Documenta III
documenta III was the third edition of documenta, a quinquennial contemporary art exhibition. It was held between 27 June and 5 October 1964 in Kassel, West Germany. The artistic director was Arnold Bode Arnold Bode (23 December 1900 – 3 October 1977) was a German architect, painter, designer and curator. Arnold was born in Kassel, Germany. From 1928 to 1933, he worked as a painter and university lecturer in Berlin. However, when the Nazis ca ... in collaboration with Werner Haftmann. The title of the exhibition was: ''Internationale Ausstellung – international exhibition''.documenta III. Internationale Ausstellung. Katalog. Band 1: Malerei und Skulptur; Band 2: Handzeichnungen; Band 3: Industrial Design, Graphik. Kassel/Köln 1964 Participants References {{coord missing, Hesse Documenta 3 1964 in Germany 1964 in art ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hans Arp
Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter, and poet. He was known as a Dadaist and an abstract artist. Early life Arp was born in Straßburg (now Strasbourg), the son of a French mother and a German father, during the period following the Franco-Prussian War when the area was known as Alsace-Lorraine (''Elsass-Lothringen'' in German) after France had ceded it to Germany in 1871. Following the return of Alsace to France at the end of World War I, French law determined that his name become "Jean". Arp would continue referring to himself as "Hans" when he spoke German. Career Dada In 1904, after leaving the École des Arts et Métiers in Straßburg, he went to Paris where he published his poetry for the first time. From 1905 to 1907, he studied at Kunstschule in Weimar, Germany, and in 1908 went back to Paris, where he attended the Académie Julian. Arp was a founder-member of the fir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lucian Bernhard
Lucian Bernhard (March 15, 1883 – May 29, 1972) was a German graphic designer, type designer, professor, interior designer, and artist during the first half of the twentieth century. Career He was influential in helping create the design style known as '' Plakatstil'' (Poster Style), which used reductive imagery and flat-color as well as ''Sachplakat'' ('object poster') which restricted the image to simply the object being advertised and the brand name. He was also known for his designs for Stiller shoes, Manoli cigarettes, and Priester matches. Though he studied briefly at the Akademie in Munich, he was largely self-taught. He moved to Berlin in 1901 where he worked as a poster designer and art director for magazines. In 1920, he became a professor at the Akademie der Künste until 1923, when he emigrated to New York City. In 1928, he opened the Contempora Studio with Rockwell Kent, Paul Poiret, Bruno Paul, and Erich Mendelsohn where he worked as a graphic artist and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hans Bellmer
Hans Bellmer (13 March 1902 – 24 February 1975) was a German artist, best known for the life-sized pubescent female dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Biography Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (''Der Fetisch'', 1925). Bellmer's doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Max Beckmann
Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity (''Neue Sachlichkeit''), an outgrowth of Expressionism that opposed its introverted emotionalism. Even when dealing with light subject matter like circus performers, Beckmann often had an undercurrent of moodiness or unease in his works. By the 1930s, his work became more explicit in its horrifying imagery and distorted forms with combination of brutal realism and social criticism, coinciding with the rise of nazism in Germany. Life Max Beckmann was born into a middle-class family in Leipzig, Saxony. From his youth he pitted himself against the old masters. His traumatic experiences of World War I, in which he volunteered as a medical orderly, coincided with a dramatic transformation of his s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean René Bazaine
Jean René Bazaine (21 December 1904 – 4 March 2001) was a French painter, designer of stained glass windows and writer. He was the great great grandson of the English Court portraitist Sir George Hayter. Studies Bazaine was born in Paris. He studied sculpture at the Académie Julian and with Paul Landowski after a brief passage at the École des Beaux-Arts. At the same time, he continued his study of philosophy and literature at the Sorbonne in Paris attaining ''certificats'' in art history and philosophy (1921–1925). Bergson's ''L'évolution créatrice'' was his main inspiration at the time. With Baltrušaitis, he participated at the first "Groupe d'Histoire de l'art" led by Emile Mâle and Henri Focillon. These studies would culminate in an influential text ''Notes sur la peinture d'aujourd'hui'' (1948), aimed at going beyond the boundaries—quite dogmatic at the time—of ''abstract'' and ''figurative''. It supplied the theoretical base for Bazaine's creative criticism ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thomas Bayrle
