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Don't Have To Worry
''Don't Have to Worry'' is an album by blues musician Earl Hooker released by the BluesWay label in 1969.American Music: Earl Hooker discography
Wirz.de, accessed August 30, 2019


Track listing

All compositions credited to Earl Hooker except where noted # " The Sky Is Crying" (, M. C. Robinson) – 4:17 # "Hookin'" – 4:17 # "Is You Ever Seen a One-Eyed Woman Cry" (Johnny Walker) – 3:42 # "You Got to Lose" – 5:42 # "Blue Guitar" – 3:51 # "Moanin' and Groanin'" (Andrew Odom) – 4:47 # "Universal Rock" – 4:08 # "
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Earl Hooker
Earl Zebedee Hooker (January 15, 1930 – April 21, 1970) was a Chicago blues guitarist known for his slide guitar playing. Considered a "musician's musician", he performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands. An early player of the electric guitar, Hooker was influenced by the modern urban styles of T-Bone Walker and Robert Nighthawk. He recorded several singles and albums as a bandleader and with other well-known artists. His "Blue Guitar", a slide guitar instrumental single, was popular in the Chicago area and was later overdubbed with vocals by Muddy Waters as " You Shook Me". In the late 1960s, Hooker began performing on the college and concert circuit and had several recording contracts. Just as his career was on an upswing, he died in 1970, at age 40, after a lifelong struggle with tuberculosis. His guitar playing has been acknowledged by many of his peers, including B.B. King, who commented, ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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Sweet Black Angel (Earl Hooker Album)
''Sweet Black Angel'' is an album by blues musician Earl Hooker released on the Blue Thumb Records, Blue Thumb label in 1969. The album was co-produced by musician Ike Turner and Blue Thumb founder Bob Krasnow. Reception The AllMusic review stated: "It's a wide-ranging collection, as its oddly generic song titles ("Country and Western," "Shuffle," "Funky Blues") would eloquently indicate." Track listing # "I Got You (I Feel Good), I Feel Good" (James Brown) – 2:02 # "Driving Wheel, Drivin' Wheel" (Roosevelt Sykes) – 3:19 # "Shuffle" (Bob Krasnow, Earl Hooker, Ike Turner) – 2:49 # "Country and Western" (Hooker) – 3:05 # "Sweet Home Chicago" (Robert Johnson, Adapted by Earl Hooker) – 2:52 # "Black Angel Blues, Sweet Black Angel" (Robert Nighthawk) – 2:31 # "Boogie, Don't Blot!" (Krasnow, Turner) – 2:26 # "Crosscut Saw (song), Cross Cut Saw" (R. G. Ford) – 2:24 # "Catfish Blues" (Krasnow, Hooker, Turner) – 2:36 # "The Mood" (Hooker, Turner) – 1:38 # "Funky Blues ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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The Sky Is Crying (song)
"The Sky Is Crying" is a blues standard written and initially recorded by Elmore James in 1959. Called "one of his most durable compositions", "The Sky Is Crying" became a R&B record chart hit and has been interpreted and recorded by numerous artists. Composition and recording "The Sky Is Crying" is a slow-tempo twelve-bar blues notated in 12/8 time in the key of C. It is an impromptu song inspired by a Chicago downpour during the recording session: The songs features prominent slide guitar by James with his vocals, accompanied by his longtime backing band, the Broomdusters: J. T. Brown (musician), J. T. Brown on saxophone, Little Johnny Jones (pianist), Johnny Jones on piano, Odie Payne on drums, and Homesick James on bass. James' unique slide guitar sound on the recording has generated some debate; Homesick James attributed it to a recording studio technique, others have suggested a different amplifier or guitar setup, and Ry Cooder felt that it was an altogether differe ...
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Elmore James
Elmore James ( Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar". Biography Elmore James was born Elmore Brooks in Richland, Holmes County, Mississippi, the son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie "Frost" James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument (diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red's songs. He also inherited from Tampa Red's band two musicians who joined his own backing band, the Bro ...
