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Don't Live As You Like
''Live Not as You Would Like To'' (russian: Не так живи, как хочется, Romanized as: Ne tak zhivi kak khochetsya) is a play by Alexander Ostrovsky. It premiered on 3 December 1854 at the Moscow's Maly Theatre and was published for the first time in the No. 17, September 1855 issue of '' Moskvityanin'' magazine. History Initially Ostrovsky had in mind a five-act drama, set in the 17th century, in one of the Privolzhye's cities. An old Russian proverb, ''God's Thing Is Strong, the Foe's One Just Sticky'' (Bozhye krepko, a vrazhye lepko), gave the play its working title. The rough draft of it appeared in August 1854. The play's second version, a three-act drama now called ''Live Not As You Would Like To'' was set in the 18th century Moscow, in the days of the traditional Russian Maslenitsa pancake carnival. In November 1854 the play was completed and on December 3 premiered at the Maly Theatre. It was published in September 1855 (with 600 copies of a separate bo ...
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Aleksander Ostrovsky
Alexander Nikolayevich Ostrovsky (russian: Алекса́ндр Никола́евич Остро́вский; ) was a Russian playwright, generally considered the greatest representative of the Russian realistic period. The author of 47 original plays, Ostrovsky "almost single-handedly created a Russian national repertoire." His dramas are among the most widely read and frequently performed stage pieces in Russia. Biography Alexander Nikolayevich Ostrovsky was born on 12 April 1823, in the Zamoskvorechye region of Moscow, to Nikolai Fyodorovich Ostrovsky, a lawyer who received religious education. Nikolai's ancestors came from the village Ostrov in the Nerekhta region of Kostroma governorate, hence the surname. Later Nikolai Ostrovsky became a high-ranked state official and as such in 1839 received a nobility title with the corresponding privileges. His first wife and Alexander's mother, Lyubov Ivanovna Savvina, came from a clergyman's family. For some time the family lived in ...
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Alexander Martynov
Martynov (russian: Марты́нов), or Martynova (feminine; Мартынова) is a common Russian last name. It is derived from the male given name Martyn (given name), Martyn and literally means 'Martyn's'. It may refer to: *Aleksandr Nikolayevich Martynov (1892–1956), a Russian international football player *Aleksandr Martynov (Russian politician), Alexander Samoylovich Martynov (1865–1935), a right-wing Russian Menshevik *Alexander Vasilyevich Martynov (1919–1980), a Soviet aircraft pilot and Hero of the Soviet Union *Alexander Yevstafyevich Martynov (1816–1860), a Russian actor *Aleksei Martynov (b. 1978), a Russian footballer *Alexey Alexandrovich Martynov (1818–1903), a Russian historian, archaeologist, and architect *Alexey Petrovich Martynov (1920–1994), a Soviet aircraft pilot and Hero of the Soviet Union *Alexey Vasilyevich Martynov (1868–1934), a Russian surgeon *Andrei Martynov (footballer) (b. 1965), a Turkmenistani international footballer *Andrey An ...
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Leo Tolstoy
Count Lev Nikolayevich TolstoyTolstoy pronounced his first name as , which corresponds to the romanization ''Lyov''. () (; russian: link=no, Лев Николаевич Толстой,In Tolstoy's day, his name was written as in pre-reformed Russian. ; ), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time. He received nominations for the Nobel Prize in Literature every year from 1902 to 1906 and for the Nobel Peace Prize in 1901, 1902, and 1909; the fact that he never won is a major controversy. Born to an aristocratic Russian family in 1828, Tolstoy's notable works include the novels ''War and Peace'' (1869) and ''Anna Karenina'' (1878), often cited as pinnacles of realist fiction. He first achieved literary acclaim in his twenties with his semi-autobiographical trilogy, ''Childhood'', '' Boyhood'', and ''Youth'' (1852–1856), and '' Sevastopol Sketches'' (1855), based upon his experiences in ...
