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Dizzy In Greece
''Dizzy in Greece'' is an album by trumpeter Dizzy Gillespie, recorded in 1956 and 1957 and released on the Verve label.Gillespie discography
accessed March 26, 2012
The album was reissued as part of the 2CD compilation '' Birks Works: The Verve Big Band Sessions''.


Reception

The review awarded the album 4.5 stars.Allmusic Review
accessed April 4, 2012


Track listing

''Side O ...
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Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ...
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Melba Liston
Melba Doretta Liston (January 13, 1926 – April 23, 1999) was an American jazz trombonist, arranger, and composer. Other than those playing in all-female bands she was the first woman trombonist to play in big bands during the 1940s and 1960s, but as her career progressed she became better known as an arranger, particularly in partnership with pianist Randy Weston. Smith, Jessie Carney, and Shirelle Phelps (eds), ''Notable Black American Women: Book 2''. VNR AG, 1996, , pp. 413–415. Other major artists with whom she worked include Dizzy Gillespie, Billie Holiday, John Coltrane and Count Basie. Biography Early life and education Liston was born in Kansas City, Missouri. At the age of seven, Melba's mother purchased her a trombone and began learning to play. Her family encouraged her musical pursuits, as they were all music lovers. Liston was primarily self-taught, but she was "encouraged by her guitar-playing grandfather", with whom she spent significant time learning to p ...
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Rod Levitt
Rodney Charles Levitt (September 16, 1929 in Portland, Oregon – May 8, 2007 in Wardsboro, Vermont) was an American jazz trombonist, composer, and bandleader. Levitt studied composition at the University of Washington, where he took his BA in 1951. He was in the orchestra at Radio City Music Hall from 1957 to 1963, and played with Dizzy Gillespie (1956–57), Ernie Wilkins (1957), Kai Winding (1958), and Sy Oliver (1959-60), and also worked with Gil Evans in 1959 when his orchestra accompanied Miles Davis. In 1960, he played with Gerry Mulligan and Mundell Lowe, with Quincy Jones in 1961, and with Oliver Nelson in 1962. He recorded four albums as a leader of an octet in 1963-6,6 and continued to work with this combination into the 1970s, when he also played with bassist Chuck Israels. Later in his career he worked with Cedar Walton and Blue Mitchell, and wrote music for commercials with a company he ran from 1966-1989. In the late 1970s he taught at Fairleigh Dickinson, Hofstr ...
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Al Grey
Al Grey (June 6, 1925 – March 24, 2000) was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called ''Plunger Techniques''. Career Al Grey was born in Aldie, Virginia, United States, and grew up in Pottstown, Pennsylvania. He was introduced to the trombone at the age of four, playing in a band called the Goodwill Boys, which was led by his father. During World War II he served in the U.S. Navy, where he continued to play the trombone. Soon after his discharge, he joined Benny Carter's band, then the bands of Jimmie Lunceford, Lucky Millinder, and Lionel Hampton. In the 1950s, he was a member of the big bands of Dizzy Gillespie and Count Basie. He led bands in the 1960s with Billy Mitchell and Jimmy Forrest. Later in life he recorded with Clark Terry and J. J. Johnson. He made thirty recordings under his own name and another seventy with bands. Grey's early trombon ...
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Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane's '' Blue Train'' (1957) and with the band of drummer Art Blakey before launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. His song "The Sidewinder", on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan's subsequent recordings found him touching on other styles of music such as post-bop and avant-garde jazz as his artistry matured. Soon after ''The Sidewinder'' was released, Morgan rejoined Blakey for a short period. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming a cornerstone of the Blue Note label. Morgan died at the a ...
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Quincy Jones
Quincy Delight Jones Jr. (born March 14, 1933) is an American record producer, musician, songwriter, composer, arranger, and film and television producer. His career spans 70 years in the entertainment industry with a record of 80 Grammy Award nominations, 28 Grammys, and a Grammy Legend Award in 1992. Jones came to prominence in the 1950s as a jazz arranger and conductor before working on pop music and film scores. He moved easily between musical genres, producing pop hit records for Lesley Gore in the early 1960s (including " It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie in the same time period. In 1968, Jones became the first African American to be nominated for an Academy Award for Best Original Song for "The Eyes of Love" from the film '' Banning''. Jones was also nominated for an Academy Award for Best Original Score for his work on the 1967 film ''In Cold Blood'', making him the ...
