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Dreamtiger
__NOTOC__ Specializing in chamber music and Eastern influences in 20th-century music, British contemporary music ensemble Dreamtiger was created and directed by composer Douglas Young (born 1947) in 1974Hill (1986), liner notes while he was studying at Trinity College in Cambridge.Young (1980), program notes Membership Named after a Jorge Luis Borges short story, Dreamtiger performed in variable configurations, from duo to sextet. It was formed around the core membership of pianist, composer and musical director Douglas Young, virtuoso flutist Kathryn Lukas, pianist Peter Hill (who recorded Messiaen's complete works for piano on Unicorn-Kanchana in 1986), as well as Arditti Quartet member and AMM occasional collaborator Rohan de Saram. Other members between 1974 and 1984 have included soprano Margaret Field,Dreamtiger (1979), program notes John Mayer (tampura), Alexander Bălănescu (violin), James Wood (percussion), Schaun Tozer (pianist, composer, member of The Lost Jockey ...
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Kathryn Lukas
Kathryn Lukas (Kate Lukas) is a contemporary flute performer and teacher. She is Professor of Music (Flute) at the Jacobs School of Music at Indiana University. She has taught at the Guildhall School of Music and recorded contemporary flute repertoire for the BBC. As a member of the Ensemble Dreamtiger, which included cellist Rohan de Saram, pianist (now Professor) Peter Hill, and pianist / composer Douglas Young, Kathryn Lukas recorded ''East-West Encounters'' for Cameo Classics. This CD is now distributed by Nimbus Records. Lukas played flute on English punk band Wire's song "Strange", which featured on their 1977 album '' Pink Flag ''. She also played flute on "Heartbeat" from their 1978 album ''Chairs Missing ''Chairs Missing'' is the second studio album by English rock band Wire. It was released on 8 September 1978 by Harvest Records. The album peaked at number 48 in the UK Albums Chart. Although it features some of the minimalist punk rock of the ...''. ReferencesBriti ...
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James Wood (composer)
James Wood (born 27 May 1953 in Barton-on-Sea, England) is a British conductor, composer of contemporary classical music and former percussionist. Wood studied composition with Nadia Boulanger in Paris from 1971 to 1972 before going on to study music at Cambridge University, where he was organ scholar of Sidney Sussex College from 1972 until 1975. After graduating from Cambridge he went on to study percussion and conducting at the Royal Academy of Music, London, from 1975 until 1976. After a further year studying percussion privately with Nicholas Cole, Wood embarked on a triple career as percussionist, composer and conductor. Career In 1977 he was appointed conductor of the Schola Cantorum of Oxford, a post which he held until 1981, and immediately following this he founded the New London Chamber Choir, of which he was principal conductor for twenty-six years until moving to Germany in 2007. New London Chamber Choir (NLCC) During his time with NLCC he pioneered a large amount of ...
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Jorge Luis Borges
Jorge Francisco Isidoro Luis Borges Acevedo (; ; 24 August 1899 – 14 June 1986) was an Argentine short-story writer, essayist, poet and translator, as well as a key figure in Spanish-language and international literature. His best-known books, ''Ficciones'' (''Fictions'') and '' El Aleph'' (''The Aleph''), published in the 1940s, are collections of short stories exploring themes of dreams, labyrinths, chance, infinity, archives, mirrors, fictional writers and mythology. Borges' works have contributed to philosophical literature and the fantasy genre, and majorly influenced the magic realist movement in 20th century Latin American literature.Theo L. D'Haen (1995) "Magical Realism and Postmodernism: Decentering Privileged Centers", in: Louis P. Zamora and Wendy B. Faris, ''Magical Realism: Theory, History and Community''. Duhan and London, Duke University Press, pp. 191–208. Born in Buenos Aires, Borges later moved with his family to Switzerland in 1914, where he studied ...
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Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels ...
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Toru Takemitsu
TORU or Toru may refer to: *TORU, spacecraft system *Toru (given name), Japanese male given name *Toru, Pakistan, village in Mardan District of Khyber-Pakhtunkhwa, Pakistan *Tõru Tõru is a village in Saaremaa Parish, Saare County in western Estonia. Before the administrative reform in 2017, the village was in Lääne-Saare Parish Lääne-Saare Parish ( et, Lääne-Saare vald) was a rural municipality of Estonia, in S ...