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Apollon Grigoriev
Apollon Aleksandrovich Grigoryev (russian: Аполло́н Алекса́ндрович Григо́рьев, p=ɐpɐˈlon ɐlʲɪkˈsandrəvʲɪdʑ ɡrʲɪˈɡorʲjɪf, a=Apollon Alyeksandrovich Grigor'yev.ru.vorb.oga; 20 July 1822 – 7 October 1864) was a Russian poet, literary and theatrical critic, translator, memoirist and author of popular art songs. Life Grigoryev was born in Moscow, where his father was secretary to the city magistrate. He was educated at home, and studied at Imperial Moscow University. Literary career Several of Grigoryev's poems were published in ''Otechestvennye Zapiski'' in 1845, followed by a number of short verses, critical articles, theatrical reviews and translations in ''Repertuar and Pantheon''. In 1846, Grigoryev published a poorly received book of poetry; He subsequently wrote little original poetry, focusing instead on translating works by Shakespeare (A Midsummer Night's Dream, The Merchant of Venice, Romeo and Juliet), Byron ("To parizin ...
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Russkaya Beseda
''Russkaya Beseda'' (russian: Ру′сская бесе′да, en, The Russian Colloquy) was a Russian literary magazine founded in Moscow, Russian Empire, in 1856 by Alexander Koshelev who remained its editor-in-chief until 1858, when Ivan Aksakov joined in as co-editor. The magazine was published on a bi-monthly basis and was belonged to the Slavophile movement; most prominent in it were the literature, science and criticism sections. ''Selskoye Blagoustroistvo'' (Agrarian landscaping) was added as a supplement in 1858–1859. ''Russkaya Beseda'' targeted for broad and mixed readership and but, frequently covered articles about the future of the Slavic peoples. Among the authors who regularly contributed to the magazine, were Sergei Aksakov, Vladimir Dal, Aleksey K. Tolstoy, Alexander Ostrovsky, Aleksey Khomyakov, Fyodor Tyutchev, Ivan Nikitin, Taras Shevchenko Taras Hryhorovych Shevchenko ( uk, Тарас Григорович Шевченко , pronounced without ...
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Terty Filippov
Terty Ivanovich Filippov (Те́ртий Ива́нович Фили́ппов; 5 January 1825 in Rzhev, Tver Governorate, Russian Empire – 12 December 1899 in Saint Petersburg, Russian Empire) was a Russian folklorist, singer, pedagogue, the Honorary member of the Saint Petersburg Academy of Sciences. As a journalist, Filippov contributed mostly to Pogodin's ''Moskvityanin'', Katkov's ''Russky Vestnik'' and ''Russkaya Beseda'', the magazine he was a co-founder of. In 1857–1864 Filippov served as a Russian Orthodox Church official. In 1889–1899 he was the Chairman of the Russian State Control committee. He was awarded Serbian Order of Saint Sava and Order of the Cross of Takovo The Order of the Cross of Takovo was a Serbian state order. History It was instituted in the Principality of Serbia in 1865 to mark the 50th anniversary of the Second Serbian Uprising against the Ottoman Empire, which had started in Takovo, Serbi .... References {{DEFAULTSORT:Filippov, Tert ...
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Nikolai Dobrolyubov
Nikolay Alexandrovich Dobrolyubov ( rus, Никола́й Алекса́ндрович Добролю́бов, p=nʲɪkɐˈlaj ɐlʲɪˈksandrəvʲɪtɕ dəbrɐˈlʲubəf, a=Nikolay Alyeksandrovich Dobrolyubov.ru.vorb.oga; 5 February Old_Style_and_New_Style_dates">O._S._24_January.html" ;"title="Old_Style_and_New_Style_dates.html" ;"title="nowiki/>Old Style and New Style dates">O. S. 24 January">Old_Style_and_New_Style_dates.html" ;"title="nowiki/>Old Style and New Style dates">O. S. 24 January1836 – 29 November [O. S. 17 November] 1861) was a Russian poet, literary critic, journalist, and prominent figure of the Russian revolutionary movement. He was a literary hero to both Karl Marx and Lenin. Life Dobrolyubov was born in Nizhny Novgorod where his father was a poor priest. He was educated at a clerical primary school, then at a seminary from 1848 to 1853. He was considered a prodigy by his teachers in the seminary, and at home he spent most of his time in his father's libra ...
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Slavophiles
Slavophilia (russian: Славянофильство) was an intellectual movement originating from the 19th century that wanted the Russian Empire to be developed on the basis of values and institutions derived from Russia's early history. Slavophiles opposed the influences of Western Europe in Russia. Depending on the historical context, the opposite of Slavophilia could be seen as Slavophobia (a fear of Slavic culture) or also what some Russian intellectuals (such as Ivan Aksakov) called ''zapadnichestvo'' (westernism). History Slavophilia, as an intellectual movement, was developed in 19th-century Russia. In a sense, there was not one but many Slavophile movements or many branches of the same movement. Some were leftist and noted that progressive ideas such as democracy were intrinsic to the Russian experience, as proved by what they considered to be the rough democracy of medieval Novgorod. Some were rightist and pointed to the centuries-old tradition of the autocratic ts ...
