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Don't Be So Hard On Yourself
"Don't Be So Hard on Yourself" is a song by English singer and songwriter Jess Glynne. It was released as the fourth single from her debut album ''I Cry When I Laugh'' on 14 August 2015. It was written by Glynne, Wayne Hector and TMS who also produced the song. Lyrically, the song tells about moving on from hard times and "not being hard on oneself." The song was critically acclaimed for its lyrical content and Glynne's vocal delivery. On 14 August 2015 the song entered the UK Singles Chart at number 78 based on streams alone, reaching number one the following week. The song became Glynne's fifth UK number-one single (including her featured singles), tying Cheryl's record for the most number ones by a British female solo artist. Background and release After the success of " Hold My Hand", Jess Glynne was featured on Tinie Tempah's single "Not Letting Go", with both songs reaching the top of the UK Singles Chart. Later, in June 2015, she went through a vocal surgery, being for ...
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Jess Glynne
Jessica Hannah Glynne (born 20 October 1989) is an English singer and songwriter. After signing with Atlantic Records, she rose to prominence in 2014 as a featured artist on the singles "Rather Be" by Clean Bandit and " My Love" by Route 94, both of which reached number one in the UK. She was considered one of the "Most Influential People Under 30" by ''Forbes'' magazine in 2019. Her debut studio album, ''I Cry When I Laugh'' (2015), debuted at number one on the UK Albums Chart and saw the international success of the singles " Hold My Hand" and "Don't Be So Hard on Yourself". Glynne's second studio album, '' Always in Between'' (2018), also debuted at number one in the UK and saw continued success with the singles " I'll Be There", "These Days", " All I Am", "Thursday" and " One Touch"; the first of these made Glynne the first British female solo artist to have seven number one singles on the UK Singles Chart, beating Cheryl with five. Glynne has achieved multiple accolades thro ...
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SoundCloud
SoundCloud is an online audio distribution platform and music sharing website that enables its users to upload, promote, and share audio. Founded in 2007 by Alexander Ljung and Eric Wahlforss, SoundCloud is one of the largest music streaming services in the world and is available in 190 countries and territories. The service has more than 76 million active monthly users as of November 2021. SoundCloud offers both free and paid memberships on the platform, available for mobile, desktop and Xbox devices. SoundCloud has evolved from a traditional online streaming platform to an entertainment company. History SoundCloud was established in Berlin on August 27, 2007, by Swedish sound designer Alexander Ljung and Swedish electronic musician Eric Wahlforss, and the website was launched on October 17, 2008. It was originally intended to allow musicians to collaborate by facilitating the sharing and discussion of recordings, but later transformed into a publishing tool for music distribu ...
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The Independent
''The Independent'' is a British online newspaper. It was established in 1986 as a national morning printed paper. Nicknamed the ''Indy'', it began as a broadsheet and changed to tabloid format in 2003. The last printed edition was published on Saturday 26 March 2016, leaving only the online edition. The newspaper was controlled by Tony O'Reilly's Irish Independent News & Media from 1997 until it was sold to the Russian oligarch and former KGB Officer Alexander Lebedev in 2010. In 2017, Sultan Muhammad Abuljadayel bought a 30% stake in it. The daily edition was named National Newspaper of the Year at the 2004 British Press Awards. The website and mobile app had a combined monthly reach of 19,826,000 in 2021. History 1986 to 1990 Launched in 1986, the first issue of ''The Independent'' was published on 7 October in broadsheet format.Dennis Griffiths (ed.) ''The Encyclopedia of the British Press, 1422–1992'', London & Basingstoke: Macmillan, 1992, p. 330 It was produc ...
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Popjustice
Popjustice is a music website founded in 2000 by UK freelance music journalist Peter Robinson, who has worked for ''NME'', ''The Guardian'', ''Attitude'' and many others. It is composed of the work of editor Robinson, features editor Michael Cragg, and a host of contributors. The website seeks to celebrate commercial popular music and does this using humour, user interaction, and contacts within the music industry. Its writing style has been compared favourably by a number of critics to that of the now defunct ''Smash Hits'' magazine, in that it mixes a passion for pop music with a surreal and biting wit. The website was relaunched in January 2006 with more features, music downloads and online shop. In November 2006 Popjustice won a Record of the Day PR & Music Journalism Award in the Best Online Music Publication category, with another individual award going to Peter Robinson in the Breaking Music: Writer Of The Year category. Popjustice £20 Music Prize In 2003, Popjustice ...
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MTV News
MTV News is the news production division of MTV. The service is available in the US with localized versions on MTV's global network. In February 2016, MTV Networks confirmed it would refresh the MTV News brand in 2016, to compete with the likes of BuzzFeed and Vice (magazine), ''Vice'', however by mid-2017 MTV News was significantly downsized due to cutbacks. MTV News content is available from respective MTV websites, Mobile apps, Apps, YouTube and on-air. In November 2018, MTV News began producing daily updates on Twitter titled ''MTV News: You Need To Know''. Now titled ''MTV News'' ''Need To Know,'' the show has evolved to a digital series that covers trending topics from pop culture to social justice issues to electoral politics and beyond. History MTV News began in the late 1980s with the program ''The Week in Rock'', hosted by Kurt Loder, the first official MTV News correspondent. Since 1990, the opening riff to Megadeth's "Peace Sells" has been the main opening theme fo ...
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Idolator (website)
MRC II Distribution Company L.P., doing business as MRC (formerly Media Rights Capital), is an American film and television studio. Founded by Mordecai (Modi) Wiczyk and Asif Satchu, the company funds and produces film and television programming. The company's divisions include MRC Film, MRC Non-Fiction, and MRC Television. In 2018, the company merged with Todd Boehly's media assets under Valence Media, with the company as a whole taking on the MRC name in 2020; this included Dick Clark Productions (briefly known as MRC Live & Alternative), audience data firm Luminate,, and the entertainment industry publications '' Billboard'' and ''The Hollywood Reporter''. Boehly (through Eldridge Industries) re-acquired most of these assets in August 2022. The company's most notable productions have included the Netflix series ''House of Cards'' and ''Ozark,'' and the films '' Baby Driver'', ''Knives Out'', and ''Ted''. History Early history MRC's investors include Guggenheim Partner ...
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Broken Heart
Broken heart (also known as a heartbreak or heartache) is a metaphor for the intense emotional stress or pain one feels at experiencing great and deep longing. The concept is cross-cultural, often cited with reference to unreciprocated or lost love. Failed romantic love can be extremely painful; people with a broken heart may succumb to depression, anxiety and, in more extreme cases, post-traumatic stress disorder. Physiology The intense pain of a broken heart is believed to be part of the survival instinct. The " social-attachment system" uses the " pain system" to encourage humans to maintain their close social relationships by causing pain when those relationships are lost. Psychologists Geoff MacDonald of the University of Queensland and Mark Leary of Wake Forest University proposed in 2005 the evolution of common mechanisms for both physical and emotional pain responses and argue that such expressions are "more than just a metaphor". The concept is believed to be univers ...
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Soul-pop
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock Music, Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is seen as pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and Hook (music), hooks, short to medium-length songs written in a basic format (often the verse–chorus form, verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also b ...
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Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ...
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Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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