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Dick's Picks Volume 4
''Dick's Picks Volume 4'' is the fourth live album in the Dick's Picks series of releases by the Grateful Dead. It was recorded on February 13 and February 14, 1970, at the Fillmore East in New York City, and released in February 1996. It was the first of the Dick's Picks CDs to have three discs. It was also the first Dead album to include the song "Mason's Children". ''Dick's Picks Volume 4'' was the second album of live material from the 2/13/70 and 2/14/70 concerts. The first was ''History of the Grateful Dead, Volume One (Bear's Choice)'', which was released in 1973. The Grateful Dead played three sets of music at each of these concerts — a relatively short electric set, an acoustic set, and another, longer electric set, followed by an encore. ''Dick's Picks Volume 4'' contains the complete third sets of both shows, plus two additional songs. The Fillmore East shows On February 11, 13, and 14, 1970, the Grateful Dead — along with the Allman Brothers Band and Love — ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bootleg Recordings
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as ''bootlegging''. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases. The practice of releasing unauthorised performances had been established before the 20th century, but reached new popularity with Bob Dylan's ''Great White Wonder'', a compilation of studio outtakes and demos released in 1969 using low-priority pressing plants. The following year, the Rolling Stones' ''Live'r Than You'll Ever Be'', an audience recording of a late 1969 show, received a positive review in ''Rolling Sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plunderphonics
Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", and eventually explicitly defined in the liner notes of his ''Grayfolded'' album. Plunderphonics can be considered a form of sound collage. Oswald has described it as a referential and self-conscious practice which interrogates notions of originality and identity. Although the concept of plunderphonics is seemingly broad, in practice there are many common themes used in what is normally called plunderphonic music. This includes heavy sampling of educational films of the 1950s, news reports, radio shows, or anything with trained vocal announcers. Oswald's contributions to this genre rarely used these materials, the exception being his rap-like 1975 track "Power." The process of sampling other sources is found in various genres (notably hip-h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Oswald (composer)
John Oswald (born May 30, 1953 in Kitchener, Ontario) is a Canadian composer, saxophonist, media artist and dancer. His best known project is ''Plunderphonics'', the practice of making new music out of previously existing recordings (see sound collage and musical montage). Early life Oswald was introduced to sampling from a young age having been gifted a reel-to-reel player from his parents at age 9. He then attended Simon Fraser University in the 1970s, becoming part of World Soundscape Project while on campus. It was there that Oswald became familiar with recorded sounds from different environments and applying them to new work created. Philosophy Oswald coined the term "plunderphonics" to describe his craft in a paper calle"Plunderphonics, or Audio Piracy as a Compositional Prerogative"which he presented at the Wired Society Electro-Acoustic Conference in Toronto in 1985. Inspired by William S. Burroughs' cut-up technique, Oswald had been devising plunderphonic-style composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron "Pigpen" McKernan
Ronald Charles McKernan (September 8, 1945 – March 8, 1973), known as Pigpen, was an American musician. He was a founding member of the San Francisco band the Grateful Dead and played in the group from 1965 to 1972. McKernan grew up heavily influenced by African-American music, particularly the blues, and enjoyed listening to his father's collection of records and taught himself how to play harmonica and piano. He began socializing around the San Francisco Bay Area, becoming friends with Jerry Garcia. After the pair had played in various folk and jug bands, McKernan suggested they form an electric group, which became the Grateful Dead. He was the band's original frontman as well as playing harmonica and electric organ, but Garcia and bassist Phil Lesh's influences on the band became increasingly stronger as they embraced psychedelic rock. McKernan struggled to keep up with the changing music, causing the group to hire keyboardist Tom Constanten, with McKernan's contribut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Not Fade Away (song)
"Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality) and first recorded by Holly and his band, the Crickets. Original song Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded. The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, with the second stress occurring on the second rather than third beat of the first measure, which was an update of the "hambone" rhythm, or patted juba from West Africa. Jerry Allison, the drummer for the Crickets, pounded out the beat on a cardboard box. Allison, Holly's best friend, wrote some of the lyrics, though his name never appeared in the songwriting credits. Joe Mauldin played the double bass on this recording. It is likely that the backing vocalists were Holly, Allison, and Niki Sullivan, but this is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greg Kot
Greg Kot (born March 3, 1957) is an American music journalist and author. From 1990 until 2020, Kot was the rock music critic at the ''Chicago Tribune'', where he covered popular music and reported on music-related social, political and business issues. Kot co-hosts the radio program ''Sound Opinions'', which introduces itself as "the world's only rock 'n' roll talk show", nationally syndicated through Chicago Public Radio, WBEZ. A native of Syracuse, New York, Kot graduated from Marquette University. Kot started his career at the Quad City Times in Davenport, Iowa in June 1978 and then joined the Chicago Tribune in 1980. He was named the paper's rock music critic in 1990, and held that job until taking a buyout from the Tribune in early 2020. Kot has co-hosted the radio show ''Sound Opinions'' since its 1993 launch. The show is syndicated to about 150 radio stations nationwide and also exists as a weekly podcast. In 2020, Chicago's WBEZ terminated its production agreement with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fillmore East, February 1970
''Fillmore East, February 1970'' is a live album by the rock group the Allman Brothers Band. It was recorded by Owsley Stanley at the Fillmore East in Manhattan on February 11, 13, and 14, 1970. It was released on CD in 1996. In 2018, the album was remastered and rereleased by the Owsley Stanley Foundation, with the title ''Bear's Sonic Journals: Fillmore East, February 1970''. There are two different versions of this release. One contains the same material as the original album. The other is the Deluxe Edition, on three CDs, with two discs containing all the music that was captured on tape at the concerts. The February 1970 concerts On February 11, 13, and 14, 1970, the Allman Brothers Band, along with the Grateful Dead and Love, played at Bill Graham's Fillmore East auditorium in New York City. The performances were taped by the Grateful Dead's sound engineer, Owsley ("Bear") Stanley. ''Fillmore East, February 1970'' is composed of selections from those concerts. The a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live/Dead
''Live/Dead'' is the first official live album released by the rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use 16-track recording. In 2005 the tracks "Dark Star", "St. Stephen", "Death Don't Have No Mercy", "Feedback" and "We Bid You Goodnight" were released, in their original sequence and with a new mix, on the respective February 27, 1969 and March 2, 1969 discs of the '' Fillmore West 1969: The Complete Recordings'' box set (the first 1:34 of "Dark Star" can be found on the previous track, "Mountains of the Moon"). "Feedback" and "We Bid You Goodnight" were also released on the triple disc, highlights release '' Fillmore West 1969''. Recording To assuage debt accrued with their record label from their recent album ''Aoxomoxoa'', as well as fulfill their record contract, the band decided to record a live album. They were also interested in releasing an album more representative o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turn On Your Love Light
"Turn On Your Love Light" is a rhythm and blues song recorded by Bobby Bland in 1961. It was both an important R&B and pop chart hit for Bland and has become one of his most identifiable songs. A variety of artists have recorded it, including the Grateful Dead, who made it part of their concert repertoire. Composition and recording "Turn On Your Love Light" was written by band leader and arranger Joe Scott (with an additional credit given to Duke Records owner/producer Don Robey aka Deadric Malone). Scott's brass arrangement "upped the excitement ante" with "the groove picking up momentum as the horns and percussion talk to each other" and Bland's vocal "riding on top". Backing Bland are probably Joe Scott and Melvin Jackson on trumpets, Pluma Davis on trombone, Johnny Board and Jimmy Beck on saxophones, Rayfield Davers on baritone saxophone, Teddy Reynolds on piano, Wayne Bennett on guitar, Hamp Simmons on bass, and John "Jabo" Starks on drums. Charts and recognition "Turn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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