Drot Og Marsk
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Drot Og Marsk
''Drot og marsk'' (''King and Marshal'') is an opera by the Danish composer Peter Heise. The libretto, by Christian Richardt, is based on Carsten Hauch's play ''Marsk Stig'' (1850). The opera was first performed at the Royal Theatre, Copenhagen, on 25 September 1878. Roles Synopsis The opera is based on the true story of the murder of the Danish king Eric V of Denmark, Eric Glipping in 1286. The king is an inveterate womaniser and when he seduces Ingeborg, the wife of Stig Andersen Hvide, Marshal Stig, the marshal organises a conspiracy to kill him. Stig is banished and Ingeborg commits suicide. Recordings *''Drot og marsk'', Poul Elming, Bent Norup, Eva Johansson, Aage Haugland, Danish National Radio Choir and Royal Symphony Orchestra, conducted by Michael Schønwaldt (Chandos) Gallery File:Partituret til Drot og Marsk, Heises autograf.jpg, Heise's sheet music Niels Juel Simonsen som marsk Stig ved førsteopførelsen af Drot og Marsk.jpg, Niels Juel Simonsen as Marsk Stig ...
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Drot Og Marsk - Libretto 1989
Drot may refer to: *Jean-Marie Drot, French writer and documentary maker *Drot, pseudonym of Oleksander Tysovsky, founder of the Ukrainian Scouting organization Plast See also

*Drott (other) {{disambig, surname ...
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Poul Elming
Poul Elming (born 21 July 1949, Ålborg) is a Danish opera singer. He began his career as a baritone; making his professional debut in 1979 as a member of the Jutland Opera in Århus. He then pursued studies at the Juilliard School in New York City where his voice was re-trained in the tenor repertoire. In 1989, he made his debut as a tenor at the Royal Danish Theatre as the title hero in Richard Wagner's ''Parsifal ''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival ...''. He has since sung leading roles with major opera companies and festivals throughout the world, including the Bayreuth Festival, the Berlin State Opera, the Liceu, the Lyric Opera of Chicago, the Royal Opera, London, the San Francisco Opera, and the Vienna State Opera among others. References External links Interv ...
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Operas Based On Real People
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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Operas Set In The 13th Century
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas Based On Plays
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas By Peter Heise
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ...
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1878 Operas
Events January–March * January 5 – Russo-Turkish War – Battle of Shipka Pass IV: Russian and Bulgarian forces defeat the Ottoman Empire. * January 9 – Umberto I becomes King of Italy. * January 17 – Battle of Philippopolis: Russian troops defeat the Turks. * January 23 – Benjamin Disraeli orders the British fleet to the Dardanelles. * January 24 – Russian revolutionary Vera Zasulich shoots at Fyodor Trepov, Governor of Saint Petersburg. * January 28 – ''The Yale News'' becomes the first daily college newspaper in the United States. * January 31 – Turkey agrees to an armistice at Adrianople. * February 2 – Greece declares war on the Ottoman Empire. * February 7 – Pope Pius IX dies, after a 31½ year reign (the longest definitely confirmed). * February 8 – The British fleet enters Turkish waters, and anchors off Istanbul; Russia threatens to occupy Istanbul, but does not carry out the threat. * February ...
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Peter Arnold Heise
Peter Heise (11 February 1830 – 12 September 1879) was a Danish composer, best known for the opera ''Drot og Marsk'' (''King and Marshal''). Heise's parents tried to press him into becoming a lawyer, but he scored highly in music at school, so he changed direction. He began writing songs at the age of 19. As a young man he collected several hundred folk songs directly from ordinary people. He used these tunes in ''Tornerose'' (Sleeping Beauty) and ''Bergliot'' (A Danish historical romance). He studied under Niels Wilhelm Gade, who was a major influence on his style. From 1857 to 1865 he was a teacher and organist at Sorø Academy. He did a setting of Hans Christian Andersen's poem ''Jylland mellem tvende Have'' (Jutland between two seas) in 1860. The opera ''Drot og Marsk'' tells the story of the murder of a medieval king, and contains some folk ballads. It shows a Wagnerian influence. His setting of the Shakespeare song ''When I was and a little tiny boy'' and ''Five Eroti ...
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Niels Juel Simonsen
Niels Juel Simonsen (born 16 May 1846 in Copenhagen, died 25 May 1906 also in Copenhagen ) was a Denmark, Danish baritone opera singer, who made his debut in 1874. He gave many performances of Edvard Grieg's songs, in particular ''Den Bergtekne''. References

{{DEFAULTSORT:Simonsen, Niels 19th-century Danish male opera singers Operatic baritones Singers from Copenhagen ...
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Aage Haugland
Aage Haugland (1 February 1944 – 23 December 2000) was a Danish operatic bass. Life and career Haugland was born in Copenhagen and made his professional debut in Oslo in 1968. From 1970 to 1973 he was based in Bremen, and appeared at Den Jyske Opera in Aarhus in 1972. In 1973 he became a member of the Royal Danish Opera, where in 1985 he was made a Kammersanger. His engagements outside Denmark included roles at La Scala, Milan, The Metropolitan Opera, New York City, the Royal Opera House, Covent Garden, the Bayreuth and Salzburg Festivals, the Opéra National de Paris and the Bavarian State Opera in Munich. In 1989 he was honoured as "Person of the Year" by the Danish-American Society of New York. He died of cancer in Lillerød, Denmark. Roles His operatic roles included Fasolt, Hunding and Hagen in ''Der Ring des Nibelungen'', Varlaam, Pimen and Boris in ''Boris Godunov'', King Marke in ''Tristan und Isolde'', Klingsor in ''Parsifal'', Prince Ivan Khovansky in ''Khov ...
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