Die Beiden Neffen
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Die Beiden Neffen
''Die beiden Neffen'' (''The Two Nephews''), also known as ''Der Onkel aus Boston'' (''The Uncle from Boston''), is a three-act Singspiel by Felix Mendelssohn to a libretto by Johann Ludwig Casper. Background ''Die beiden Neffen'' was written by between May 1822 and 1823, during which time Mendelssohn celebrated his fourteenth birthday. The libretto was by Casper who had provided books for his three previous Singspiels, ''Die Soldatenliebschaft'' (Soldier's Love) (1820), ''Die beiden Pädagogen'' (The Two Teachers) (1821) and ''Die wandernden Komödianten'' (The Roving Actors) (1822). ''Die beiden Neffen'' was the last of their collaborations. These pieces were designed for performance within the family circle at the musical gatherings regularly organised by Felix's father Abraham Mendelssohn. ''Die beiden Neffen'' was performed in the garden house of the Mendelssohn family on Felix's 15th birthday (3 February 1824). Like Mendelssohn's other juvenile operas, the work shows the infl ...
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Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad op ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish language, Danish, Norwegian language, Norwegian ...
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Singspiele
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad ope ...
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1824 Operas
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly r ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Oxford Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Bach-Collegium Stuttgart
Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra. Its members are mostly orchestra musicians from Germany and Switzerland who get together for projects associated with the choir and also instrumental programs of their own. The ensemble has performed at festivals such as the "Musikfest Stuttgart" of the Internationale Bachakademie Stuttgart, Salzburg Festival, Lucerne Festival, Prague Spring or Rheingau Musik Festival. Gächinger Kantorei and Bach-Collegium Stuttgart, conducted by Rilling, completed a first recording worldwide of Bach's cantatas and oratorios, a project of 15 years in collaboration with Hänssler Classic, in 1985 on the occasion of the composer's 300th birthday. The recording was awarded a Grand Prix du Disque. The Bach-Collegium Stuttgart has been instrumental in premieres of works such as Wolfgang Rihm's ''Deus Passus (Passions ...
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Gächinger Kantorei
Gächinger Kantorei (Gächingen Chorale) is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutlingen) and conducted by him until 2013, succeeded by Hans-Christoph Rademann. A "Kantorei" is a choir of high standard dedicated mostly, but not exclusively, to sacred music. The ensemble operates in Stuttgart now and is therefore officially named Gächinger Kantorei Stuttgart. The choir has up to 200 voices, called together for projects from Germany and Switzerland, most of them singers with a degree in music. Since 1965 they have performed music with orchestra as Gächinger Kantorei and Bach-Collegium Stuttgart, including several first performances. History Initially the choir was dedicated to a cappella music of the 16th, 17th and 20th century, later adding works from the period of Romanticism. In 1965 Rilling founded the orchestra Bach-Collegium Stuttgart, and both groups started performing choral music w ...
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Carsten Süß
Karsten or Carsten is a both a given name and a surname. It is believed to be either derived from a Low German form of Christian, or "man from karst". Notable persons with the name include: Given name ;Carsten: * Carsten Charles Sabathia (born 1980), Former baseball player most famous for being a New York Yankee * Carsten Niebuhr (1733–1815), German mathematician, cartographer, and explorer in the service of Denmark * Carsten Pohl (born 1965), German basketball coach ;Karsten: * Karsten Alnæs (born 1938), Norwegian author, historian, and journalist * Karsten Andersen (1920–1997), Norwegian conductor * Big Daddy Karsten (born 1989), 2017 Eurovision Jury List; Norwegian Pre-select for Eurovision (Melodi Grand Prix 2021) * Karsten Buer (1913–1993), Norwegian harness coach * Karsten Fonstad (1900–1970), Norwegian politician * Karsten Forsterling (born 1980), Australian rower * Karsten Isachsen (1944–2016), Norwegian Lutheran priest, essayist and public speaker * Karsten Ja ...
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Lothar Odinius
Lothar is a Danish, Finnish, German, Norwegian, and Swedish masculine given name, while Lotár is a Hungarian masculine given name. Both names are modern forms of the Germanic Chlothar (which is a blended form of ''Hlūdaz'', meaning "fame", and ''Harjaz'', meaning "army"). Notable people with this name include: Surname * Ernst Lothar (1890–1974), Moravian-Austrian writer * Hanns Lothar or Hanns Lothar Neutze (1929–1967), German actor * Mark Lothar (1902–1985), German composer * Rudolf Lothar (1865–1943), Hungarian-born Austrian writer * Susanne Lothar (1960–2012), German actress Given name * Lothar Ahrendt (born 1936), former interior minister of the German Democratic Republic * Lothar Albrich (1905–1978), Romanian hurdler * Lothar Baumgarten (1944–2018), German artist * Lothar Berg (1930–2015), German mathematician * Lothar Bolz (1903–1986), East German politician * Lothar-Günther Buchheim (1918–2007), German author * Lothar Collatz (1910–1990), Ger ...
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Kate Royal
Kate Royal (born 1979) is an English lyric soprano. She is the daughter of Steve Royal, a singer and songwriter for television, and of Carolyn Royal, a former model and dancer. Royal was born in London and attended Talbot Heath School in Bournemouth, Dorset. Her teachers as a youth included Jon Andrew. She later studied at the Guildhall School of Music and Drama and then the National Opera Studio, graduating in the summer of 2004. In that same year, she won the Kathleen Ferrier Award. Royal began to attract wider notice as an understudy for the role of Pamina in Mozart's ''Die Zauberflöte'' at Glyndebourne Festival Opera in 2004, when she replaced the lead soprano at one performance. With Glyndebourne on Tour, she has sung the Countess in ''Le nozze di Figaro''. She has performed in recital with the pianists Graham Johnson and Roger Vignoles. In 2006 with Glyndebourne on Tour, she sang The Governess in Benjamin Britten's ''The Turn of the Screw''. Later the same year, she signe ...
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