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Die Schule Der Frauen (opera)
''Die Schule der Frauen'' is a 1957 German-language opera by Rolf Liebermann after Molière's ''The School for Wives''. The opera was premiered as a one-act work, ''The Wives School'', in English in Kentucky in 1955.Nicholas Ivor Martin, ''The Opera Manual'' 0810888696 2013, p. 335: "Premiered Louisville, Kentucky, Louisville Orchestra Society, December 3, 1955. Set in France in the ... version premiered as ''Die Schule der Frauen'' in Salzburg, 1957. The full three-act German version of the opera premiered at the Salzburg Festival in 1957 with Walter Berry as Molière (Jean-Baptiste Poquelin) who sits on the stage giving commentary but also plays three roles himself. The rest of the cast include Kurt Böhme as Arnolphe, Anneliese Rothenberger as Agnes, Christa Ludwig as Georgette, Nicolai Gedda as Horace, and Alois Pernerstorfer as Oronte, with the Vienna Philharmonic conducted by George Szell George Szell (; June 7, 1897 – July 30, 1970), originally György Széll, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolf Liebermann
Rolf Liebermann (14 September 1910 – 2 January 1999), was a Swiss composer and music administrator. He served as the Artistic Director of the Hamburg State Opera from 1959 to 1973 and again from 1985 to 1988. He was also Artistic Director of the Paris Opera from 1973 to 1980. Life Liebermann was born in Zürich, and studied composition and conducting with Hermann Scherchen in Budapest and Vienna in the 1930s, and later with Wladimir Vogel in Basel. His compositional output involved several different musical genres, including chansons, classical, and light music. His classical music often combines myriad styles and techniques, including those drawn from baroque, classical, and twelve-tone music. Liebermann was the director of the Hamburg Staatsoper from 1959 to 1973, and again from 1985 to 1988. During his tenure in Hamburg, he commissioned 24 new operas, including ''The Devils'' by Krzysztof Penderecki, '' Der Prinz von Homburg'' by Hans Werner Henze, and '' Help, Help, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The School For Wives
''The School for Wives'' (french: L'école des femmes; ) is a theatrical comedy written by the seventeenth century French playwright Molière and considered by some critics to be one of his finest achievements. It was first staged at the Palais Royal theatre on 26 December 1662 for the brother of the King. The play depicts a character who is so intimidated by femininity that he resolves to marry his young, naïve ward and proceeds to make clumsy advances to this purpose. It raised some outcry from the public and established Molière as a bold playwright who would not be afraid to write about controversial issues. In June 1663, the playwright cunningly responded to the uproar with another piece entitled ''La Critique de L'École des femmes'', which provided some insight into his unique style of comedy. Characters and scene Its characters include: *Arnolphe: also known as ''Monsieur de la Souche'' *Agnès: an innocent young girl, Arnolphe's ward *Horace: Agnès's lover, Oronte's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Berry (bass-baritone)
Walter Berry (8 April 1929 – 27 October 2000) was an Austrian lyric bass-baritone who enjoyed a prominent career in opera. He has been cited as one of several exemplary operatic bass-baritones of his era. Professional career Walter Berry was born in Vienna. He studied voice at the Vienna Music Academy and made his stage debut with the Vienna State Opera in 1947. He became a permanent member of the company in 1950, remaining with that ensemble for his entire career, although he undertook frequent guest appearances elsewhere in Europe and in the UK. In 1952, Berry made his first appearance at the Salzburg Festival, where he subsequently performed on a regular basis. While in Salzburg, he collaborated with Herbert von Karajan conducting the Vienna Philharmonic Orchestra in a production of Wolfgang Amadeus Mozart's opera ''Don Giovanni'' with Leontyne Price and Elisabeth Schwarzkopf. While appearing in Vienna and Salzburg he interpreted an extensive operatic repertoire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Böhme
Kurt Böhme (5 May 1908 – 20 December 1989) was a German bass. He was born in Dresden, Germany, where he studied with Adolf Kluge at the Dresden Conservatory. He made his debut in 1930 in Bautzen in Der Freischütz, singing both Kaspar (a signature role he was to perform roughly 350 times) and, following a 3-minute costume change, the Hermit. From 1930–1950, he was a member of the Dresden State Opera, 1949 he became a member of the Munich State Opera and in 1955 a member of the Vienna State Opera. In the 1950s and 1960s he became known worldwide because of his acting talents, performing the buffo role of Baron Ochs (more than 500 performances) as well as the 'heavies': Kaspar (1954 with Wilhelm Furtwängler), Fafner (1958–1964 with Georg Solti), and "Matteo" in Fra Diavolo (Dresden November 1944). He was best known for his interpretations of Wagnerian roles, and Mozart's big bass roles (Osmin, Sarastro, and the Commendatore), and Baron Ochs von Lerchenau in Strauss' Der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anneliese Rothenberger
