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Dim All The Lights
"Dim All the Lights" is a song by American recording artist Donna Summer released as the third single from her 1979 album ''Bad Girls (Donna Summer album), Bad Girls''. It debuted at number 70 on August 25, 1979, and peaked that year at number two on November 10 and November 17 on the Billboard Hot 100, ''Billboard'' Hot 100. It was blocked from becoming the third number one hit from the album first by "Heartache Tonight" by the Eagles (band), Eagles for one week, then by "Still (Commodores song), Still" by Commodores the next week. Produced by her longtime collaborator Giorgio Moroder with Pete Bellotte, the track combines Summer's trademark disco beats with a more Soul music, soulful Pop music, pop sound. It was the third Hot 100 top-two single from the album and her sixth consecutive Hot 100 top-five single. Background Prior to the release of "Dim All the Lights", Summer had released "Hot Stuff (Donna Summer song), Hot Stuff" and "Bad Girls (Donna Summer song), Bad Girls" and, la ...
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Donna Summer
LaDonna Adrian Gaines (December 31, 1948May 17, 2012), known professionally as Donna Summer, was an American singer and songwriter. She gained prominence during the disco era of the 1970s and became known as the " Queen of Disco", while her music gained a global following. Influenced by the counterculture of the 1960s, Summer became the lead singer of a psychedelic rock band named Crow and moved to New York City. In 1968, she joined a German adaptation of the musical ''Hair'' in Munich, where she spent several years living, acting, and singing. There, she met music producers Giorgio Moroder and Pete Bellotte, and they went on to record influential disco hits together such as " Love to Love You Baby" and "I Feel Love", marking Summer's breakthrough into international music markets. Summer returned to the United States in 1976, and more hits such as " Last Dance", her version of "MacArthur Park", " Heaven Knows", " Hot Stuff", " Bad Girls", "Dim All the Lights", "No More Tears (E ...
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Barbra Streisand
Barbara Joan "Barbra" Streisand (; born April 24, 1942) is an American singer, actress and director. With a career spanning over six decades, she has achieved success in multiple fields of entertainment, and is among the few performers List of people who have won Academy, Emmy, Grammy, and Tony Awards, awarded an Emmy, Grammy, Oscar, and Tony (EGOT). Streisand began her career by performing in nightclubs and Broadway theaters in the early 1960s. Following her guest appearances on various television shows, she signed to Columbia Records, insisting that she retain full artistic control, and accepting lower pay in exchange, an arrangement that continued throughout her career, and released her debut ''The Barbra Streisand Album'' (1963), which won the Grammy Award for Album of the Year. Throughout her recording career, Streisand has topped the US Billboard 200, ''Billboard'' 200 chart with 11 albums—a record for a woman—including ''People (Barbra Streisand album), People'' (1 ...
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Laura Branigan
Laura Ann Branigan (July 3, 1952 – August 26, 2004) was an American singer, songwriter, and actress. Her signature song, the platinum-certified 1982 single " Gloria", stayed on the U.S. ''Billboard'' Hot 100 for 36 weeks, then a record for a female artist, peaking at No. 2. It also reached number one in Australia and Canada. Branigan's "Gloria" was a cover of a song written by Italian singer-songwriters Giancarlo Bigazzi and Umberto Tozzi. In 1984, she reached number one in Canada and Germany with the U.S. No. 4 hit "Self Control", which was released by Italian singer and songwriter Raf the same year. Both "Gloria" and "Self Control" were successful in the United Kingdom, making the Top 10 in the UK Singles Chart. Seeing her greatest level of success in the 1980s, Branigan's other singles included the Top 10 hit " Solitaire" (1983), the U.S. AC chart number one "How Am I Supposed to Live Without You" (1983), the Australian No. 2 hit "Ti amo" (1984), her return to the top ...
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Billboard Year-End Hot 100 Singles Of 1980
This is a list of '' Billboard'' magazine's Top Hot 100 songs of 1980. See also * 1980 in music *List of Billboard Hot 100 number-one singles of 1980 *List of Billboard Hot 100 top-ten singles in 1980 This is a list of singles that have peaked in the Top 10 of the ''Billboard'' Hot 100 during 1980. The longest running top-ten single of the year was " Another One Bites the Dust" by Queen with 15 weeks. Kenny Rogers, Air Supply, and Michael Ja ... References {{italic title, string=Billboard 1980 record charts Billboard charts ...
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Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ...
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Hot Dance Club Play
Dance Club Songs is a chart published weekly by '' Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, '' Teenage Dream'' (2010), became the first album in ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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RIANZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture between Reco ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ...
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Cash Box
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ...
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