhart, Chuck Loeb, Thom Rotella Band, Bob Mintzer, Joe Morello, and Ali Ryerson. History An audio engineer, Tom Jung co-founded the recording studio Sound ...
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Telarc International Corporation
Telarc International Corporation is an American audiophile independent record label founded in 1977 by two classically trained musicians and former teachers, Jack Renner (recording engineer), Jack Renner and Robert Woods (producer), Robert Woods. Based in Cleveland, Ohio, the label has had a long association with the Cincinnati Symphony Orchestra and the Cleveland Orchestra, as well as with the Atlanta Symphony Orchestra and the St. Louis Symphony, St. Louis Symphony Orchestra. Although it started as a classical music label, Telarc has released jazz, blues and country music recordings. In 1996, Telarc merged with another independent label, Heads Up International, Heads Up, now a Telarc subsidiary. In late 2005 both Telarc and Heads Up were bought by Concord Records. Today both labels operate as semi-autonomous units in the Concord Music Group. The Telarc Sound Telarc is noted for the high quality of its recordings, encapsulated in the slogan "The Telarc Sound". Its 1979 high-def ...
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Chuck Loeb
Charles Samuel "Chuck" Loeb (December 7, 1955 – July 31, 2017) was an American jazz guitarist and a member of the groups Steps Ahead, Metro and Fourplay. Early years and education Loeb was born in Nyack, New York, near New York City. At a young age, he listened to Jimi Hendrix, Eric Clapton, Cream, Led Zeppelin, The Beatles, The Rolling Stones, and Bob Dylan. According to a 2005 ''JazzTimes'' article, the first song he learned on guitar was Dylan's "Like a Rolling Stone", which he would later play at a guest appearance with Dylan. He discovered jazz when he was sixteen through the music of guitarists Wes Montgomery, George Benson, John McLaughlin, and Pat Martino. At that point, Loeb chose to become a musician and "never thought of doing anything else". He studied with local music teachers, then traveled to Philadelphia and became a student of jazz guitarist Dennis Sandole. In New York City, he learned from Jim Hall. For two years he attended Berklee College of Music in ...
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Direct Stream Digital
Direct Stream Digital (DSD) is a trademark used by Sony and Philips for their system for digitally encoding audio signals for the Super Audio CD (SACD). DSD uses pulse-density modulation encoding - a technology to store audio signals on digital storage media which are used for the SACD. The signal is stored as delta-sigma modulated digital audio, which is a sequence of single-bit values at a sampling rate of 2.8224  MHz (64 times the CD audio sampling rate of 44.1 kHz, but only at \tfrac of its 16-bit resolution). Noise shaping occurs by use of the 64-times oversampled signal to reduce noise and distortion caused by the inaccuracy of quantization of the audio signal to a single bit. Therefore, it is a topic of discussion whether it is possible to eliminate distortion in one-bit delta-sigma conversion. Development DSD is a method of storing a delta-sigma signal before applying a decimation process that converts the signal to a PCM signal. Delta-sigma conversion wa ...
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Flutter (electronics And Communication)
In electronics and communication, flutter is the rapid variation of signal parameters, such as amplitude, phase, and frequency. Examples of electronic flutter are: *Rapid variations in received signal levels, such as variations that may be caused by atmospheric disturbances, antenna movements in a high wind, or interaction with other signals. *In radio propagation, a phenomenon in which nearly all radio signals that are usually reflected by ionospheric layers in or above the E-region experience partial or complete absorption. *In radio transmission, rapidly changing signal levels, together with variable multipath time delays, caused by reflection and possible partial absorption of the signal by aircraft flying through the radio beam or common scatter volume. *The variation in the transmission characteristics of a loaded telephone line caused by the action of telegraph direct currents on the loading coils. *In recording and reproducing equipment, the deviation of frequency cau ...
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Wow (recording)
Wow is a relatively slow form of flutter (pitch variation) that can affect gramophone records and tape recorders. For both, the collective expression wow and flutter is commonly used. Gramophone records When playing gramophone records, wow is a once-per-revolution pitch variation which could result from warping of the record or from a pressing plate that was not precisely centered. If the grooves are not centered exactly relative to the spindle hole, the linear velocity of the stylus, instead of dropping gradually as the groove spirals towards the center, varies every revolution to be too high (resulting in a higher pitch) when the stylus is further out, and too low when the stylus is further inwards (resulting in a lower pitch). The more eccentric the positioning, the greater the pitch variation. The cause for "wow"-effects on a warped disc is basically the same; a variation in the linear velocity of the stylus relative to the disc. This can be by either radial warping (simil ...
