Don't Freak Me Out
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Don't Freak Me Out
''Don't Freak Me Out'' is the first and only album released by English musician Jimmy Stevens in 1972. The album was produced by Maurice Gibb. But in the United States, it was released in January 1973 and was called ''Paid My Dues''. Recording Stevens recalls that his entire album was done in two sessions. For this first one he was to be accompanied by Alan Kendall and Maurice's friend John Bonham from Led Zeppelin. Bonham was busy elsewhere at the start of the session and a drummer Heydon Jones was hired quickly to fill in. The songs were recorded with Stevens singing and playing piano at the same time, Kendall playing acoustic guitar, and Jones or Bonham on drums. Stevens and the engineers were very happy with the results. In particular Bonham's powerful drumming touched off an impassioned performance by Stevens on the title track, which would be the English title song to the album. Gibb was supervising the session, but he did not play together with them. Later he added bas ...
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Jimmy Stevens (musician)
Jimmy Stevens (5 August 1942 - 1 October 2021) was an English singer-songwriter and musician. He was the lead vocalist of the Beathovens. He worked with Maurice Gibb between 1971 and 1973. Biography Early life Stevens was born in Liverpool, England, to Tom and Mary Stevens. He had a brother called Tommy and a sister, Mary. The family lived in Garston and Speke. His father bought him an old pub piano, but like many of his generation he veered away from his classical training. He studied at St. Francis Assisi School and later he went to John Almond Secondary Modern School and for two years Stevens was sent to board at Blackrock College, set in 56 acres overlooking Dublin Bay and run by the Holy Ghost Fathers. On a black wind-up gramophone in a dormitory there, he first heard Buddy Holly, who immediately became his hero. At the age of 15, he came back to Liverpool working for other people including a tailor who employed him to tighten the trousers of ordinary suits to meet the f ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Felice Bryant
Felice Bryant (born Matilda Genevieve Scaduto; August 7, 1925 – April 22, 2003) and Diadorius Boudleaux Bryant (; February 13, 1920 – June 25, 1987) were an Americans, American husband-and-wife country music and pop songwriting team. They were best known for songs such as "Rocky Top," "We Could" (credited solely to Felice), "Love Hurts" (credited solely to Boudleaux), and numerous hits by the The Everly Brothers, Everly Brothers, including "All I Have to Do Is Dream" (credited solely to Boudleaux), "Bye Bye Love (The Everly Brothers song), Bye Bye Love", and "Wake Up Little Susie". Beginnings Boudleaux Bryant was born in Shellman, Georgia, in 1920 and attended local schools as a child. He trained as a classical violinist. Although he performed with the Atlanta Symphony Orchestra, Atlanta Philharmonic Orchestra during its 1937–38 season, he had more interest in country fiddling. Bryant joined Hank Penny and his Radio Cowboys, an Atlanta-based western music band. In 1945, ...
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Boudleaux Bryant
Felice Bryant (born Matilda Genevieve Scaduto; August 7, 1925 – April 22, 2003) and Diadorius Boudleaux Bryant (; February 13, 1920 – June 25, 1987) were an Americans, American husband-and-wife country music and pop songwriting team. They were best known for songs such as "Rocky Top," "We Could" (credited solely to Felice), "Love Hurts" (credited solely to Boudleaux), and numerous hits by the The Everly Brothers, Everly Brothers, including "All I Have to Do Is Dream" (credited solely to Boudleaux), "Bye Bye Love (The Everly Brothers song), Bye Bye Love", and "Wake Up Little Susie". Beginnings Boudleaux Bryant was born in Shellman, Georgia, in 1920 and attended local schools as a child. He trained as a classical violinist. Although he performed with the Atlanta Symphony Orchestra, Atlanta Philharmonic Orchestra during its 1937–38 season, he had more interest in country fiddling. Bryant joined Hank Penny and his Radio Cowboys, an Atlanta-based western music band. In 1945, ...
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