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Duke Ellington's Sacred Concerts
''Sacred Concert'' by Duke Ellington is one of the following realisations: * 1965 - ''Concert of Sacred Music'' * 1968 - ''Second Sacred Concert'' * 1973 - ''Third Sacred Concert'' Ellington called these concerts "the most important thing I have ever done". He said many times that he was not trying to compose a Mass. The critic Gary Giddins has characterized these concerts as Ellington bringing the Cotton Club revue to the church. ''Concert of Sacred Music'' Grace Cathedral in San Francisco planned a "Festival of Grace", with a variety of cultural works and speakers, to occur during the first year the cathedral was open, and Ellington's concert was to be a part of it. (The "festival" also included a performance by Vince Guaraldi.) The concert premiered on September 16, 1965, and was recorded by KQED, a local public television station. The performance was released on CD as ''A Concert of Sacred Music Live from Grace Cathedral'' and on DVD as ''Love You Madly/A Concert of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American Jazz piano, jazz pianist, composer, and leader of his eponymous Big band, jazz orchestra from 1924 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become Standard (music), standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan (1937 song), Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty five-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Trombone
The bass trombone (, ) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two brass instrument valve, valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were pitched a minor third, perfect fourth, fourth, or perfect fifth, fifth below the tenor, which was then pitched in A.Due to the higher concert pitch#History of pitch standards in Western music, church pitch used throughout parts of Renaissance Europe, tenor trombones were usually described as pitched in A, even though they are a similar size to modern B♭ tenor trombones. The first position A = 466 Hz in high pitch produces the B♭ in the modern A440 (pitch standard), 440 Hz pitch standard. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the flugelhorn, the Baritone horn, baritone, and the euphonium. The most frequently encountered trombones are the tenor trombone and bass tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quentin Jackson
Quentin "Butter" JacksonFeather, Leonard & Gitler, Ira ''The Biographical Encyclopedia of Jazz'' Oxford University Press, US, 2007 (January 13, 1909 – October 2, 1976) was an American jazz trombonist. Career In the early stage of his career, Jackson worked with Cab Calloway for eight years. Later, he was a member of the Duke Ellington Orchestra and worked with Charles Mingus, Kenny Burrell, and others. On her album ''Dinah Sings Bessie Smith'', Dinah Washington recorded a version of Bessie Smith's "Trombone Cholly" with Jackson on the horn, under the revised title, "Trombone Butter".Discography With Louis Armstrong *''L ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Cooper
George "Buster" Cooper (April 4, 1929 – May 13, 2016) was an American jazz trombonist. Career A native of St. Petersburg, Florida, United States, Cooper played in a territory band with Nat Towles in Texas in the late 1940s and with Lionel Hampton in 1953. He played in the house band at the Apollo Theater in New York City in the mid-1950s, and following this he was in Benny Goodman's band. Late in the 1950s he and his brother Steve formed the Cooper Brothers Band. From 1962 to 1969, he was a trombonist in Duke Ellington's Orchestra. In 1973, he moved to Los Angeles, and played in jazz orchestras over the next several decades, including Bill Berry's band and The Capp-Pierce Juggernaut. He led a trio at a restaurant in St. Petersburg, Florida. In 1993, Cooper appeared as a jazz trombonist in the film '' Murder Between Friends'', set in New Orleans. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Brown (jazz Trombonist)
Lawrence Brown (August 3, 1907 – September 5, 1988) was an American jazz trombonist from California best remembered for his work with the Duke Ellington orchestra. He was a session musician throughout his career, and also recorded albums under his own name. Early life Lawrence Brown was born on August 3, 1907, in Lawrence, Kansas. When Brown was about six or seven years old in 1914 his family moved to Oakland, California. He began playing the violin at a young age, but quickly grew tired of it and turned to playing the tuba in his school's band. Brown came from a musical background. His father was a preacher at the African Methodist Episcopal Church, where he often sang as a part of his sermons. Brown’s mother played the organ and the piano. Brown discovered the trombone while doing janitorial work at his father’s church. He stated that he wanted to replicate the sound of cello on a trombone. Career Brown began his career with Charlie Echols and Paul Howard. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to the 2nd Millenium BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, appearing in orchestras, concert bands, chamber music groups, and jazz ensembles. They are also common in popular music and are generally included in school bands. Sound is produced by vibrating the lips in a mouthpiece, which starts a standing wave in the air column of the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cootie Williams
Charles Melvin "Cootie" Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter. Biography Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. According to Williams he acquired his nickname as a boy when his father took him to a band concert. When it was over his father asked him what he'd heard and he replied, "Cootie, cootie, cootie." In 1928, he made his first recordings with pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson. Williams rose to prominence as a member of Duke Ellington's orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen. Williams was renowned for his "jungle"-style trumpet playing (in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Jones
Herbie Jones (born Herbert Robert Jones) (March 23, 1926, Miami - March 19, 2001, New York City) was an American jazz trumpeter and arranger. Jones dropped out of college to move to New York, where he joined the Lucky Millinder band. In subsequent years he worked with Andy Kirk, Buddy Johnson, and Cab Calloway, and studied under Eddie Barefield. Jones spent several years as Duke Ellington's first trumpeter in the 1960s, and worked as an arranger and transcriber with Ellington and Billy Strayhorn. Among his arrangements were "El Busto", "Cootie's Caravan", "The Prowling Cat", and "The Opener". After leaving Ellington, Jones became director of an alternative school in New York, and directed the Police Athletic League's bugle corps. He died as a result of complications from diabetes in March 2001. Discography As sideman With Duke Ellington * ''Plays with the Original Motion Picture Score Mary Poppins'' (Reprise, 1964) * ''Ellington '65'' (Reprise, 1964) * ''Concert in the Virg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercer Ellington
Mercer Kennedy Ellington (March 11, 1919 – February 8, 1996) was an American musician, composer, and arranger. His father was Duke Ellington, whose band Mercer led for 20 years after his father's death. Biography Early life and education Ellington was born in Washington, D.C., United States. He was the only child of the composer, pianist, and bandleader Duke Ellington and his high school sweetheart Edna Thompson (d. 1967), whom Duke married in 1918 and never divorced. Ellington grew up primarily in Harlem from the age of eight. By the age of eighteen, Ellington had written his first piece to be recorded by his father ("Pigeons and Peppers"). Ellington attended New College for the Education of Teachers at Columbia University, New York University and the Juilliard School. Career In 1939, 1959, and 1946 through 1949, Ellington led his own bands, many of whose members later performed with his father, or achieved a successful career in their own right (including Dizzy Gillespie, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cat Anderson
William Alonzo "Cat" Anderson (September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register. Biography Early life Born in Greenville, South Carolina, Anderson lost both parents when he was four years old, and was sent to live at the Jenkins Orphanage in Charleston, where he learned to play trumpet. Classmates gave him the nickname "Cat" (which he used all his life) based on his fighting style. Career He toured and made his first recording with the Carolina Cotton Pickers, a small group based at the orphanage. After leaving the Cotton Pickers, Anderson played with guitarist Hartley Toots, Claude Hopkins' big band, Doc Wheeler's Sunset Orchestra (1938–1942), with whom he also recorded, Lucky Millinder, the Erskine Hawkins Orchestra, Sabby Lewis's Orchestra, and Lionel Hampton, with whom he recorded the classic "Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
