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Downtown (Petula Clark Song)
"Downtown" is a song written and produced by Tony Hatch. The 1964 version recorded by Petula Clark became an international hit, reaching number one on the ''Billboard'' Hot 100 and number two on the UK Singles Chart. Hatch received the 1981 Ivor Novello award for Best Song Musically and Lyrically. The song has been covered by many singers, including Dolly Parton, Emma Bunton and The Saw Doctors. Composition Tony Hatch first worked with Petula Clark when he assisted her producer Alan A. Freeman on her 1961 1 hit "Sailor". In 1963 Freeman asked Hatch to take over as Clark's regular producer. Hatch subsequently produced five English-language singles for Clark, none of which charted. In the autumn of 1964 Hatch made his first visit to New York City, spending three days there in search of material from music publishers for the artists he was producing. He recalled, "I was staying at a hotel on Central Park and I wandered down to Broadway and to Times Square and, naively, I thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petula Clark
Petula Sally Olwen Clark, CBE (born 15 November 1932) is an English singer, actress, and composer. She has one of the longest serving careers of a British singer, spanning more than seven decades. Clark's professional career began during the Second World War as a child entertainer on BBC Radio. In 1954 she charted with "The Little Shoemaker", the first of her big UK hits, and within two years she began recording in French. Her international successes have included " ''Prends mon coeur''", "Sailor" (a UK number one), "Romeo", and " Chariot". Hits in German, Italian and Spanish followed. In late 1964 Clark's success extended to the United States with a four-year run of career-defining, often upbeat singles, many written or co-written by Tony Hatch and Jackie Trent. These songs include her signature song " Downtown", "I Know a Place", " My Love", " A Sign of the Times", " I Couldn't Live Without Your Love", "Who Am I", " Colour My World", " This Is My Song" (by Charles Chaplin), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julie Grant
Julie Grant (born 12 July 1946) is an English pop music singer, who was mainly active during the 1960s. She had three hits on the UK Singles Chart with " Up on the Roof", "Count on Me" (both 1963) and "Come to Me" (1964). She also recorded a cover version of " Every Day I Have to Cry" (1964). Grant was a contemporary of Petula Clark and Cilla Black, and Allmusic journalist, Richie Unterberger, noted "she had a strong, versatile voice" but was hindered by "her inability to carve out a recognizable stylistic niche". Early life Julie Grant was born Vivien Foreman in Blackpool, Lancashire, England. When Grant was aged 16 months old her family – besides her parents, she had an older brother and sister – relocated to Cape Town where, at the age of four, she won a local talent contest. Her prize was the opportunity to perform a concert with a local orchestra, who invited Grant to sing with them regularly for a couple of years. Grant subsequently lived with her family for brief p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Up On The Roof (song)
"Up on the Roof" is a song written by Gerry Goffin and Carole King and recorded in 1962 by The Drifters. Released late that year, the disc became a major hit in early 1963, reaching number 5 on the U.S. pop singles chart and number 4 on the U.S. R&B singles chart. In the UK it was a top ten success for singer Kenny Lynch, whose version was also released in 1962. Content In addition to the hit appeal of the "second Drifters" lineup, "Up on the Roof" epitomized the urban romantic dream as presented by New York City Brill Building writers: Personnel Credits are adapted from the liner notes of ''Atlantic Rhythm And Blues 1947–1974''. *Rudy Lewis - lead vocals *Tommy Evans, Gene Pearson, Charlie Thomas – backing vocals *Don Arnone, Bob Bushnell, Al Casamenti – guitars *Ernie Hayes, Carole King – keyboards * George Duvivier – bass *Gary Chester – drums *George Devens, Bobby Rosengarden – percussion *Jimmy Nottingham, Jimmy Sedler – trumpets *Jimmy Cleveland, Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweets For My Sweet
"Sweets for My Sweet" is a song written by the songwriting team of Doc Pomus and Mort Shuman, originally recorded by American doo-wop and R&B/soul vocal group the Drifters. The Drifters version The group's first single featuring Charlie Thomas on lead vocal, "Sweets for My Sweet" reached 16 on the ''Billboard'' Hot 100 and No. 10 on the R&B chart, in October 1961. This was one of the few post-1958 Drifters singles that did not feature a string section. The song has a strong piano and bongo-led Cuban-style cha-cha rhythm. It also featured Jimmy Radcliffe and four female backup vocalists, all of whom would later have hit records: Cissy Houston, Doris Troy, Dionne Warwick, and Dee Dee Warwick. The recording also features an up-in-front piano provided by co-writer Mort Shuman. Other musicians on the recording included George Barnes and Allan Hanlon on guitar, Abie Baker on bass, Ed Shaughnessy and Gary Chester on drums and Bobby Rosengarden and Ray Kessler on percussion. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sugar And Spice (The Searchers Song)
