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Don't Blame Me (album)
''Don't Blame Me'' is a 1995 solo guitar album Marc Ribot and released on the Japanese DIW label. Recording The album was recorded in New York City and features several interpretations of jazz standards, showtunes, and modern jazz compositions as well as three improvisations by Ribot. Ribot stated "That’s my favorite out of the batch. First, I like doing cover tunes. But those are standards with a secret agenda: they were all covered before me by Thelonius Monk or Albert Ayler. “Old Man River” was covered by Albert Ayler, “Don’t Blame Me” and Ellington's “In My Solitude” were recorded by Thelonius Monk on his solo records. What every musician does, whether they know it or not, is arrange their own history. So I'm a rock musician, but in my history of rock I would include, not all jazz musicians per se, but Monk and Ayler, and Ornette Coleman's Prime Time". Reception The AllMusic review by Brian Beatty stated: "Though probably a must-have for completists and arden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Jazz
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style. History 1950s Avant-garde jazz originated in the mid- to late 1950s among a group of improvisors who rejected the conventions of bebop and post bop in an effort to blur the division between the written and the spontaneous. Ornette Coleman and Cecil Taylor led the way, soon to be joined by John Coltrane. Some would come to apply it differently from free jazz, emphasizing structure and organization by the use of composed melodies, shifting but nevertheless predetermined meters and tonalities, and distinctions between soloists and accompaniment. 1960s In Chicago, the Association for the Advancement of Creative Musicians began pursuing their own variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Heyman
Edward Heyman (March 14, 1907October 16, 1981) was an American lyricist and producer, best known for his lyrics to " Body and Soul," "When I Fall in Love," and " For Sentimental Reasons." He also contributed to a number of songs for films. Biography Heyman studied at the University of Michigan where he had an early start on his career writing college musicals. After graduating from college, Heyman moved back to New York City where he started working with a number of experienced musicians like Victor Young ("When I Fall in Love"), Dana Suesse ("You Oughta Be in Pictures") and Johnny Green (" Body and Soul," " Out of Nowhere," "I Cover the Waterfront" and "Easy Come, Easy Go"). From 1935 to 1952, Heyman contributed songs to film scores including '' Sweet Surrender'', ''That Girl from Paris'', ''Curly Top'', '' The Kissing Bandit'', ''Delightfully Dangerous'' and ''Northwest Outpost''. Arguably Heyman's biggest hit is his lyric to " Body and Soul", written in 1930, which was often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
These Foolish Things
"These Foolish Things (Remind Me of You)" is a standard with lyrics by Eric Maschwitz, writing under the pseudonym Holt Marvell, and music by Jack Strachey, both Englishmen. Harry Link, an American, sometimes appears as a co-writer; his input was probably limited to an alternative "middle eight" (bridge) which many performers prefer. It is one of a group of "Mayfair songs", like "A Nightingale Sang in Berkeley Square". Maschwitz wrote the song under his pen name, Holt Marvell, at the behest of Joan Carr for a late-evening revue broadcast by the BBC. The copyright was lodged in 1936. According to the ''Oxford Dictionary of National Biography'', British cabaret singer Jean Ross, with whom Maschwitz had a youthful liaison, was the muse for the song. Creation Although Maschwitz's wife Hermione Gingold speculated in her autobiography that the haunting jazz standard was written for either herself or actress Anna May Wong, Maschwitz himself contradicted such claims. Maschwitz inste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Haden
Charles Edward Haden (August 6, 1937 – July 11, 2014) was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. In the late 1950s, he was an original member of the ground-breaking Ornette Coleman Quartet. Haden revolutionized the harmonic concept of bass playing in jazz. German musicologist Joachim-Ernst Berendt wrote that Haden's "ability to create serendipitous harmonies by improvising melodic responses to Coleman's free-form solos (rather than sticking to predetermined harmonies) was both radical and mesmerizing. His virtuosity lies (…) in an incredible ability to make the double bass 'sound out'. Haden cultivated the instrument's gravity as no one else in jazz. He is a master of simplicity which is one of the most difficult things to achieve." Haden played a vital role in this revolutionary new approach, evolving a way of playing that sometimes complemented the soloist and sometimes moved independently. In thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Young (lyricist)
