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Dilate (Ani DiFranco Album)
''Dilate'' is the seventh studio album by American singer-songwriter Ani DiFranco, released in 1996. ''Dilate'' is her highest-selling and most critically acclaimed record, with US sales of over 480,000 units according to SoundScan. In 2011, ''Slant Magazine'' placed the album at No. 67 on its list of "The 100 Best Albums of 1990s". Track listing Personnel *Ani DiFranco – synthesizer, acoustic guitar, bass, guitar, bongos, electric guitar, steel guitar, Hammond organ, vocals, thumb piano *Michael Ramos – Hammond organ *Andy Stochansky – drums *David Travers-Smith – trumpet Production *Ani DiFranco – record producer, mixing, sampling, arranger, sequencing, artwork, design *Robin Aubé – engineer *Bob Doidge – engineer *Andrew Gilchrist – engineer *Mark Hallman Mark Hallman (born August 1, 1951) is an American producer, songwriter, engineer and multi-instrumentalist. He has worked with Carole King (appearing on six of her albums as a performer and produ ...
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Bardo Pond
Bardo Pond are an American psychedelic rock band formed in 1991, and who are currently signed to London-based label Fire Records. The current members are Michael Gibbons (guitar), John Gibbons (guitar), Isobel Sollenberger (flute and vocals), Clint Takeda (bass guitar) and Jason Kourkounis (drums). Bardo Pond's music is often classified as space rock, acid rock, post-rock, shoegazing, noise or psychedelic rock. Some Bardo Pond album titles have been derived from the names of esoteric psychedelic substances. Their sound has been likened to Pink Floyd, Spacemen 3 and My Bloody Valentine amongst others. Allmusic describes Bardo Pond as having "lengthy, deliberate sound explorations filled with all the hallmarks of modern-day space rock: droning guitars, thick distortion, feedback, reverb, and washes of white noise." Bardo Pond are a taper-friendly band who encourage fans to make recordings of their shows. Early years According to guitarist Michael Gibbons, the band members came ...
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Nielsen SoundScan
Luminate (formerly Nielsen SoundScan, Nielsen Music Products, and MRC Data) is a provider of music sales data. Established by Mike Fine and Mike Shalett in 1991, data is collected weekly and made available every Sunday (for albums sales) and every Monday (for songs sales) to subscribers, which include record companies, publishing firms, music retailers, independent promoters, film and TV companies, and artist managers. It is the source of sales information for the ''Billboard'' music charts. It is owned by PMRC, a joint venture between Eldridge Industries (publisher of ''Billboard'') and Penske Media Corporation. The company operates the analytics platform Music Connect, Broadcast Data Systems (which tracks airplay of music), and Music 360. History Nielsen SoundScan began tracking sales data for Nielsen on March 1, 1991. The May 25 issue of '' Billboard'' published ''Billboard'' 200 and Country Album charts based on SoundScan "piece count data," and the first Hot 100 char ...
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Mark Hallman
Mark Hallman (born August 1, 1951) is an American producer, songwriter, engineer and multi-instrumentalist. He has worked with Carole King (appearing on six of her albums as a performer and producer), Ani DiFranco, and Eliza Gilkyson. In the mid-'70s, Hallman was one of the two principal singer-songwriters for Boulder, Colorado-based rock band Navarro. Navarro put out two albums on Capitol Records, ''Listen'' in 1977 (produced by Hallman) and ''Straight From the Heart'' in 1978. While recording at Caribou Ranch in 1977, Carole King needed a backup band. Dan Fogelberg suggested Navarro and brought her to see them perform at The Stage Stop, in Rollinsville. Hallman had been the guitarist in Fogelberg's band as well. Although Navarro had broken up by the time King called, she asked Hallman if the band would like to back her for an album on Lou Adler's Ode Record label. That album was never released but Navarro reformed for that gig and followed up with three albums recorded with h ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Andy Stochansky
Andy Stochansky is a musician and songwriter from Toronto, living in Los Angeles. Early years Born and raised in Toronto, Stochansky began tinkering with the family piano at the age of five. To stop him from making music with anything he could get his hand on, his parents bought him a toy drum kit. By the time he was in his 20s, he had become a touring studio musician for Ani DiFranco. With DiFranco, Stochansky played 150 shows a year for seven years, until he felt it was time to start expressing himself beyond the drums. Solo Career He switched instruments, taking up guitar and piano, and released his solo debut album, ''RadioFusebox''. Critics called it one of the best albums of the year. Kim Hughes put him on the cover of ''Now Newspaper''. Joan Anderman from the ''Boston Globe'' called him "the best thing at SXSW". ''RadioFusebox'' won the 2000 Canadian Juno Award for Best Album Design (Michael Wrycraft - Creative Director). "The press was so amazing but I wanted to sw ...
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Thumb Piano
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commercially pro ...
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Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ...
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Steel Guitar
A steel guitar ( haw, kīkākila) is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it is played without using frets; conceptually, it is somewhat akin to playing a guitar with one finger (the bar). Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked (not strummed) by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand. The idea of creating music with a slide of some type has been traced back to early African instruments, but the modern steel guitar was conceived and popularized in the Hawaiian Islands. The Hawaiians began playing a conventional guitar i ...
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Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ...
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