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Double Flute
The ''double flute'' is an ancient category of wind instrument, a set of flutes that falls under more than one modern category in the Hornbostel Sachs system of musical instrument classification. The flutes may be double because they have parallel pipes that are connected with a single duct. They may be "double vertical flutes" without a duct. There is also a double-transverse flutes. Double flutes are not the same as double pipes, which are reed instruments. Background Flutes use resonant pipes to make their sound, whereas pipes use vibrating reeds. The sounding mechanisms for the two types of instrument are different. Double flutes can be divided into instruments that consist of a melody pipe matched with a drone pipe, and chord flutes in which the instruments can play the same melody at the same time in two different pitches. Some forms of double flute include: * some types of Native American flutes * the Serbian dvojnice, can be either a flute or a reed pipe. * the Bulgar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alghoza
Alghoza is a paired woodwind instrument. It is traditionally used by Baloch, Saraiki, Sindhi, Kutchi, Punjabi and Rajasthani folk musicians. It consists of two joined beak flutes, one for melody, the second for drone. The flutes are either tied together or may be held together loosely with the hands. A continuous flow of air is necessary as the player blows into the two flutes simultaneously. The quick recapturing of breath on each beat creates a bouncing, swinging rhythm. The wooden instrument initially comprised two flute pipes of the same length but over time, one of them was shortened for sound purposes. In the world of Alghoza playing, the two flute pipes are a couple — the longer one is the male and the shorter one the female instrument. With the use of beeswax, the instrument can be scaled to any tune. Origin It originated at around 7500 BC in Mesopotamia, it then reached Iran and eventually Pakistan with some modifications. Some Mesopotamian archaic paintings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mijwiz
The ''mijwiz'' ( ar, , DIN: ''miǧwiz'') is a traditional Middle East musical instrument popular in Palestine, Lebanon, Jordan and Syria. Its name in Arabic means "dual," because of its consisting of two, short, bamboo pipes with reed tips put together, making the mijwiz a double-pipe, single-reed woodwind instrument. Background The mijwiz consists of two pipes of equal length; each pipe has around five or six small holes for fingering. It requires a special playing technique known as "circular breathing," which is tricky but produces a continuous tone, without pausing to take a breath. The mijwiz is played in the Levant as an accompaniment to either belly dancing or dabke, the folkloric line dance of the Levant. The mijwiz is most popular today in the Levant (Palestine, Lebanon, Syria and Jordan. Many popular folk songs either include the mijwiz on recordings, or include the instrument's name in the song's lyrics. One example is the famous Lebanese dabke song "Jeeb el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungi
The pungi (Hindi: पुंगी, ur, پُنگیپُنگی, Burmese: ပုန်ဂိ), originates from the Indian subcontinent. The instrument consists of a reservoir into which air is blown and then channelled into two reed pipes. It is played with no pauses, as the player employs circular breathing. In street performances, the pungi is used for snake charming. History The pungi is an Indian folk music instrument that is mostly played by cobra charmers in Sindh, Pakistan, and Rajasthan, India. The instrument is made from a dry hollowed gourd with two bamboo attachments. It is also a double-reed instrument. The pungi is played by Jogi in the Thar desert. It was theorized that it was made not just for snake charming, but to make people enter a half-conscious state as part of a religious practice. It is in particular played by snake charmers, mostly in the Terai and Nepal, to arouse snakes to dance. The instrument has a high, thin tone and continuous low humming. It ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulos
An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was usually a double-reeded instrument, and its sound—described as "penetrating, insisting and exciting"—was more akin to that of the bagpipes, with a chanter and (modulated) drone. An aulete (, ) was the musician who performed on an ''aulos''. The ancient Roman equivalent was the ''tibicen'' (plural ''tibicines''), from the Latin ''tibia,'' "pipe, ''aulos''." The neologism aulode is sometimes used by analogy with ''rhapsode'' and ''citharode'' ( citharede) to refer to an ''aulos'' player, who may also be called an aulist; however, aulode more commonly refers to a singer who sang the accompaniment to a piece played on the aulos. Background There were several kinds of ''aulos'', single or double. The most common variety was a reed instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music In Ancient Greece
