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Dharmachakra Pravartana Buddha At Sarnath
The ''Buddha Preaching his First Sermon'' is a stone sculpture of the 5th-century CE showing Gautama Buddha in the " teaching posture" or ''dharmachakra pravartana mudrā''. The relief is 5' 3" tall, and was excavated at Sarnath, India by F. O. Oertel during the 1904–1905 excavation season of the Archaeological Survey of India (ASI); it was found in an area to the south of the Dhamek Stupa. A product of the local Sarnath school of sculpture, it has been displayed at the Archaeological Museum at Sarnath, the first site museum of the ASI, from the time of the museum's completion in 1910. It is the best known of the Buddha images showing this subject, a "type considered a hallmark of the Sarnath school of Buddhist art", and is described by Denise Leidy as "justifiably one of the most famous representations of the Buddha in Asian art", and by Robert E. Fisher as "the most famous Gupta uddhaimage". Description The sculpture depicts the Buddha giving the famous "Sermon in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarnath Museum
Sarnath Museum is the oldest site museum of Archaeological Survey of India. It houses the findings and excavations at the archaeological site of Sarnath, by the Archaeological Survey of India. Sarnath is located near Varanasi, in the state of Uttar Pradesh. The museum has 6,832 sculptures and artefacts. History To keep the antiquities found from the site, a decision was taken in 1904 by the Government to construct a site museum adjacent to the excavated site at Sarnath. It was due to initiative of Sir John Marshall, the then Director General of Archaeology in India, that this museum was created. The plans were prepared by Mr. James Ramson, the then consulting Architect to the Government of India. The building was completed in 1910 to house, display and study the antiquities in their right perspective. The building forms half of a monastery (Sangharam) in plan. Galleries The museum contains five galleries and two verandahs displaying antiquities ranging from the 3rd century BCE t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couchant
In heraldry, the term attitude describes the ''position'' in which a figure (animal or human) is emblazoned as a charge, a supporter, or as a crest. The attitude of an heraldic figure always precedes any reference to the tincture of the figure and its parts. Some attitudes apply only to predatory beasts, exemplified by the beast most usual to heraldry — the heraldic lion; other terms apply to docile animals, such as the doe, usually emblazoned as a "hind". Other heraldic attitudes, such as ''volant'', describe the positions of birds, exemplified by the bird most usual to heraldry — the heraldic eagle; moreover, birds also are described by the positions of their wings. The term ''naiant'' (swimming) applies to fish, swans, ducks, and geese. The term ''segreant'' is applied to the griffin, as an approximation of ''rampant'', and is applied to the dragon. Animal figures are positioned in profile, facing dexter (the viewer's left), and persons are shown ''affronté'' (faci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha In Sarnath
Siddhartha Gautama, most commonly referred to as the Buddha, was a wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but renounced his home life to live as a wandering ascetic ( sa, śramaṇa). After leading a life of begging, asceticism, and meditation, he attained enlightenment at Bodh Gaya in what is now India. The Buddha thereafter wandered through the lower Indo-Gangetic Plain, teaching and building a monastic order. He taught a Middle Way between sensual indulgence and severe asceticism, leading to Nirvana, that is, freedom from ignorance, craving, rebirth, and suffering. His teachings are summarized in the Noble Eightfold Path, a training of the mind that includes meditation and instruction in Buddhist ethics such as right effort, mindfulness, and ''jhana''. He died in K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govindachandra (Gahadavala Dynasty)
Govindachandra (IAST: Govindacandra, 1114–1155 CE) was an Indian king from the Gahadavala dynasty. He ruled the Antarvedi country in present-day Uttar Pradesh, including the major cities of Kanyakubja and Varanasi. Govindachandra was the most powerful ruler of his dynasty. As a prince, he achieved military successes against the Ghaznavids and the Palas. As a sovereign, he defeated the Kalachuris of Tripuri, and annexed some of their territories. The " Vishnu-Hari inscription" recording the construction of a temple during Govindachandra's reign was found among the Babri mosque debris. The authenticity of this inscription is controversial. According to some historians, it proves that Govindachandra's subordinate Anayachandra constructed a temple at the site believed to be Rama's birthplace; this temple was later destroyed and replaced with the Babri mosque by Muslim conquerors. Other historians allege that the Hindu activists planted the so-called Vishnu-Hari inscription at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gahadavala
The Gahadavala dynasty (IAST: Gāhaḍavālas), also Gahadavalas of Kanauj, was a Rajput dynasty that ruled parts of the present-day Indian states of Uttar Pradesh and Bihar, during 11th and 12th centuries. Their capital was located at Varanasi in the Gangetic plains, and for a brief period, they also controlled Kanyakubja (modern Kannauj). Chandradeva, the first monarch of the dynasty, established a sovereign kingdom sometime before 1090 CE, after the decline of the Kalachuri power. The kingdom reached its zenith under his grandson Govindachandra who annexed some of the Kalachuri territories, warded off Ghaznavid raids, and also fought the Palas. In 1194 CE, Govindachandra's grandson Jayachandra was defeated by the Ghurids, which effectively ended the dynasty's imperial power. The kingdom ceased to exist when Jayachandra's successors were defeated by the Delhi Sultanate in the 12th century. Origin Chandradeva, the first monarch of the dynasty, was a son of Mahichandra an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pala Empire