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It's A Family Affair-We'll Settle It Ourselves
''It's a Family Affair-We'll Settle It Ourselves'' (russian: Свои люди - сочтемся, Romanized as Svoi lyudi - sotchtemsya) is a comedy by Alexander Ostrovsky. It was his first major work, written in 1849 and published in the No.6 (March, book 2) 1850 '' Moskvityanin'' issue. Having caused a furore, it was banned by the Imperial Theatres' censorship committee and was staged for the first time on 9 December 1860, ten years after its publication. For some time the play has been also referred to as ''The Bankrupt'', which was its original title. Background After his attempt to write a play called ''The Legal Request'' (Исковое прошение) failed Ostrovsky started working upon another storyline, again stemming from his experience in the Moscow commercial court. Uncertain in his own potential, he invited a friend, Tertiy Filippov, to become a co-author, but the latter refused. Then Dmitry Gorev (real surname Tarasenko) emerged, the son of a merchant who lived ...
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Sovremennik
''Sovremennik'' ( rus, «Современник», p=səvrʲɪˈmʲenʲːɪk, a=Ru-современник.ogg, "The Contemporary") was a Russian literary, social and political magazine, published in Saint Petersburg in 1836–1866. It came out four times a year in 1836–1843 and once a month after that. The magazine published poetry, prose, critical, historical, ethnographic and other material. ''Sovremennik'' originated as a private enterprise of Alexander Pushkin who was running out of money to support his growing family. To assist him with the magazine, the poet asked Nikolai Gogol, Pyotr Vyazemsky and Vladimir Odoyevsky to contribute their works to the journal. It was there that the first substantial assortment of Fyodor Tyutchev's poems was published. Soon it became clear that Pushkin's establishment could not compete with Faddey Bulgarin's journal, which published more popular and less demanding literature. ''Sovremennik'' was out of date and could not command a paying a ...
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Aleksey Nekrasov
Alexey, Alexei, Alexie, Aleksei, or Aleksey (russian: Алексе́й ; bg, Алексей ) is a Russian language, Russian and Bulgarian language, Bulgarian male first name deriving from the Greek language, Greek ''Aléxios'' (), meaning "Defender", and thus of the same origin as the Latin Alexius. Alexey may also be Romanization of Russian, romanized as ''Aleksei'', ''Aleksey'', ''Alexej'', ''Aleksej'', etc. It has been commonly westernized as Alexis (given name), Alexis. Similar Ukraine, Ukrainian and Belarus, Belarusian names are romanized as Oleksii (Олексій) and Aliaksiej (Аляксей), respectively. The Russian Orthodox Church uses the Old Church Slavonic version, Alexiy (Алексiй, or Алексий in modern spelling), for its Saints and hierarchs (most notably, this is the form used for Patriarchs Partiarch Alexius I, Alexius I and Patriarch Alexius II, Alexius II). The common hypocoristic is Alyosha (other), Alyosha () or simply Lyosha () ...
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The Power Of The Fiend
''The Power of the Fiend'' (russian: Вражья сила, ''Vrazhya sila'') is an opera in five acts by Alexander Serov, composed during 1867-1871. The libretto is derived from a drama by Alexander Ostrovsky from 1854 entitled '' Live Not As You Would Like To, But As God Commands''. The opera was premiered posthumously on 19 April 1871 (Old Style) at the Mariinsky Theatre in Saint Petersburg conducted by Eduard Nápravník. Among the performers were Darya Leonova as Spiridonovna and Mikhail Sariotti as Yeryomka. Although in many ways it is more far-reaching than Serov's previous two operas, this work was not a success. The title of the opera (taken from an appellation that Ostrovsky had applied to the fourth act of the projected libretto) has been translated in a number of ways: ''The Hostile Power'', ''The Fiendish Power'', ''The Malevolent Power'', ''The Power of Evil'', and so on. As an obsolete Russian phrase, it can mean simply "Satan" or "The Devil" (indeed, the Mariinsky ...
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