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Désiré Dihau
Désiré Dihau (2 August 1833 – 20 August 1909) was a French bassoonist and composer. He was the bassoonist painted by Edgar Degas in ' with the cellist Louis-Marie Pilet seated behind him. Biography Désiré Hippolyte Dihau was born 2 August 1833 in Lille. Hélène Couturier, « ''About Degas' L'Orchestre de l'Opera'' », International Double Reed Society, volume 8, n° 1, translation Philip Gottling, Association Les Amis du basson français, bulletin n° 9, March 198(read online) He studied music at the Conservatory of his hometown and then at the Conservatoire de Paris where he obtained a First prize of bassoon in 1857 and a second one in 1865. He was at the pulpits of the orchestras of the Théâtre-Lyrique and of the Théâtre des Bouffes-Parisiens. He was also a solo bassoon at the Eldorado, the Cirque d'hiver of Paris for the Pasdeloup Orchestra and at the Théâtre du Châtelet for the Concerts Colonne. Mindy Keyes, « ''Degas, Toulouse-Lautrec and Désiré Diha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri De Toulouse-Lautrec
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman, caricaturist and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the sometimes decadent affairs of those times. Born into the aristocracy, Toulouse-Lautrec broke both his legs around the time of his adolescence and, due to the rare condition Pycnodysostosis, was very short as an adult due to his undersized legs. In addition to his alcoholism, he developed an affinity for brothels and prostitutes that directed the subject matter for many of his works recording many details of the late-19th-century bohemian lifestyle in Paris. Toulouse-Lautrec is among the painters described as being Post-Impressionists, with Paul Cézanne, Vincent van Gogh, Paul Gauguin, and Georges Seurat also commonly considered as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle Le Peletier
The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873). History When Louis XVIII of France, King Louis XVIII's nephew, Charles Ferdinand, Duke of Berry, Charles Ferdinand, duc de Berry, was fatally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Judic
Anne Marie-Louise Damiens, stage name Anna Judic (18 July 1849, Semur-en-Auxois – 15 April 1911, Golfe-Juan) was a French comic actress. Life Niece of Montigny (the director of the Gymnase), in 1866 she entered the Conservatoire de Paris in the class of François-Joseph Regnier, which she left the following year to make her debut at the Théâtre du Gymnase in '' Les Grandes Demoiselles'', a one-act comedy by Edmond Gondinet. However, it was at the Eldorado that she first really became known, in a répertoire of "chansons légères" in which her apparent innocence allowed her to make ruder double-entendres than she might otherwise have done. Over time, she adopted "Judic", the name of her husband whom she had married before she was 17. After the Franco-Prussian War and a spell at the Gaîté, where she was the lead in ''Le Roi Carotte'', an "opéra-féerie" by Jacques Offenbach and Victorien Sardou, she entered the Bouffes-Parisiens where she had her first successes as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Adhémar
Jean Adhémar (18 March 1908 – 30 June 1987) was a French librarian, academic, and art historian. He was born in Paris, France. Adhémar was Curator of the "Cabinet Des Estampes (prints)" at the Bibliothèque Nationale de France from 1932 to 1961, and headed the department from 1961 until 1972. He introduced photography to the Bibliothèque. Adhémar graduated from the École Nationale des Chartes and held a Doctorate ès Lettre from the Sorbonne. He was a professor at the École du Louvre and at the Université Libre de Bruxelles. As a young scholar, Adhémar was an affiliate of the Warburg Institute in London. He introduced France to the ideas and methods of Erwin Panofsky, Meyer Schapiro, and Edgar Wind by broadening its analysis and research to widen the field of human mentality history. He published articles, books, and catalogues, and was considered one of the world's foremost experts on prints (with a predilection for the 19th century). Adhémar was the editor of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pont Des Arts
The Pont des Arts or Passerelle des Arts is a pedestrian bridge in Paris which crosses the River Seine. It links the Institut de France and the central square (''cour carrée'') of the Palais du Louvre, (which had been termed the "Palais des Arts" under the First French Empire). History Between 1802 and 1804, under the government of Napoleon Bonaparte, a nine-arch metallic bridge for pedestrians was constructed at the location of the present day Pont des Arts: this was the first metal bridge in Paris. The engineers Louis-Alexandre de Cessart and Jacques Dillon initially conceived of a bridge which would resemble a suspended garden, with trees, banks of flowers, and benches. Passage across the bridge at that time cost one '' sou''. On 17 March 1975, the French Ministry of Culture listed the Pont des Arts as a national historic monument. In 1976, the Inspector of Bridges and Causeways (''Ponts et Chaussées'') reported several deficiencies on the bridge. More specifically, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institut De France