"Sugar and Spice" is a 1963 song by Merseybeat band The Searchers written by Tony Hatch under the pseudonym Fred Nightingale. It made #2 on the UK charts (on Pye), #44 in the USA charts, and #11 in the Canadian CHUM Charts. The Searchers recorded a German interpretation of the song entitled ''Süß ist sie' and also the French rendering ''C'est De Notre Age'' released in both countries by French Record Label, Disques Vogue. Background The composer and producer of "Sugar and Spice", Tony Hatch, had produced the precedent Searchers' single: a cover of the Drifters' "Sweets for My Sweet", which had afforded the Searchers a #1 UK hit. Hatch, having written "Sugar and Spice" on the template of "Sweets for My Sweet", pitched his original song to the Searchers as the work of an as-yet unknown songwriter named Fred Nightingale, as Hatch felt the group might be dismissive of the song if they knew it to be their producer's work. The first line of the chorus,"Sugar and spice and all things ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Searchers (band)
The Searchers were an English Merseybeat group who emerged during the British Invasion of the 1960s. The band's hits include a remake of the Drifters' 1961 hit, "Sweets for My Sweet"; " Sugar and Spice" (written by their producer Tony Hatch); remakes of Jackie DeShannon's " Needles and Pins" and "When You Walk in the Room"; a cover of the Orlons' "Don't Throw Your Love Away"; and a cover of the Clovers' " Love Potion No. 9". With the Swinging Blue Jeans, the Searchers tied for being the second group from Liverpool, after the Beatles, to have a hit in the US when their "Needles and Pins" and the Swinging Blue Jeans' "Hippy Hippy Shake" both reached the Hot 100 on 7 March 1964. Band history Origins Founded as a skiffle group in Liverpool in 1959 by John McNally and Mike Pender, the band took their name from the 1956 John Ford western film ''The Searchers''. The band grew out of an earlier skiffle group formed by McNally in 1957, with his friends Brian Dolan (guitar) and Tony Wes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Drifters
The Drifters are several American doo-wop and R&B/Soul music, soul vocal groups. They were originally formed as a backing group for Clyde McPhatter, formerly the lead tenor of Billy Ward and his Dominoes in 1953. The second group of Drifters, formed in 1959 and led by Ben E. King, were originally an up-and-coming group named The Five Crowns. After 1965 members drifted in and out of both groups and many of these formed other groups of Drifters as well. Several groups of Drifters can trace roots back to these original groups, but contain few if any original members. According to ''Rolling Stone'', the Drifters were the least stable of the great vocal groups, as they were low-paid musicians hired by George Treadwell, who owned the Drifters' name from 1955, after McPhatter left. The Treadwell Drifters line has had 60 musicians, including several splinter groups by former Drifters members (not under Treadwell's management). These groups are usually identified with a possessive credit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doo-wop
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Numbered Streets In Manhattan
The New York City Borough (New York City), borough of Manhattan contains 214 numbered east–west streets ranging from 1st to 228th, the majority of them designated in the Commissioners' Plan of 1811. These streets do not run exactly east–west, because the grid plan is aligned with the Hudson River, rather than with the cardinal directions. Thus, the majority of the Manhattan grid's "west" is approximately 29 degrees north of true west; the angle differs above 155th Street, where the grid initially ended. The grid now covers the length of the island from 14th Street (Manhattan), 14th Street north. All numbered streets carry an East or West prefix – for example, East 10th Street or West 10th Street – which is demarcated at Broadway (Manhattan), Broadway below 8th Street (Manhattan), 8th Street, and at Fifth Avenue at 8th Street and above. The numbered streets carry crosstown traffic. In general, but with numerous exceptions, even-numbered streets are one-way eastboun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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