Don't Worry, Be Happy (other)
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Don't Worry, Be Happy (other)
"Don't Worry, Be Happy" is a 1988 song by Bobby McFerrin, released as the first single from his album '' Simple Pleasures'' (1988). It was the first ''a cappella'' song to reach number-one on the ''Billboard'' Hot 100 chart, a position it held for two weeks. Originally released in conjunction with the film ''Cocktail'', the song peaked at number-one on September 24, 1988, displacing "Sweet Child o' Mine" by Guns N' Roses. The song also peaked at number 11 on the ''Billboard'' Hot Black Singles chart and number seven on the ''Billboard'' Hot Adult Contemporary Tracks chart. It hit number one in Australia and stayed there for 7 weeks. It was also a hit in the United Kingdom, reaching number two during its fifth week on the UK Singles Chart. In Canada, the song reached number one in its eighth week. One critic noted it as a "formula for facing life's trials". At the 1989 Grammy Awards, "Don't Worry, Be Happy" won the awards for Song of the Year, Record of the Year, and Best Mal ...
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Bobby McFerrin
Robert Keith McFerrin Jr. (born March 11, 1950) is an American folk and jazz singer. He is known for his vocal techniques, such as singing fluidly but with quick and considerable jumps in pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, polyphonic overtone singing, and improvisational vocal percussion. He is widely known for performing and recording regularly as an unaccompanied solo vocal artist. He has frequently collaborated with other artists from both the jazz and classical scenes. McFerrin's song " Don't Worry, Be Happy" was a No. 1 U.S. pop hit in 1988 and won Song of the Year and Record of the Year honors at the 1989 Grammy Awards. McFerrin has also worked in collaboration with instrumentalists, including the pianists Chick Corea, Herbie Hancock, and Joe Zawinul, the drummer Tony Williams, and the cellist Yo-Yo Ma. Early life and education McFerrin was born in Manhattan, New York City, ...
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Grammy Award For Best Male Pop Vocal Performance
The Grammy Award for Best Male Pop Vocal Performance was a Grammy Award recognizing superior vocal performance by a male in the pop category, the first of which was presented in 1959. It was discontinued after the 2011 Grammy season. The award went to the artist. Singles or tracks only are eligible. The awards have quite a convoluted history: *From 1959 to 1960 there was an award called Best Vocal Performance, Male, which was for work in the pop field *In 1961 the award was separated into Best Vocal Performance Single Record Or Track and Best Vocal Performance Album, Male *From 1962 to 1963 the awards from the previous year were combined into Best Solo Vocal Performance, Male *From 1964 to 1968 the award was called Best Vocal Performance, Male *In 1969, the awards were combined and streamlined as the award for Best Contemporary-Pop Vocal Performance, Male *From 1970 to 1971 the award was known as Best Contemporary Vocal Performance, Male *From 1972 to 1994 the award was known as Be ...
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Novelty Record
A novelty song is a type of song built upon some form of novel concept, such as a gimmick, a piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songs, which are more explicitly based on humor, and with musical parody, especially when the novel gimmick is another popular song. Novelty songs achieved great popularity during the 1920s and 1930s. They had a resurgence of interest in the 1950s and 1960s. The term arose in Tin Pan Alley to describe one of the major divisions of popular music; the other two divisions were ballads and dance music. Humorous songs, or those containing humorous elements, are not necessarily novelty songs. Novelty songs are often a parody or humor song, and may apply to a current event such as a holiday or a fad such as a dance or TV programme. Many use unusual lyrics, subjects, sounds, or instrumentation, and may not even be musical. For example, the 1966 novelty song "They're Coming to Take Me Away, Ha-Haaa! ...
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Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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Pop Culture
Pop or POP may refer to: Arts, entertainment, and media Music * Pop music, a musical genre Artists * POP, a Japanese idol group now known as Gang Parade * Pop!, a UK pop group * Pop! featuring Angie Hart, an Australian band Albums * Pop (Gas album), ''Pop'' (Gas album) * Pop (Joachim Witt album), ''Pop'' (Joachim Witt album) * Pop (Mao Abe album), ''Pop'' (Mao Abe album) * Pop (Same Difference album), ''Pop'' (Same Difference album) * Pop (Tones on Tail album), ''Pop'' (Tones on Tail album) * Pop (U2 album), ''Pop'' (U2 album) * ''Pop'', an album by Topi Sorsakoski and Agents * ''P.O.P'', The Mad Capsule Markets album * ''Pop! The First 20 Hits'', an album by English duo Erasure Songs * Pop (song), "Pop" (song), by 'N Sync * "Pop", a song by A.R. Kane * "Pop", a song by Ari Lennox from ''Shea Butter Baby'' * "Pop", a song by La Oreja de Van Gogh from ''El viaje de Copperpot'' * "Pop! (song), Pop!", a song by Nayeon from ''Im Nayeon (EP), Im Nayeon'' Periodicals * Pop (fashion m ...
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Neumann U 87
The Neumann is a poly-directional large-diaphragm condenser microphone. Originally introduced in 1967, a version of the is still produced by Georg Neumann, Georg Neumann GmbH. The became an industry standard recording microphone, a reputation that continues to endure. The was inducted into the TEC Awards#TECnology Hall of Fame, TECnology Hall of Fame in 2006. Features The has a large 25.4 mm diaphragm, and can operate with any one of three selectable Microphone#Polar patterns, polar patterns: cardioid, omnidirectional, or figure-8. History Introduced in 1967 as the solid-state successor to the , Neumann introduced the alongside the , , and as part of the company's first 'FET 80' series of microphones that utilized use Solid-state electronics, solid-state Field-effect transistor, FET electronics that didn't require separate power supplies or multi-pin power cables and allowed the mics to be made smaller. The could be powered either by the newly introduced standard ...
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