Dionisio Nencioni Di Bartolomeo
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Dionisio Nencioni Di Bartolomeo
Dionisio Nencioni di Bartolomeo (1559, Florence - 1638, Naples) was an Italian architect, mainly active in Naples, to which he moved in 1584. He worked on the Hieronymite church from 1587 until his death, in collaboration with Giovanni Antonio Dosio. In 1607 he took part in the competition to design the Royal Chapel of the Treasure of St. Januarius, alongside other architects working in Naples such as Francesco Grimaldi, Giovan Battista Cavagna, Giulio Cesare Fontana, Michelangelo Naccherino, Giovan Giacomo Di Conforto, Giovanni Cola di Franco and Ceccardo Bernucci, but his design did not win. In 1612 he worked on the Gesù e Maria Complex and from 1604 to 1632 as one of the architects of San Giuseppe dei Ruffi. In 1631 he made some assessments of the work already done at certosa di San Martino. He spent his final years finishing working on the Gerolamini church (even joining the Hieronymites The Hieronymites, also formally known as the Order of Saint Jerome ( la, Ordo ...
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Architects From Florence
An architect is a person who plans, designs and oversees the construction of buildings. To practice architecture means to provide services in connection with the design of buildings and the space within the site surrounding the buildings that have human occupancy or use as their principal purpose. Etymologically, the term architect derives from the Latin ''architectus'', which derives from the Greek (''arkhi-'', chief + ''tekton'', builder), i.e., chief builder. The professional requirements for architects vary from place to place. An architect's decisions affect public safety, and thus the architect must undergo specialized training consisting of advanced education and a ''practicum'' (or internship) for practical experience to earn a license to practice architecture. Practical, technical, and academic requirements for becoming an architect vary by jurisdiction, though the formal study of architecture in academic institutions has played a pivotal role in the development of the ...
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17th-century Italian Architects
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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16th-century Italian Architects
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Hieronymites
The Hieronymites, also formally known as the Order of Saint Jerome ( la, Ordo Sancti Hieronymi; abbreviated OSH), is a Catholic cloistered religious order and a common name for several congregations of hermit monks living according to the Rule of Saint Augustine, though the role principle of their lives is the 5th-century hermit and biblical scholar Jerome. The principal group with this name was founded in the Iberian Peninsula around the 14th century. Their religious habit is a white tunic with a brown, hooded scapular and a brown mantle. For liturgical services, they wear a brown cowl. Iberian Hieronymites Origins Established near Toledo, Spain, the order developed from a spontaneous interest of a number of eremitical communities in both Spain and Portugal in imitating the life of Jerome and Paula of Rome. This way of life soon became widespread in Spain. Two of these hermits, Pedro Fernández y Pecha and Fernando Yáñez y de Figueroa, decided it would be more advanta ...
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Certosa Di San Martino
The ("Charterhouse of St. Martin") is a former monastery complex, now a museum, in Naples, southern Italy. Along with Castel Sant'Elmo that stands beside it, this is the most visible landmark of the city, perched atop the Vomero hill that commands the gulf. A Carthusian monastery, it was finished and inaugurated under the rule of Queen Joan I in 1368. It was dedicated to St. Martin of Tours. During the first half of the 16th century it was expanded. Later, in 1623, it was further expanded and became, under the direction of architect Cosimo Fanzago, essentially the structure one sees today. In 1799 anti-clerical French forces of occupation suppressed the monastery and forced the monks to flee. In the ensuing decades the monks made several attempts to reestablish their charter house, with the last effort failing in 1866, when the state definitively confiscated the property. Today, the buildings house the National Museum of San Martino with a display of Spanish and Bourbon era art ...
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San Giuseppe Dei Ruffi
San Giuseppe dei Ruffi or church of San Giuseppe dei Ruffo is a church located on piazzetta San Giuseppe dei Ruffi, in Naples, Italy. History The church was part of an Augustinian order monastery founded in 1604 by a group of aristocratic Neapolitan noblewomen: including Cassandra Caracciolo; Ippolita and Caterina Ruffo; and Caterina Tomacelli. They obtained from the Prince of Avellino, the old palace of the family Arcella, and surrounding houses, to build their monastery and church. In 1611, more nuns transferred here from the convent of Santa Maria degli Angeli, renaming the convent San Giuseppe; a few years later they decide to build a new church and cloister. The project from 1630 was directed by Dionisio Nencioni di Bartolomeo, who was also the architect for the church of the Girolamini. By 1636, nearly all the cloister was complete. In 1699, construction of a church began using designs by Dionisio Lazzari, a second cupola was added by Arcangelo Guglielmelli in 1720, wh ...
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Gesù E Maria Complex
Gesù e Maria Complex was a small monastic complex in Naples which also included the monastic church. The monastery buildings now house a hospital. It is sited on the summit of the zona di Pontecorvo. It was first built for the Dominican friar Silvio d'Atripalda in 1580 - he had obtained its site from Ascanio Coppola. In 1585 the complex was remodelled and extended in the Baroque style by Domenico Fontana Domenico Fontana (154328 June 1607) was an Italian architect of the late Renaissance, born in today's Ticino. He worked primarily in Italy, at Rome and Naples. Biography He was born at Melide, a village on the Lake Lugano, at that time joint p ... - it is one of his earliest works. The Dominicans were expelled in 1812 and their lands and buildings confiscated by the French occupiers. It had passed to another order by 1863, when the monastic buildings were again secularised and turned into a hospital but the church retained as a parish church. It was already in a state of dec ...
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Giovanni Cola Di Franco
Giovanni Cola di Franco was an Italian Mannerist architect active between 1596 and 1621, mainly in Naples, where he was born and died. He collaborated with contemporary architects such as Francesco Grimaldi, Bartolomeo Picchiatti and Giovan Giacomo Di Conforto. Bibliography (in Italian) * Francesco Abbate, Storia dell'arte nell'Italia meridionale: il Cinquecento, vol. 3, Roma, Donzelli Editore, 2001, . * Emilio RicciardiIl "Poggio delle Mortelle" nella storia dell'architettura napoletana" degree thesis in ''Storia dell'architettura e della città'', 2006. * Francesco Domenico Moccia and Dante Caporali (ed.), NapoliGuida. Tra luoghi e monumenti della città storica, Clean, 2001, . 16th-century Italian architects 17th-century Italian architects 16th-century Neapolitan people 17th-century Neapolitan people {{Italy-architect-stub ...
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Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Giovan Giacomo Di Conforto
Giovanni Giacomo Di Conforto or Giovanni Giacomo Conforto (1569 – June 1630, in Naples) was an Italian architect and engineer, active mainly in Naples, Italy, in a late Mannerist style. He participated in the construction of many churches in Naples. His projects include Santa Teresa degli Scalzi (or agli Studi) (1602–1612) whose facade was completed by Cosimo Fanzago, Santa Maria della Verità (San Agostino agli Scalzi), as well as rebuilding of the Certosa di San Martino The ("Charterhouse of St. Martin") is a former monastery complex, now a museum, in Naples, southern Italy. Along with Castel Sant'Elmo that stands beside it, this is the most visible landmark of the city, perched atop the Vomero hill that command ... and San Severo al Pendino. ReferencesEntry in Treccani Encyclopedia {{DEFAULTSORT:Di Conforto, Giovanni Giacomo 1569 births 1630 deaths Engineers from Naples 17th-century Italian architects Architects from Naples ...
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