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Don't Stop (Rockets Album)
''Don't Stop'' is the tenth studio album by the French French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with Franc ... band Rockets. The album, however, includes 4 old hits remixes, and the title track is inspired by a 1982 song which was supposed to be included on the album ''Atomic'', but eventually discarded. Track listing # "Don't Stop" # "Rockets Land" # "One Day" # "On the Road Again" # "Communication" # "Electric Delight" # "Endless Blue" # "Galactica" # "Astral World" # "Moon Walk" Personnel Rockets *Fabrice Quagliotti - keyboards, synth, production, vocals (5, 7) *Little B. - drums (1, 2), percussion (6) Additional musicians *Christian Le Bartz - vocals (4, 6, 8, 9) *Matt Rossato - electric acoustic guitar (1, 5) *Pino Di Pietro - guitars (4, 8, keyboards (1, 4, 7, 8) *Alessandro G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rockets (band)
Rockets is a French space rock band that formed in Paris in 1974 and relocated to Italy in 1978. Some of the former members had played together since 1970 in a local band called Crystal. In their most successful era (1977–1982) the line-up comprised vocalist Christian Le Bartz, bassist and vocalist "Little" Gérard L'Her, guitarist and keyboardist Alain Maratrat, drummer and percussionist Alain Groetzinger, and keyboardist Fabrice Quagliotti. The band went through a number of name changes, being known as the Rocket Men and Rok-Etz, among others. In the year 2000, Fabrice Quagliotti decided to reform the band (initially with the name Rockets N.D.P.), but with a totally different line-up. This brought to an anomalous situation, as far as none of the former members agreed to hold a reunion. In fact, the last former member to leave the band was Alain Maratrat, in 1992. Band members ;Rockets *John Biancale – vocals (2006–present) *Gianluca Martino – guitar (2004&nda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Space Rock
Space rock is a music genre characterized by loose and lengthy song structures centered on instrumental textures that typically produce a hypnotic, otherworldly sound. It may feature distorted and reverberation-laden guitars, minimal drumming, languid vocals, synthesizers and lyrical themes of outer space and science fiction. The genre emerged in late 1960s psychedelia and progressive rock bands such as Pink Floyd, Hawkwind, and Gong who explored a "cosmic" sound. Similar sounds were pursued in the early 1970s West German ''kosmische Musik'' ("cosmic music") scene. Later, the style was taken up in the mid-1980s by Spacemen 3, whose "drone-heavy" sound was avowedly inspired by and intended to accommodate drug use. By the 1990s, space rock developed into shoegazing, stoner rock and post-rock with bands such as the Verve, Flying Saucer Attack, and Orange Goblin. History Origins: 1950s-1960s Humanity's entry into outer space provided ample subject matter for rock and roll and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Beat
A dream is a succession of images, ideas, emotions, and sensations that usually occur involuntarily in the mind during certain stages of sleep. Humans spend about two hours dreaming per night, and each dream lasts around 5 to 20 minutes, although the dreamer may perceive the dream as being much longer than this. The content and function of dreams have been topics of scientific, philosophical and religious interest throughout recorded history. Dream interpretation, practiced by the Babylonians in the third millennium BCE and even earlier by the ancient Sumerians, figures prominently in religious texts in several traditions, and has played a lead role in psychotherapy. The scientific study of dreams is called oneirology. Most modern dream study focuses on the neurophysiology of dreams and on proposing and testing hypotheses regarding dream function. It is not known where in the brain dreams originate, if there is a single origin for dreams or if multiple regions of the brain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