Anneliese Rothenberger (19 June 191924 May 2010) was a German operatic soprano who had an active international performance career which spanned from 1942 to 1983. She specialized in the lyric coloratura soprano repertoire, and was particularly admired for her interpretations of the works of Wolfgang Amadeus Mozart and Richard Strauss. Life and career Rothenberger was born in Mannheim, Germany. She studied with Erika Müller, and took up her first engagement in Koblenz in 1942. In 1946, Günther Rennert offered her a job at the Hamburg Opera House, where she sang in Rennert's now famous production of Alban Berg's ''Lulu'' twenty years later, a role she would also perform at the Munich Opera Festival, under the direction of Christoph von Dohnányi. 1954 saw her make her debut at the Salzburg Festival, and she appeared in Rolf Liebermann's ''Schule der Frauen'', three years later. From 1954, she became a guest singer at the Vienna State Opera. New York City audiences had their fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christa Ludwig
Christa Ludwig (16 March 1928 – 24 April 2021) was a German mezzo-soprano and occasional dramatic soprano, distinguished for her performances of opera, lieder, oratorio, and other major religious works like masses, passions, and solos in symphonic literature. Her performing career spanned almost half a century, from the late 1940s until the early 1990s. She sang at many international opera houses and festivals, including at the Vienna State Opera from 1955 to 1994, and at the Metropolitan Opera in many roles. She is remembered for roles such as Mozart's Dorabella, Beethoven's Leonore in ''Fidelio'', Wagner's Kundry, and both Octavian and the Marschallin in ''Der Rosenkavalier'' by Richard Strauss. In Vienna, she created the title role of Gottfried von Einem's ''Der Besuch der alten Dame'' in 1971. She is widely recognised as having been one of the most significant and distinguished singers of the 20th century. ''The NPR Listener's Encyclopedia of Classical Music'' (2006) st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolai Gedda
Harry Gustaf Nikolai Gädda, known professionally as Nicolai Gedda (11 July 1925 – 8 January 2017), was a Swedish operatic tenor. Debuting in 1951, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording. Skilled at languages, he performed operas in French, Russian, German, Italian, English, Czech and Swedish, as well as one in Latin. In January 1958, he created the part of Anatol in the world premiere of the American opera ''Vanessa'' at the Metropolitan Opera. Having made some two hundred recordings, Gedda is one of the most widely recorded opera singers in history. His singing is best known for its beauty of tone, vocal control, and musical perception. Early years Harry Gustaf Nikolai Gädda, who later changed the spelling of his surname to Gedda, was born out of wedlock in Stockholm to a Swedish mother and a half-Russian father. He was raised by his aunt Olga Gädda and his adoptive father Michail Ustinov (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alois Pernerstorfer
Alois Pernerstorfer (3 June 1912 – 12 May 1978) was an Austrian bass-baritone Born in Vienna, Pernerstorfer began his training in 1933 at the Wiener Musikhochschule with Theo Lierhammer and Josef Krips and made his opera debut in 1936 in Graz singing the role of Biterolf in ''Tannhäuser''. He sang for many years at the Vienna State Opera and the Vienna Volksoper, and was a regular performer at the Salzburg Festival, where he sang in the European premiere of Samuel Barber's ''Vanessa''. He also sang at the New York Metropolitan Opera (1951-1952), the Glyndebourne Festival, La Scala, and other major European opera houses. Pernerstorfer's first wife was the soprano Henriette Herze, prominent in operetta at the Vienna Volksoper, as was his second wife, the soprano Emmy Funk. In 1963, Alois Pernerstorfer was made a Kammersänger of Austria, and in 1977 he was awarded the Großes Ehrenzeichen (Grand Order of Merit) by the Austrian government. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna Philharmonic
The Vienna Philharmonic (VPO; german: Wiener Philharmoniker, links=no) is an orchestra that was founded in 1842 and is considered to be one of the finest in the world. The Vienna Philharmonic is based at the Musikverein in Vienna, Austria. Its members are selected from the orchestra of the Vienna State Opera. Selection involves a lengthy process, with each musician demonstrating their capability for a minimum of three years' performance for the opera and ballet. After this probationary period, the musician may request an application for a position in the orchestra from the Vienna Philharmonic's board. History Precursors and formation Until the 1830s, orchestral performance in Vienna was done by ''ad hoc'' orchestras, consisting of professional and (often) amateur musicians brought together for specific performances. In 1833, Franz Lachner formed the forerunner of the Vienna Philharmonic, the – an orchestra of professional musicians from the Vienna Court Opera (''Wiener Hof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Szell
George Szell (; June 7, 1897 – July 30, 1970), originally György Széll, György Endre Szél, or Georg Szell, was a Hungarian-born American conductor and composer. He is widely considered one of the twentieth century's greatest conductors. He is remembered today for his long and successful tenure as music director of the Cleveland Orchestra of Cleveland, Ohio, and for the recordings of the standard classical repertoire he made in Cleveland and with other orchestras. Szell came to Cleveland in 1946 to take over a respected if undersized orchestra, which was struggling to recover from the disruptions of World War II. By the time of his death he was credited, to quote the critic Donal Henahan, with having built it into "what many critics regarded as the world's keenest symphonic instrument." Through his recordings, Szell has remained a presence in the classical music world long after his death, and his name remains synonymous with that of the Cleveland Orchestra. Whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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