, village in Kaarma Parish, Saare County, Estonia {{disambiguation, geo ...
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George Crumb
George Henry Crumb Jr. (24 October 1929 – 6 February 2022) was an American composer of avant-garde contemporary classical music. Early in his life he rejected the widespread modernist usage of serialism, developing a highly personal musical language which "range in mood from peaceful to nightmarish". Crumb's compositions are known for pushing the limits of technical prowess by way of frequent use of extended techniques. The unusual timbres he employs evoke a surrealist atmosphere which portray emotions of considerable intensity with vast and sometimes haunting soundscapes. His few large-scale works include '' Echoes of Time and the River'' (1967), which won the 1968 Pulitzer Prize for Music, and ''Star-Child'' (1977), which won the 2001 Grammy Award for Best Contemporary Classical Composition; however, his output consists of mostly music for chamber ensembles or solo instrumentalists. Among his best known compositions are '' Black Angels'' (1970), a striking commentary on the ...
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John Foulds
John Herbert Foulds (; 2 November 188025 April 1939) was an English cellist and composer of classical music. He was largely self-taught as a composer, and belongs among the figures of the English Musical Renaissance. A successful composer of light music and theatre scores, his principal creative energies went into more ambitious and exploratory works that were particularly influenced by Indian music. Suffering a setback after the decline in popularity of his '' World Requiem'' (1919–1921), he left London for Paris in 1927, and eventually travelled to India in 1935 where, among other things, he collected folk music, composed pieces for traditional Indian instrument ensembles, and worked in radio and became Director of All India Radio in Delhi in 1937. Foulds was an adventurous figure of great innate musicality and superb technical skill. Among his best works are ''Three Mantras'' for orchestra and wordless chorus (1919–1930), ''Essays in the Modes'' for piano (1920–1927), ...
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Giacinto Scelsi
Giacinto Francesco Maria Scelsi (; 8 January 1905 – 9 August 1988, sometimes cited as 8 August 1988) was an Italian composer who also wrote surrealist poetry in French. He is best known for having composed music based around only one pitch, altered in all manners through microtonal oscillations, harmonic allusions, and changes in timbre and dynamics, as paradigmatically exemplified in his ''Quattro pezzi su una nota sola'' ("Four Pieces on a single note", 1959). This composition remains his most famous work and one of the few performed to significant recognition during his lifetime. His musical output, which encompassed all Western classical genres except scenic music, remained largely undiscovered even within contemporary musical circles during most of his life. Today, some of his music has gained popularity in certain postmodern composition circles, with pieces like his "Anahit" and his String Quartets rising to increased prominence. Scelsi collaborated with American comp ...
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Luigi Dallapiccola
Luigi Dallapiccola (February 3, 1904 – February 19, 1975) was an Italian composer known for his lyrical twelve-tone compositions. Biography Dallapiccola was born in Pisino d'Istria (at the time part of Austria-Hungary, current Pazin, Croatia), to Italian parents. Unlike many composers born into highly musical environments, his early musical career was irregular at best. Political disputes over his birthplace of Istria, then part of the Austro-Hungarian empire, led to instability and frequent moves. His father was headmaster of an Italian-language school – the only one in the city – which was shut down at the start of World War I. The family, considered politically subversive, was placed in internment at Graz, Austria, where the budding composer did not even have access to a piano, though he did attend performances at the local opera house, which cemented his desire to pursue composition as a career. Once back in his hometown Pisino after the war, he travelled f ...
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Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ...
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Arts Council Of Great Britain
The Arts Council of Great Britain was a non-departmental public body dedicated to the promotion of the fine arts in Great Britain. It was divided in 1994 to form the Arts Council of England (now Arts Council England), the Scottish Arts Council (later merged into Creative Scotland), and the Arts Council of Wales. At the same time the National Lottery was established and these three arts councils, plus the Arts Council of Northern Ireland, became distribution bodies. History In January 1940, during the Second World War, the Council for the Encouragement of Music and the Arts (CEMA), was appointed to help promote and maintain British culture. Chaired by Lord De La Warr, President of the Board of Education, the council was government-funded and after the war was renamed the Arts Council of Great Britain. Reginald Jacques was appointed musical director, with Sir Henry Walford Davies and George Dyson also involved. John Denison took over after the war. A royal charter was grante ...
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John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ...
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