Music was almost universally present in ancient Greek society, from marriages, funerals, and religious ceremonies to theatre, folk music, and the ballad-like reciting of epic poetry. It thus played an integral role in the lives of ancient Greeks. There are some fragments of actual Greek musical notation, many literary references, depictions on ceramics and relevant archaeological remains, such that some things can be known—or reasonably surmised—about what the music sounded like, the general role of music in society, the economics of music, the importance of a professional caste of musicians, etc. The word ''music'' comes from the Muses, the daughters of Zeus and patron goddesses of creative and intellectual endeavours. Concerning the origin of music and musical instruments: the history of music in ancient Greece is so closely interwoven with Greek mythology and legend that it is often difficult to surmise what is historically true and what is myth. The music and music the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svirel
Svirel (russian: свирель) is a folk Russian wind instrument of the end-blown flute type. ''Classification: Aerophone-Whistle Flute-recorder.'' It is a parallel-bore flute. Six-hole versions are similar to the tin whistle; ten-holes are fully chromatic. In the Old Rus' this instrument was made either of hollow reed or cylindrical wood branches. A legend says that Lel', son of the Slavic goddess of love Lada was a svirel player. In spring he would make his svirel of birch branches. Traditional Russian svirel has not yet been studied well enough. Specialists have long tried to relate the present day's pipe instruments to their Old Russian names. Most often the chroniclers used three names for this type instruments: svirel, sopel (sopilka) and tsevnitsa. The Ukrainian term for such fifes is sopilka, the Belorussian dudka. Etymology The word svirel is older in origin than sopel, as it can be found in Proto-Slavic. This suggests that the word predates the division of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fipple Flute
The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle. The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes the fipple, itself. Nomenclature The accompanying illustration of the mouthpiece of a recorder shows a wooden block (A) with a channel carved into the body of the instrument (B), together forming a duct that directs a ribbon of air across an opening toward a sharp edge (C). The edge splits the air in a manner that alternately directs it into and outside of the tube, setting the contained column of air into periodic vibration. This flow-controlled "air reed" is a definitive characteristic of all flutes, which therefore all have an edge or equivalent a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donali
Donali (Persian: دونَلی) is an Iranian folk instrument from the Balochistan province in Iran, a pair of fipple flutes that are put in the mouth at the same time to play. The instrument is from the Ney family. The doneli's body is made of reed. One of the instruments is called male (نر) and the other female (ماده). The instrument named female plays melody and the instrument named male play harmony. History Donali or Doney is an immigrant instrument and was brought to Baluchistan, Iran, from Sindh and Balochistan of Pakistan, half a century ago. In addition to Balochistan, this instrument is used in Indian music (the (Alghoza) and Pakistani music. Playing "Nal"(نَل) in Balochi means straw. This instrument consists of two reeds that the musician puts both in his mouth while playing. The type of mouthpiece and the way of blowing in a donali is like a recorder. Unlike a recorder, which uses regular breathing, the doneli is played with circular breathing Circular b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Iran
The music of Iran encompasses music that is produced by Iranian artists. In addition to the traditional folk and classical genres, it also includes pop and internationally celebrated styles such as jazz, rock, and hip hop. Iranian music influenced other cultures in West Asia, building up much of the musical terminology of the neighboring Turkic and Arabic cultures, and reached India through the 16th-century Persianate Mughal Empire, whose court promoted new musical forms by bringing Iranian musicians. History Earliest records Music in Iran, as evidenced by the "pre-Iranian" archaeological records of Elam, the oldest civilization in southwestern Iran, dates back thousands of years. Iran is the birthplace of the earliest complex instruments, which date back to the third millennium BC. A number of trumpets made of silver, gold, and copper were found in eastern Iran that are attributed to the Oxus civilization and date back between 2200 and 1750 BC. The use of both vertical and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Pakistan
The Music of Pakistan ( ur, , lit=pákistáni mosíqi) includes diverse elements ranging from music from various parts of South Asia as well as Music of Central Asia, Central Asian, Middle Eastern, and modern-day Western culture#Music, art, story-telling and architecture, Western popular music influences. With these multiple influences, a distinctive Pakistani music has emerged. EMI Group Limited, EMI Pakistan is the country's biggest record label, as of 2015 holding the licenses of some 60,000 Pakistani artists and around 70% of the total music of the country, while streaming service Patari has the largest independent digital collection, with some 3,000 artists and 50,000 songs. Traditional music The classical music of Pakistan is based on the traditional music of which was patronized by various empires that ruled the region and gave birth to several genres of classic music including the ''Klasik''. The classical music of Pakistan has two main principles, ‘sur’ (musical no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