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Look On Yonder Wall
"Look on Yonder Wall", or "Get Ready to Meet Your Man" as it was first named, is a blues song first recorded in 1945 by James "Beale Street" Clark. Clark, also known as "Memphis Jimmy", was a blues pianist from Memphis, Tennessee. During the 1940s, he appeared on recordings by Jazz Gillum, Red Nelson (also known as Dirty Red), and an early Muddy Waters session, as well as several singles in his own name. In 1961, Elmore James adapted the song, titled "Look on Yonder Wall", which was issued as single. Most subsequent renditions show James's influence. Origins "Look on Yonder Wall" was performed as a mid-tempo twelve-bar blues, with a recurrent post-World War II theme. It tells of a "man who is somewhat disabled and has not been drafted and takes advantage of that to entertain lonely married women". When the husband is discharged, the narrator ponders his fate: Jazz Gillum, with whom the song is often associated, recorded a version on February 18, 1946, four months after Cla ...
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Andrew Odom
Andrew Odom (December 15, 1936 – December 23, 1991) was an American Chicago blues and electric blues singer and songwriter. Born in Denham Springs, Louisiana, United States, he is best known for the close resemblance of his singing style to that of Bobby Bland and B.B. King. He recorded three solo albums in his lifetime and performed regularly around Chicago and further afield until his death. Life and career Odom, who was African-American, was born in Denham Springs, Louisiana, United States, the son of Lula Odom on December 15, 1936. He learned to sing at his family's church. In 1955, he relocated to East St. Louis, Illinois, and began working with Albert King and Johnny Williams. In the late 1950s he sang with Johnny O'Neal's band. Through O'Neal he met Earl Hooker, with whom he recorded and performed for a number of years. In 1960, he moved to Chicago, which was his home for the rest of his life. The following year, he recorded "East St. Louis" with the Little Aaron Band f ...
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Jeffrey Carp
Jeffrey M. Carp (July 6, 1948 – January 1, 1973) was an American blues harmonica player, He is best known for his work with Muddy Waters, John Lee Hooker, and Howlin' Wolf. He played harmonica on numerous charting blues albums. He was also for a period of time, a side man in Earl Hooker's band. Background Among the artists recorded with were Muddy Waters and Howlin' Wolf. He played on albums ''If You Miss 'Im ... I Got 'Im'' by John Lee Hooker and ''The London Howlin' Wolf Sessions'' by Howlin' Wolf. A prodigy, he was said to have played beyond his years. He was a student at the University of Chicago and played with many blues bands in the area, being exposed to the music of Muddy Waters, Howlin' Wolf and Earl Hooker. As a teenager, Carp had his own band, The Jeff Carp Blues Band, a group that included violinist Joel Smirnoff. He also recorded with Muddy Waters, Earl Hooker, John Lee Hooker, The Soulful Strings, Patti Drew, and Marlena Shaw. He appeared on the 1969 Muddy ...
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Johnny "Big Moose" Walker
Johnny "Big Moose" Walker (June 27, 1927 November 27, 1999) was an American Chicago blues and electric blues pianist and organist. He worked with many blues musicians, including Ike Turner, Sonny Boy Williamson II, Lowell Fulson, Choker Campbell, Elmore James, Earl Hooker, Muddy Waters, Otis Spann, Sunnyland Slim, Jimmy Dawkins and Son Seals. Walker was primarily a piano player but was also proficient on the electronic organ and the bass guitar (he played the bass guitar when backing Muddy Waters). He recorded solo albums and accompanied other musicians in concert and on recordings. Life and career John Mayon Walker was born in the unincorporated community of Stoneville, Mississippi, partly of Native American ancestry. He acquired his best-known stage name in his childhood in Greenville, Mississippi, derived from his long, flowing hair. He learned to play several instruments, including the church organ, guitar, vibraphone and tuba. He began his musical career as a pianist, in ...
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