Thomas Bayrle (born 7 November 1937 in Berlin) is a German sculptor, painter, graphic artist and video artist. He is known as a pop artist. Life Thomas Bayrle is the son of the painter and graphic artist Alf Bayrle and the art historian Elisabeth Weiss. Bayrle wanted to become a textile engineer, and completed a two-year apprenticeship as a pattern designer and weaver in 1956. While working on Jacquard looms in Göppingen, Bayrle became inspired by the machine's rhythmic sound and the repetitive patterns of the fabric. From 1958 to 1961 Bayrle studied at the Werkkunstschule Offenbach. Initially, he wanted to study commercial art, but he turned to printmaking and learned the technique of lithography and etching from Eberhard Behr. In 1961 he founded the Gulliver Press together with Bernhard Jäger and made a name for himself as a printer and publisher of artists' books. One of the first books by Ernst Jandl (Hosi-Anna! 1965) appeared in the Gulliver Press – illustrated by ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Herbert Bayer
Herbert Bayer (April 5, 1900 – September 30, 1985) was an Austrian and American graphic designer, painter, photographer, sculptor, art director, environmental and interior designer, and architect. He was instrumental in the development of the Atlantic Richfield Company's corporate art collection until his death in 1985. Biography Training and Bauhaus years Bayer apprenticed under the artist Georg Schmidthammer in Linz. Leaving the workshop to study at the Darmstadt Artists' Colony, he became interested in Walter Gropius's Bauhaus manifesto. After Bayer had studied for four years at the Bauhaus under such teachers as Wassily Kandinsky, Paul Klee and László Moholy-Nagy, Gropius appointed Bayer director of printing and advertising. In the spirit of reductive minimalism, Bayer developed a crisp visual style and adopted use of all-lowercase, sans serif typefaces for most Bauhaus publications. Bayer is one of several typographers of the period including Kurt Schwitters and Jan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Willi Baumeister
Willi Baumeister (22 January 1889 – 31 August 1955) was a German painter, scenic designer, art professor, and typographer. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics. Life Born in Stuttgart in 1889, Baumeister completed an apprenticeship as a decorative painter in his native city from 1905 to 1907, followed by military service (fall 1907–1908). During his apprenticeship, Baumeister also began art studies at the Stuttgart Art Academy (Königlich Württembergische Akademie) (1905–1906), attended Robert Poetzelberger’s drawing class, and took additional lessons from Josef Kerschensteiner. In 1906 he resumed his apprenticeship and, in 1907, completed the trade test. Following his military service, Baumeister continued his studies at the art academy. Dismissed by his teacher Poetzelberger due to lack of talent, he switched into the composition class of Adolf Hölzel, with whom he studied until 1912, where he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Saul Bass
Saul Bass (; May 8, 1920 – April 25, 1996) was an American graphic designer and Oscar-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and corporate logos. During his 40-year career, Bass worked for some of Hollywood's most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Among his best known title sequences are the animated paper cut-out of a heroin addict's arm for Preminger's ''The Man with the Golden Arm'', the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock's ''North by Northwest'', and the disjointed text that races together and apart in '' Psycho''. Bass designed some of the most iconic corporate logos in North America, including the Geffen Records logo in 1980, the Hanna-Barbera "swirling star" logo in 1979, the sixth and final version of the Bell System logo in 1969, as well as AT&T Corporation's fir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ernst Barlach
Ernst Heinrich Barlach (2 January 1870 – 24 October 1938) was a German expressionist sculptor, medallist, printmaker and writer. Although he was a supporter of the war in the years leading to World War I, his participation in the war made him change his position, and he is mostly known for his sculptures protesting against the war. This created many conflicts during the rise of the Nazi Party, when most of his works were confiscated as degenerate art. Stylistically, his literary and artistic work would fall between the categories of twentieth-century Realism and Expressionism. Biography Youth Barlach was born in Wedel, Holstein, the oldest of the four sons of Johanna Luise Barlach (née Vollert, 1845–1920) and the physician Dr. Georg Barlach (1839–1884). His early childhood was spent in Schönberg (Mecklenburg), where his father had practiced since 1872. In the fall of 1876, the family moved to Ratzeburg, where Barlach attended primary school. When his father died, early ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Francis Bacon (artist)
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included Crucifixion of Jesus, crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to render "the brutality of fact." He built up a reputation as one of the giants of contemporary art with his unique style. Bacon said that he saw images "in series", and his work, which numbers in the region of 590 extant paintings along with many others he destroyed,Harrison, Martin.Out of the Black Cavern. Christie's. Retrieved 4 November 201Archivedon 11 November 2019 typically focused on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on single motifs; including t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |