|
Dolores Del Río
María de los Dolores Asúnsolo y López Negrete (3 August 1904 – 11 April 1983), known professionally as Dolores del Río (), was a Mexican actress. With a career spanning more than 50 years, she is regarded as the first major female Latin American crossover star in Hollywood. Along with a notable career in American cinema during the 1920s and 1930s, she was also considered one of the most important female figures in the Golden Age of Mexican cinema, and one of the most beautiful actresses of her era. After being discovered in Mexico, she began her film career in Hollywood in 1925. She had roles on a string of successful films, including ''Resurrection'' (1927), ''Ramona'' (1928) and ''Evangeline'' (1929). Del Río came to be considered a sort of feminine version of Rudolph Valentino, a "female Latin Lover", in her years during the American " silent" era. With the advent of sound, she acted in a range of film genres, from contemporary crime melodramas to musical comedies and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fugitive (1947 Film)
''The Fugitive'' is a 1947 drama film starring Henry Fonda and directed by John Ford, based on the 1940 novel ''The Power and the Glory'' by Graham Greene. The film was shot on location in Mexico. Plot A nameless and conflicted Catholic priest is a fugitive in an unnamed Latin American state where religion is outlawed. He tries to escape the country but his efforts are thwarted by a crazy Native and other circumstances. He returns to his village. Another fugitive, a murderous North American bandit dubbed "El Gringo", has already arrived in town. The crazy Native and the police troops soon follow. While Maria Dolores- a beautiful Indian woman, entertains the men, the priest escapes from the back. As the priest escapes the bandit "El Gringo" holds off the troops in a gun battle. He ends up wounded. The priest and Maria Dolores escape. In another town the priest seeks sanctuary but the crazy Native tracks him down and tells him that "El Gringo" is dying and he must return to give him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexico
Mexico (Spanish: México), officially the United Mexican States, is a country in the southern portion of North America. It is bordered to the north by the United States; to the south and west by the Pacific Ocean; to the southeast by Guatemala, Belize, and the Caribbean Sea; and to the east by the Gulf of Mexico. Mexico covers ,Mexico ''''. . making it the world's 13th-largest country by are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame Du Barry (1934 Film)
''Madame DuBarry'' is a 1934 American historical film directed by William Dieterle and starring Dolores del Río, Reginald Owen, Victor Jory and Osgood Perkins. The film portrays the life of Madame Du Barry, the last mistress of King Louis XV of France. While this film does not serve accuracy to Madame Du Barry, it does feature antiques and jewelry that came from the actual days when Madame Du Barry lived. This film was released just as the Hollywood Production Code was taking full swing, and faced many problems with censors of the time. Scenes of this film had to be removed before its release or else it would have not been approved for release. Plot Louis XV, the pleasure-loving King of France in the mid-eighteenth century, is nearing 60, and, his wife and his important and beloved former mistress Madame de Pompadour both being gone, he yearns for a new woman companion who would treat him as a man rather than as a favour-dispensing king. He fails to find such a woman at the Deer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flying Down To Rio
''Flying Down to Rio'' is a 1933 American pre-Code RKO musical film famous for being the first screen pairing of Fred Astaire and Ginger Rogers, although Dolores del Río and Gene Raymond received top billing and the leading roles. Among the featured players are Franklin Pangborn and Eric Blore. The songs in the film were written by Vincent Youmans (music), Gus Kahn and Edward Eliscu (lyrics), with musical direction and additional music by Max Steiner. During the initial year that a Best Original Song was given during 7th Academy Awards, the film obtained a nomination for MUSIC (Song) – "Carioca," Music by Vincent Youmans; Lyrics by Edward Eliscu and Gus Kahn ame in 3rd Ironically, the song lost to "The Continental" from ''The Gay Divorcee'', the subsequent film of Fred Astaire and Ginger Rogers (the duo now top-billed) after ''Flying Down to Rio''. The black-and-white film (later computer-colorized) with, according to Arlene Croce's ''The Fred Astaire and Ginger Rogers Book ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bird Of Paradise (1932 Film)
''Bird of Paradise'' is a 1932 American pre-Code romantic adventure drama film directed by King Vidor and starring Dolores del Río and Joel McCrea. Based on the 1912 play of the same name by Richard Walton Tully, it was released by RKO Radio Pictures. In 1960, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication per the Copyright Act of 1909. Plot As a yacht sails into an isolated tropical island chain somewhere in the Pacific Ocean, a large number of islanders in outrigger canoes paddle out to greet it. The islanders dive for trinkets the yacht's crew throws them. A shark arrives, setting off a panic as much with the crew as the islanders. Johnny Baker (Joel McCrea) attempts to catch it hand casting with a large hook, but is yanked overboard when a loop of line attached to the impaled shark cinches around his ankle. Comely native swimmer Luana (Dolores del Río) cuts throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Drama
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy Film
A comedy film is a category of film which emphasizes humor. These films are designed to make the audience laugh through amusement. Films in this style traditionally have a happy ending (black comedy being an exception). Comedy is one of the oldest genres in film and it is derived from the classical comedy in theatre. Some of the earliest silent films were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. When sound films became more prevalent during the 1930s, comedy films took another swing, as laughter could result from burlesque situations but also dialogue. Comedy, compared with other film genres, puts much more focus on individual stars, with many former stand-up comics transitioning to the film industry due to their popularity. In '' The Screenwriters Taxonomy'' (2017), Eric R. Williams contends that film genres are fundamentally based upon a film's atmosphere, character, and story. Therefore the labels "drama" and "comedy" are t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodramas
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Lover
Latin lover is a stereotypical stock character, part of the Hollywood star system. It appeared for the first time in Hollywood in the 1920s and, for the most part, lost popularity during World War II. In time, the type evolved, developing various local variants and gradually incorporating attributes other than the originally defining physical characteristics. Characteristics The Latin lover was the first male acting type in the history of filmmaking whose behavior and destiny are set through his love relations with a woman, hence 'lover' though, as the type was depicted in the beginning, the term 'seducer' would be more suitable. Major characteristics describing the type include: * appearance; he is always handsome or, for the reigning standard of the period, different or atypically looking. * behavior; the way he conquers women, using focused, sharp glare, and certain mannerism characterized by outbursts of passion, dancing, etc. * type of roles; he is usually a romantic, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolph Valentino
Rodolfo Pietro Filiberto Raffaello Guglielmi di Valentina d'Antonguolla (May 6, 1895 – August 23, 1926), known professionally as Rudolph Valentino and nicknamed The Latin Lover, was an Italian actor based in the United States who starred in several well-known silent films including '' The Four Horsemen of the Apocalypse,'' '' The Sheik,'' '' Blood and Sand,'' ''The Eagle'', and ''The Son of the Sheik.'' Valentino was a sex symbol of the 1920s, known in Hollywood as the "Latin Lover" (a title invented for him by Hollywood moguls), the "Great Lover", or simply Valentino. His early death at the age of 31 caused mass hysteria among his fans, further cementing his place in early cinematic history as a cultural film icon. Early life Childhood and emigration Valentino was born in Castellaneta, Apulia, and named Rodolfo Pietro Filiberto Raffaello Guglielmi di Valentina d'Antonguella. Birth name: Rodolfo Pietro Filiberto Raffaello Guglielmi. His father, Giovanni Antonio Giusep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Musical Film")