The (; ) is a French learned society, grouping five , including the Académie Française. It was established in 1795 at the direction of the National Convention. Located on the Quai de Conti in the 6th arrondissement of Paris, the institute manages approximately 1,000 foundations, as well as museums and châteaux open for visit. It also awards prizes and subsidies, which amounted to a total of over €27 million per year in 2017. Most of these prizes are awarded by the institute on the recommendation of the . History The building was originally constructed as the Collège des Quatre-Nations by Cardinal Mazarin, as a school for students from new provinces attached to France under Louis XIV. The inscription over the façade reads "JUL. MAZARIN S.R.E. CARD BASILICAM ET GYMNAS F.C.A M.D.C.LXI", attesting that Mazarin ordered its construction in 1661. The Institut de France was established on 25 October 1795, by the National Convention. On 1 January 2018, Xavier Darcos took ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théodore Duret
Théodore Duret (20 January 1838, Saintes – 16 January 1927, Paris) was a French journalist, author and art critic. He was one of the first advocates of Courbet, Manet, and the Impressionists. One of his best known works is ''Critique d'Avant Garde (Paris, 1885)'' which was written in support of the Impressionist movement. He also served as collecting advisor and buying agent for American art collector Louisine Havemeyer. Biography Theodore Duret was heir to a firm of Cognac dealers, was a collector, orientalist, and art critic. Travels in Asia In September 1871, Duret traveled throughout Asia alongside the collector Henri Cernuschi. Together, the two men visited Japan, China, Mongolia, Java, and Indonesia in an effort to collect art objects and artworks. Duret was particularly interested in purchasing Japanese prints and illustrations. In collecting these objects, he sought to discover what he called "the real Japan." Upon his return to Paris, Duret published his ''Voya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Chat Noir
Le Chat Noir (; French for "The Black Cat") was a nineteenth-century entertainment establishment, in the bohemian Montmartre district of Paris. It was opened on 18 November 1881 at 84 Boulevard de Rochechouart by the impresario Rodolphe Salis, and closed in 1897 not long after Salis' death. ''Le Chat Noir'' is thought to be the first modern cabaret: a nightclub where the patrons sat at tables and drank alcoholic beverages while being entertained by a variety show on stage. The acts were introduced by a master of ceremonies who interacted with well-known patrons at the tables. Its imitators have included cabarets from St. Petersburg (''Stray Dog Café'') to Barcelona ('' Els Quatre Gats'') to London's '' Cave of the Golden Calf''. In its heyday it was a bustling nightclub that was part artist salon, part rowdy music hall. From 1882 to 1895 the cabaret published a weekly magazine with the same name, featuring literary writings, news from the cabaret and Montmartre, poetry, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Dihau
Marie Dihau (12 September 1843 – 14 May 1935) was a French singer, pianist as well as singing and piano teacher. Life Dihau was born in Lille in 1843. She studied music at the Conservatoire de Lille where she obtained a First Prize (music diploma), First prize in 1862. She was the sister of Désiré Dihau, ten years her senior, a bassoon player at the Paris Opera and composer, whose melodies she interpreted. A teacher of singing and piano, she was a pianist by the Concerts ColonneEdgar Degas, ''Mademoiselle Dihau au piano (Degas), Mademoiselle Dihau au piano'', Musée d'Orsay](read online)/ref> and singer at the Orchestre de la Société des concerts du Conservatoire. She divided her time between her hometown and Paris where she settled with her brother after the 1870 Franco-Prussian War. It is in their apartment on Montmartre, at number 6 rue Frochot, that Henri de Toulouse-Lautrec, their cousin, was introduced to Edgar Degas. In 1867-1868, he painted her first portrait, ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Richepin
Jean Richepin (; 4 February 1849 – 12 December 1926) was a French poet, novelist and dramatist. Biography Son of an army doctor, Jean Richepin was born 4 February 1849 at Médéa, French Algeria. At school and at the École Normale Supérieure he gave evidence of brilliant, if somewhat undisciplined, powers, for which he found physical vent in different directions—first as a franc-tireur in the Franco-German War, and afterwards as actor, sailor and stevedore—and an intellectual outlet in the writing of poems, plays and novels which vividly reflected his erratic but unmistakable talent. A play, ''L'Étoile'', written by him in collaboration with André Gill (1840–1885), was produced in 1873; but Richepin was virtually unknown until the publication, in 1876, of a volume of verse entitled ''La Chanson des gueux'', when his outspokenness resulted in his being imprisoned and fined for ''outrage aux mœurs''. The same quality characterized his succeeding volumes of verse: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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