Joe Young (July 4, 1889 – April 21, 1939) was an American lyricist. He was born in New York. Young was most active from 1911 through the late-1930s, beginning his career working as a singer and song-plugger for various music publishers. During World War I, he entertained the U.S. troops, touring Europe as a singer. Works An early work is the song "Way Down East" (©1910) words by Cecil Mack, music by Joe Young and Harold Norman, published by Gotham-Attucks Music Publishing Company. ''The Laugh Parade'' For the 1931 Broadway show ''The Laugh Parade'', Young collaborated with co-lyricist Mort Dixon and composer Harry Warren on " You're My Everything". The show also included: * "Ooh! That Kiss" * "Love Me Forever" * "That Torch Song" Later efforts * "In a Shanty in Old Shanty Town" * " Lullaby of the Leaves" * " Snuggled On Your Shoulder, Cuddled In Your Arms" * "Was That the Human Thing To Do?" * "Something in the Night" * "Annie Doesn't Live Here Anymore" * "I'm Growing Fonder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam M
Sam, SAM or variants may refer to: Places * Sam, Benin * Sam, Boulkiemdé, Burkina Faso * Sam, Bourzanga, Burkina Faso * Sam, Kongoussi, Burkina Faso * Sam, Iran * Sam, Teton County, Idaho, United States, a populated place People and fictional characters * Sam (given name), a list of people and fictional characters with the given name or nickname * Sam (surname), a list of people with the surname ** Cen (surname) (岑), romanized "Sam" in Cantonese ** Shen (surname) (沈), often romanized "Sam" in Cantonese and other languages Religious or legendary figures * Sam (Book of Mormon), elder brother of Nephi * Sām, a Persian mythical folk hero * Sam Ziwa, an uthra (angel or celestial being) in Mandaeism Animals * Sam (army dog) (died 2000) * Sam (horse) (b 1815), British Thoroughbred * Sam (koala) (died 2009), rescued after 2009 bush fires in Victoria, Australia * Sam (orangutan), in the movie ''Dunston Checks In'' * Sam (ugly dog) (1990–2005), voted the world's ugliest dog i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Akst
Harry Akst (August 15, 1894 – March 31, 1963) - accessed November 19, 2011 was an American songwriter, who started out his career as a in accompanying singers such as , Frank Fay and |
Dinah (song)
"Dinah" is a popular song published in 1925 and introduced by Ethel Waters at the Plantation Club on Broadway. It was integrated into the show ''Kid Boots''. The music was written by Harry Akst and the lyrics by Sam M. Lewis and Joe Young. Hit versions in 1926 were by Ethel Waters, The Revelers, Cliff Edwards, and Fletcher Henderson. One singer, Fanny Rose Shore, became so identified with the song that DJ Martin Block called her "Dinah Shore", which then stuck as her stage name for the next 50 years. Other versions *Louis Armstrong. Recorded in New York City on May 4, 1930, it was released by Okeh. "Dinah" became a frequent number in Armstrong's live performances and radio broadcasts after the making of this recording. * Chet Baker. Recorded at Phil Turetsky's House, Los Angeles, on July 9, 1952, it was released on ''The Complete Pacific Jazz and Capitol Recordings of the Original Gerry Mulligan Quartet and Tentette with Chet Baker'' (Mosaic) and ''The Complete Pacific Jazz Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie DeLange
Eddie DeLange (''né'' Edgar DeLange Moss; 15 January 1904 – 15 July 1949) was an American bandleader and lyricist. Famous artists who recorded some of DeLange's songs include Frank Sinatra, Ella Fitzgerald, Louis Armstrong, Nat King Cole, Duke Ellington, and Benny Goodman. Biography DeLange was born in Long Island City, Queens, New York. He graduated from the University of Pennsylvania in 1926. He became a stunt man in twenty-four comedies produced by Universal Studios, often for Reginald Denny. DeLange went back to New York City in 1932, earning a contract with Irving Mills. He had several hits in his first year, including " Moonglow." He and composer Will Hudson ''(né'' Arthur Murray Hainer; 1908–1981) formed the Hudson-DeLange Orchestra in 1935. The Orchestra recorded many of their collaborative songs and did many road shows as well. Hudson and DeLange's partnership dissolved in 1938, but DeLange created a new band that played on several tours. He formed a new part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(In My) Solitude
"(In My) Solitude" is a 1934 composition by Duke Ellington, with lyrics by Eddie DeLange and Irving Mills. It has been recorded numerous times and is considered a jazz standard. Ellington reported that he composed it in a recording studio in 20 minutes, as his orchestra had arrived with three pieces to record and required another. It is in D major and has an AABA form (although "the IV chord in measure 3 is replaced by a II7 the second time"). According to Ellington, the title was suggested by trumpeter Arthur Whetsel. An AllMusic writer describes the composition as "at once optimistic in its tone but somber in its pace, conflicted with the emotions of bitter loneliness and fond remembrance". The mood is set "in the very first phrase of the melody, with its ascent to the leading tone of the scale falling just short of the tonic, and in the seemingly unremarkable chord progressions that nevertheless manage to transform harmonic resolution into wistful resignation". The first recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