The Pāla Empire (r. 750-1161 CE) was an imperial power during the post-classical period in the Indian subcontinent, which originated in the region of Bengal. It is named after its ruling dynasty, whose rulers bore names ending with the suffix ''Pāla'' ("protector" in Prakrit). The empire was founded with the election of Gopāla as the emperor of Gauda in late eighth century AD. The Pala stronghold was located in Bengal and eastern Bihar, which included the major cities of Gauḍa, Vikramapura, Pāṭaliputra, Monghyr, Somapura, Ramavati (Varendra), Tāmralipta and Jaggadala. The Pālas were astute diplomats and military conquerors. Their army was noted for its vast war elephant corps. Their navy performed both mercantile and defensive roles in the Bay of Bengal. At its zenith under emperors Dharmapala and Devapala in the early ninth century, the Pala empire extended their dominance into the northern Indian region, with its territory stretching across the Gangetic pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lion Capital Of Ashoka
The Lion Capital of Ashoka is the Capital (architecture), capital, or head, of a column erected by the Mauryan emperor Ashoka in Sarnath, India, . Its crowning features are four life-sized lions set back to back on a drum-shaped abacus (architecture), abacus. The side of the abacus is adorned with wheels in relief, and interspersing them, four animals, a lion, an elephant, a bull, and a galloping horse follow each other from right to left. A bell-shaped lotus forms the lowest member of the capital, and the whole tall, carved out of a single block of sandstone and highly polished, was secured to its monolithic column by a metal dowel. Erected after Ashoka's conversion to Buddhism, it commemorated the site of Gautama Buddha's Dhammacakkappavattana Sutta, first sermon some two centuries before. The capital eventually fell to the ground and was buried. It was excavated by the Archeological Survey of India (ASI) in the very early years of the 20th century. The excavation wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deva (Buddhism)
A Deva (देव Sanskrit and Pāli; Mongolian тэнгэр, tenger) in Buddhism is a type of celestial beings or gods who share the god-like characteristics of being more powerful, longer-lived, and, in general, much happier than humans, although the same level of veneration is not paid to them as to Buddhas. Other words used in Buddhist texts to refer to similar supernatural beings are devatā ("deities") and devaputta ("son of god"). While the former is a synonym for deva ("celestials"), the latter refers specifically to one of these beings who is young and has newly arisen in its heavenly world. Types Deva refers to a class of beings or a path of the six paths of the incarnation cycle. It includes some very different types of beings which can be ranked hierarchically according to the merits they have accumulated over lifetimes. The lowest classes of these beings are closer in their nature to human beings than to the higher classes of deva. Devas can be degraded to h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vyala
Yali ( ta, யாளி, IAST: Yāḷi), also called Vyala, is a Hindu mythological creature, portrayed with the head and the body of a lion, the trunk and the tusks of an elephant, and sometimes bearing equine features. The creature is represented in many South Indian temples, often sculpted onto the pillars. There also exist variations of the creature, with it possessing the appendages of other beasts. It has sometimes been described as a ''leogryph'' (part-lion and part- griffin), with some bird-like features, with the trunk referred to as a proboscis. Iconography Descriptions of, and references to, yalis are ancient, but they became prominent in South Indian sculptures in the 16th century. Yalis were described to be more powerful than the lion, the tiger, or the elephant. In its iconography, the yali has a cat-like graceful body, but the head of a lion with the tusks of an elephant (gaja), and the tail of a serpent. Sometimes, they have been shown standing on the back ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makara
''Makara'' ( sa, मकर, translit=Makara) is a legendary sea-creature in Hindu mythology. In Hindu astrology, Makara is equivalent to the Zodiac sign Capricorn. Makara appears as the vahana (vehicle) of the river goddess Ganga, Narmada, and of the god of the ocean, Varuna. Makara are considered guardians of gateways and thresholds, protecting throne rooms as well as entryways to temples; it is the most commonly recurring creature in Hindu and Buddhist temple iconography, and also frequently appears as a gargoyle or as a spout attached to a natural spring. Makara-shaped earrings called ''Makarakundalas'' are sometimes worn by Hindu deities, for example Shiva, Vishnu, Surya, and Chandi. Makara is also the insignia of the love god Kamadeva, who has no dedicated temples and is also known as ''Makaradhvaja'', "one whose flag depicts a makara". Etymology ''Makara'' is a Sanskrit word which means "sea-animal, crocodile". Josef Friedrich Kohl of Würzburg University and severa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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