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Joe Gordon (musician)
Joseph Henry Gordon (May 15, 1928, in Boston, Massachusetts – November 4, 1963, in Santa Monica, California) was an American jazz trumpeter. His first professional gigs were in Boston in 1947; he played with Georgie Auld, Charlie Mariano, Lionel Hampton, Charlie Parker (1952–55 intermittently), Art Blakey (1954), and Don Redman. In 1956 he toured the Middle East with Dizzy Gillespie's big band; he was a soloist on " A Night in Tunisia". Following this he played with Horace Silver. After moving to Los Angeles, he recorded with Barney Kessel, Benny Carter, Harold Land, Shelly Manne (1958–60) and Dexter Gordon. He recorded as a bandleader for two sessions, and appeared on one recording with Thelonious Monk. He has an uncredited role playing in Paul Horn's jazz band in the film Night Tide. He died in a house fire on November 4, 1963.Scott Yanow, ''Jazz on Record: The First Sixty Years'', Backbeat Books, 2003, 2003. p 583 Discography As leader *1955: '' Introducin ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Groovin' High
"Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie. The song was a bebop mainstay that became a jazz standard, one of Gillespie's best known hits, and according to ''Bebop: The Music and Its Players'' author Thomas Owens, "the first famous bebop recording". The song is a complex musical arrangement based on the chord structure of the 1920 standard originally recorded by Paul Whiteman, "Whispering", with lyrics by John Schonberger and Richard Coburn ''(né'' Frank Reginald DeLong; 1886–1952) and music by Vincent Rose. The biography ''Dizzy'' characterizes the song as "a pleasant medium-tempo tune" that "demonstrates... illespie's/nowiki> skill in fashioning interesting textures using only six instruments". The song has been used to title many compilation albums and also the 2001 biography ''Groovin' High: The Life of Dizzy Gillespie''. Impact First published on the 1945 album '' Shaw 'Nuff'', the song is one of seven on that album that, acc ...
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Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including "Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm ...
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Stablemates (jazz Standard)
Stablemates is a jazz composition by American saxophonist Benny Golson written in 1955. The song was first recorded by Miles Davis in '' Miles: The New Miles Davis Quintet'', released in 1956. It is widely regarded as a jazz standard and has been recorded by many notable jazz artists.Bailey, Phil and Hancock, Benny (1979) ''Benny Golson: Eight Jazz Classics'', p. iii. Jamey Aebersold Jazz. Background According to his autobiography, Golson wrote Stablemates while on the road with Earl Bostic in Wilmington, Delaware. His soon-to-be ex-wife was present with her friends, and he told her during intermission that he was busy with a "very important assignment" due the following morning. He wrote the first 14 bars of the song on the bandstand, and he initially thought the song was "demented". In the coming two days he spent on tour, he took those respective intermissions to write the song on the bandstand. When Golson originally wrote the song, the chord for the first measure was a B-f ...
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Gus Edwards (vaudeville)
Gustave Edwards (August 18, 1878 – November 7, 1945) was an American composer, songwriter and film director. He also was a vaudevillian, organised his own theatre companies and was a music publisher. Early life Edwards was the son of Morris and Johanna Simon. He was born Gustav Schmelowsky in Inowrazlaw, German Empire (present-day Inowrocław, Poland). His family boarded the steamship ''Spaarndam'' as steerage passengers; they arrived at the Port of New York on 29 July 1891 ending up in Williamsburg. During the day, he worked in the family cigar store, and in the evenings, he wandered looking for any sort of show business job. He found work as a singer at various lodge halls, on ferry boat lounges, in saloons, and even between bouts at the athletic clubs. As a very young boy, Edwards worked as a song plugger at Koster and Bial's, at Tony Pastor's theatre, and at the Bowery Theatre. In those old vaudeville days, song publishers would often hire a very young boy to s ...
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