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Drop A Tuning
This article contains a list of guitar tunings that supplements the article guitar tunings. In particular, this list contains more examples of open and regular tunings, which are discussed in the article on guitar tunings. In addition, this list also notes dropped tunings. Standard tuning E-A-D-g-b-e Throughout, this list references standard tuning, i.e. for comparison. Open Major Major open-tunings give a major chord with the open strings. Open A : E-A-C-E-A-E * Alternatively: A-E-A-E-A-C (one step down from "Open B") * "Slide" Open A: E-A-E-A-C-E (identical to "Open G" tuning but with every string raised one step or two frets) Used by Jimmy Page on "In My Time of Dying" and Jack White on "Seven Nation Army" → Open B : B-F-B-F-B-D * Alternatively: F-B-D-F-B-D Used by Nickelback on "Should've Listened", Devin Townsend in recent years, and Big Wreck on "Albatross". Open C : C-G-C-G-C-E This open C tuning is used by William Ackerman for his "Townsend  ...
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ESP FuniChar D-616 Headstock, With Drop D Fretboard
ESP most commonly refers to: * Extrasensory perception, a paranormal ability ESP may also refer to: Arts, entertainment Music * ESP Guitars, a manufacturer of electric guitars * E.S. Posthumus, an independent music group formed in 2000, that produces cinematic style music * ESP-Disk, a 1960s free-jazz record label based in New York * The Electric Soft Parade, a British band formed in 2001 * Eric Singer Project, side project founded in the 1990s by musician Eric Singer * ESP, a collaboration between Space Tribe and other artists Songs, albums * E.S.P. (Bee Gees album), ''E.S.P.'' (Bee Gees album), 1987 album by the Bee Gees ** E.S.P. (song), "E.S.P." (song), title track of the album * ''E.S.P. (Extra Sexual Persuasion)'', 1983 album by soul singer Millie Jackson * E.S.P. (Miles Davis album), ''E.S.P.'' (Miles Davis album), 1965 album by Miles Davis * "E.S.P.", 1977 song by Masayoshi Takanaka from the album ''An Insatiable High'' * "E.S.P.", 1978 song by Buzzcocks from t ...
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The Great Santa Barbara Oil Slick
''The Great Santa Barbara Oil Slick'' is a live album by American fingerstyle guitarist and composer John Fahey, released posthumously in 2004. History ''The Great Santa Barbara Oil Slick'' consists of previously unreleased live recordings from two shows in 1968 and 1969. The majority comes from a February 1968 performance at The Matrix in San Francisco, CA. The other location is unknown. The title track, not included on any of Fahey's '60s records, contains portions of "Requiem for Russell Blaine Cooper" and "Voice of the Turtle" that appeared on ''Requia'' and ''America'' respectively. Reception On its release in 2004, ''The Great Santa Barbara Oil Slick'' received positive reviews. Critic David Fricke, writing for ''Rolling Stone'' referred to Fahey's "sublime distention of traditional forms". Richie Unterberger called it "...a testament to Fahey's mastery of the tunes" and "a solid addition to the John Fahey canon". Referring to the time period of the live performance, Bill ...
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Joni Mitchell
Roberta Joan "Joni" Mitchell ( Anderson; born November 7, 1943) is a Canadian-American musician, producer, and painter. Among the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her starkly personal lyrics and unconventional compositions, which grew to incorporate pop music, pop and jazz music, jazz influences. She has received many accolades, including ten Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. ''Rolling Stone'' called her "one of the greatest songwriters ever", and AllMusic has stated, "When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century". Mitchell began singing in small nightclubs in Saskatoon, Saskatchewan, and throughout western Canada, before moving on to the nightclubs of Toronto, Ontario. She moved to the United States and began touring in 1965. Some of her original songs ("Urge for Going", "Chelsea ...
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Guitar Open-D Tuning
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the fi ...
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Open D Tuning
Open D tuning is an open tuning for the acoustic or electric guitar. The open string notes in this tuning are (from lowest to highest): D A D F A D. It uses the three notes that form the triad of a D major chord: D, the root note; A, the perfect fifth; and F, the major third. To tune a guitar from standard tuning to open D tuning, lower the 1st (high-E) string down a full step to D, 2nd (B) string down a full step to A, 3rd (G) string down a half step to F, and 6th (low-E) string down a full step to D. In this tuning, when the guitar is strummed without fretting any of the strings, a D major chord is sounded. This means that any major chord can be easily created using one finger, fretting all the strings at once (also known as barring); for example, fretting all the strings at the second fret will produce an E major, at the third fret an F major, and so on up the neck. Open D tuning is very popular with slide guitar (or 'bottleneck') players, as it allows them to play ...
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Bad Company (album)
''Bad Company'' is the debut studio album by the English hard rock supergroup Bad Company. The album was recorded at Headley Grange with Ronnie Lane's Mobile Studio in November 1973, and it was the first album released on Led Zeppelin's Swan Song Records label. Reception and legacy The album reached the top of the US ''Billboard'' 200. Since then, the album has been certified five times platinum by the RIAA, and became the 46th best selling album of the 1970s. The album spent 25 weeks in the UK Albums Chart, entering at No. 10 on June 15, 1974, and reaching its highest position of No. 3 in the second week. ''Kerrang!'' magazine listed the album at No. 40 among the "100 Greatest Heavy Metal Albums of All Time". The album was also included in the book ''1001 Albums You Must Hear Before You Die''. In 2000 it was voted number 323 in Colin Larkin's ''All Time Top 1000 Albums''. The singles " Can't Get Enough" and " Movin' On" peaked at No. 5 and No. 19 on the ''Billboard'' Ho ...
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Can't Get Enough (Bad Company Song)
"Can't Get Enough" is the debut single by English rock supergroup Bad Company. Appearing on the band's 1974 self-titled debut album, it is their biggest hit and is considered their most popular song. It reached No. 5 on the ''Billboard'' Hot 100 singles chart and No. 1 on '' Cashbox'' magazine's Top 100 Singles chart. The song is also frequently played on classic rock radio stations. Composition The song is credited to guitarist Mick Ralphs, who tuned his guitar in the open-C tuning C-C-G-C-E-C. Ralphs stated that "It never really sounds right in standard tuning. It needs the open C to have that ring." ''Billboard'' described "Can't Get Enough" as a "good, solid rocker" and praised Paul Rodgers' vocal performance. ''Cash Box'' called it "one of the best rockers to come out of Britain in years," describing it as "Top 40 oriented with a heavier flair." Personnel *Paul Rodgers - vocals, rhythm guitar * Mick Ralphs - lead guitar *Boz Burrell - bass *Simon Kirke - drums ...
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Mick Ralphs
Michael Geoffrey Ralphs (born 31 March 1944, Herefordshire) is an English musician, vocalist and songwriter, who was a founding member of rock bands Mott the Hoople and Bad Company. Career Ralphs began his career as a teenager, playing with blues-rock band the Buddies. He released a single with that group in 1964 before joining the Mod Doc Thomas Group in 1966. After an eponymous Italian album debut, the band changed its name twice, first to Silence in 1968 and then, in 1969, to Mott the Hoople. Ralphs remained with Mott until 1973. In 1973, he founded Bad Company along with vocalist Paul Rodgers from Free. The band's debut album in 1974 included the Ralphs'-penned hit " Can't Get Enough", for which Ralphs tuned his guitar in the open-C tuning C-G-C-G-C-E, stating, "It never really sounds right in standard tuning. It needs the open C to have that ring." The debut album reached number one in the United States. Ralphs continued to record and tour with Bad Company unti ...
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Harmonic Series (music)
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument. Because of the typical spacing of the resonances, these frequencies are mostly limited to integer multiples, or harmonics, of the lowest frequency, and such multiples form the harmonic series. The musical pitch of a note is usually perceived as the lowest partial present (the fundamental frequency), which may be the one created by vibration over the full length of the string or air co ...
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Major-thirds Tuning
Among alternative tunings for guitar, a major-thirds tuning is a regular tuning in which each interval between successive open strings is a major third ("M3" in musical abbreviation). Other names for major-thirds tuning include major-third tuning, M3 tuning, all-thirds tuning, and augmented tuning. By definition, a major-third interval separates two notes that differ by exactly four semitones (one-third of the twelve-note octave). The Spanish guitar's tuning mixes four perfect fourths (five semitones) and one major-third, the latter occurring between the G and B strings: :E–A–D–''G''–''B''–E. This tuning, which is used for acoustic and electric guitars, is called "''standard''" in English, a convention that is followed in this article. While standard tuning is irregular, mixing four fourths and one major third, M3 tunings are regular: Only major-third intervals occur between the successive strings of the M3 tunings, for example, the open augmented ...
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Repetitive Tuning
Repetitive tunings are alternative tunings for the guitar. A repetitive tuning begins with a list of notes that is duplicated, either at unison or at higher octaves. Among regular tunings, there are four repetitive-tunings (besides trivially repetitive tunings such as C-C-C-C-C-C); this article discusses three minor-thirds tuning, major-thirds tuning, and augmented-fourths tuning (but not major seconds tuning, which is not repetitive on six strings). Among open tunings, there are repetitive versions of open C tuning and open G tuning, which have been associated with the English and Russian guitars, respectively. Repetition eases the learning of fretboard and chords and eases improvisation. For example, in major-thirds tuning, chords are raised an octave by shifting fingers by three strings on the same frets. Repetitive tunings are listed after their number of open pitches. For example, the repetitive open-C tuning C-E-G-C-E-G has three open-pitches, each of which is associat ...
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English Guitar
The English guitar or guittar (also citra), is a stringed instrument – a type of cittern – popular in many places in Europe from around 1750–1850. It is unknown when the identifier "English" became connected to the instrument: at the time of its introduction to Great Britain, and during its period of popularity, it was apparently simply known as ''guitar'' or ''guittar''. The instrument was also known in Norway as a ''guitarre'' and France as ''cistre'' or ''guitarre allemande'' (German guitar). There are many examples in Norwegian museums, like the Norsk Folkemuseum and in British ones, including the Victoria and Albert Museum. The English guitar has a pear-shaped body, a flat base, and a short neck. The instrument is also related to the Portuguese guitar and the German waldzither. Early examples had tuning pegs (similar to a violin or lute), but many museum examples have what are commonly referred to now as Preston tuners, an innovation that appears closely linked with the ...
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