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Don't You Worry 'bout A Thing
"Don't You Worry 'bout a Thing" is a song by American singer-songwriter Stevie Wonder, released as the third single from his sixteenth studio album, ''Innervisions'' (1973). It reached number 16 on the US ''Billboard'' Pop Singles chart, number 10 on the ''Cash Box'' Top 100, and number two on the R&B chart. The song's lyrics convey a positive message, focusing on taking things in one's stride and accentuating the positive. In 1992, British band Incognito had a European hit with their cover of the song. Music and lyrics The tune is in E minor, starting with a Latin piano intro. The opening melody is reminiscent of Horace Silver's "Song for My Father", over which Stevie engages in an English-speaking dialogue with a woman, trying to impress her with talk of worldliness of having been to "Iraq, Iran, Eurasia" before changing to Spanish, using the phrase "''Todo 'stá bien chévere''", which loosely translates as "Everything's really great," continuing with an attempt to impress t ...
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Innervisions
''Innervisions'' is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the ARP synthesizer and the revolutionary T.O.N.T.O. (The Original New Timbral Orchestra) synth developed by Malcolm Cecil and Robert Margouleff, and ''Innervisions'' became hugely influential on the future sound of commercial soul and black music. The album peaked at number four on the ''Billboard'' Top LPs & Tapes chart and number one on the ''Billboard'' Soul LPs chart, eventually finishing at number four on the magazine's ''Top Pop Albums'' chart for 1974. At the 16th Grammy Awards, it won Album of the Year and Best Engineered Non-Cl ...
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Stevie Wonder
Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of Contemporary R&B, R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100, ''Billboard'' Hot 100 in 1963, at the age of 13, making him the List o ...
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Always There (Side Effect Song)
"Always There" is a 1975 song by Ronnie Laws and William Jeffrey from Laws' album '' Pressure Sensitive''. After producer Wayne Henderson of The Crusaders enlisted lyricist Paul B Allen III to create a vocal version of the tune, officially making Allen a co-writer, it was re-recorded in 1976 by R&B group Side Effect for their third album, '' What You Need''. It was a minor hit, reaching the top 5 on the US Dance chart; however it was a larger hit for Incognito & Jocelyn Brown in 1991, whose version reached no. 6 in the UK. Incognito and Jocelyn Brown version On 17 June 1991, the song was covered and released by British acid jazz band Incognito and American R&B and dance singer Jocelyn Brown, whose version was the biggest version in the UK. This was Incognito's breakthrough hit; however, Brown had been well-known and popular since the late 70s. The song was released as the second single from their second album, ''Inside Life'' (1991). It peaked at number two in the Netherl ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ...
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Single Top 100
The Dutch Single Top 100 or Single Top 100 is a Dutch chart, based on official physical single sales, legal downloads and since July 2013 streaming and composed by Dutch Charts. It is one of the three official charts, the other two being the Dutch Top 40 and the Mega Top 30. The difference is that these charts also include airplay data. The list is especially intended for the music industry and those who take an interest in charts. In Dutch TV programmes the ''Single Top 100'' is often cited, although it has not been broadcast since December 2006. History The predecessor of the Single Top 100 started on 23 May 1969 as the ''Hilversum 3 Top 30''. Originally it was broadcast by the VPRO and ever since December 1970 by the NOS. It was presented by Willem van Kooten. In 1971 Felix Meurders hosted the radio show. He renamed it the ''Daverende Dertig''. In June 1974 the ''Nationale Hitparade'' became the official chart of Hilversum 3. It was a top 30 until the number of entries was ...
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Dutch Top 40
The Dutch Top 40 ( nl, Nederlandse Top 40) is a weekly music chart compiled by ''Stichting Nederlandse Top 40''. It started as a radio program titled "Veronica Top 40", on the offshore station Radio Veronica in 1965. It remained "The Veronica Top 40" until 1974, when the station was forced to stop broadcasting. Joost den Draaijer initiated the Top 40 in the Netherlands. The show currently airs on Fridays from 2 to 6 PM on Qmusic. History On January 2, 1965, the first Top 40 was compiled, with its first #1 hit "''I Feel Fine''" by The Beatles. In September 1974, the Stichting Nederlandse Top 40 bought the Top 40 and named it ''De Nederlandse Top 40''. The Dutch Top 40 is one of the four official charts in the Netherlands, the other three being the B2B Single Top 100, which is based entirely on pure sales and streaming, the Mega Top 30 from (NPO 3FM) which, like the Dutch Top 40 also includes airplay data and the 538 Top 50. From October 4th. 1974 until May 20th. 1976, the ...
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