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Digital Recording
In digital recording, an audio or video signal is converted into a stream of discrete numbers representing the changes over time in air pressure for audio, or chroma and luminance values for video. This number stream is saved to a storage device. To play back a digital recording, the numbers are retrieved and converted back into their original analog audio or video forms so that they can be heard or seen. In a properly matched analog-to-digital converter (ADC) and digital-to-analog converter (DAC) pair the analog signal is accurately reconstructed per the constraints of the Nyquist–Shannon sampling theorem dependent on the sampling rate and quantization error dependent on the audio or video bit depth. Because the signal is stored digitally, assuming proper error detection and correction, the recording is not degraded by copying, storage or interference. Timeline *October 3, 1938: British telephone engineer Alec Harley Reeves files at the French Patent Office the fir ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Ali Ryerson
Ali Ryerson (born 21 October 1952 in New York City) is a flutist with a background in both classical and jazz, as well as being an instructor. She has performed and toured worldwide with a wide range of artists including Billy Taylor, Kenny Barron, Stephane Grappelli, Frank Wess, Red Rodney, Laurindo Almeida, Art Farmer, Maxine Sullivan, Roy Haynes, and (as principal flutist with the Monterey Bay Symphony) with Luciano Pavarotti. She has also released numerous albums under her own name, as well as duo recordings with noted guitarist Joe Beck. Ryerson has toured the U.S., Canada, Europe, Japan and Africa, and has performed in many major jazz festivals, including the Monterey Jazz Festival, the JVC Jazz Festival in New York, Cork Jazz Festival, Guinness Festival in Scotland, Edinburgh Festival in Scotland, and Carnegie Hall. Discography * ''Charles Loos/Ali Ryerson'' (European Music, 1988) * ''Blue Flute'' (Red Baron, 1992) * ''I'll Be Back'' (Red Baron, 1993) * ''Portrai ...
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Joe Morello
Joseph Albert Morello (July 17, 1928 – March 12, 2011) was an American jazz drummer best known for serving as the drummer for pianist Dave Brubeck, as part of the Dave Brubeck Quartet, from 1957 to 1972, including during the quartet's "classic lineup" from 1958 to 1968, which also included alto saxophonist Paul Desmond and bassist Eugene Wright. Morello's facility for playing unusual time signatures and rhythms enabled that group to record a series of albums that explored unusual time signatures. The most notable of these was the first in the series, the 1959 album '' Time Out'', which contained the hit songs "Take Five" and "Blue Rondo à la Turk". In fact, "Take Five", the album's biggest hit (and the first jazz single to sell more than one million copies) was specifically written by Desmond as a way to showcase Morello's ability to play in time. Besides playing with Brubeck, Morello also served as an accompanist for other musicians, including Marian McPartland, Tal Farlow a ...
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Bob Mintzer
Robert Alan Mintzer (born January 27, 1953) is an American jazz saxophonist, composer, arranger, and big band leader. Early life Mintzer was born and raised in a Jewish family in New Rochelle, New York, on January 27, 1953. He attended the Interlochen Arts Academy, Michigan from 1969 to 1970, then was at the Hartt School of Music, Hartford, Connecticut for two years, before attending the Manhattan School of Music from 1972 to 1974. Later life and career Early in his career, Mintzer played in various big bands, including those led by Buddy Rich (1975–77), Thad Jones and Mel Lewis (1977–79), and Sam Jones (1978–80). While with Rich, he began writing big band music, and has since composed and arranged hundreds of pieces. In 2008, Mintzer and his family moved to Los Angeles, where he joined the faculty of the University of Southern California. He is a member of the Grammy award-winning Yellowjackets and holds the Buzz McCoy endowed chair of jazz studies at the University of S ...
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Thom Rotella Band
The surname Thom is of Scottish origin, from the city of Aberdeen, Aberdeenshire and Angus, and is a sept of the Clan MacThomas. Thom is also a first name variant of the abbreviation " Tom" of "Thomas" that holds the "h". People with the surname * Alexander Thom (other), multiple people * Andreas Thom (b. 1965), former German football player * Bing Thom (b. 1940), Canadian architect * Cameron E. Thom (1825–1915), early settler in California, Confederate officer and lawyer * Charles Thom (1872–1956), US microbiologist and mycologist with the standard author abbreviation "Thom" * Cristy Thom (b. 1971), American model, actress and artist * Graeme Thom (born 1967), Zimbabwean cricketer * H. B. Thom (c. 1905–1983), South African rector and Chancellor of the Stellenbosch University * James Thom (other), multiple people * Jess Thom (b. 1980), English comedian * John Thom (soldier) (1891–1941), British lieutenant-colonel, judge and politician * John Hamilton Th ...
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Joe Beck
Joe Beck (July 29, 1945 – July 22, 2008) was an American jazz guitarist who was active for over 30 years. Biography Born in Philadelphia, Beck moved to Manhattan in his teens, playing six nights a week in a trio setting, which gave him an opportunity to meet various people working in the thriving New York music scene. By the time he was 18, Stan Getz hired him to record jingles, and in 1967 he recorded with Miles Davis. By 1968, at age 22, he was a member of the Gil Evans Orchestra. Beck described his early success in an interview near the end of his life: My career happened because I happened to be in the right place at the right time in a very unique time of jazz music. ...when I would finish a gig around two in the morning I would go around the corner to the Playboy Club and sit in with Monty Alexander and let Les Spann take a breather and I would finish the gig for him. Then we would go and listen to Kenny Burrell play around the corner or we would go up to Mintons and lis ...
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