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Det Tapte Liv
''Det Tapte Liv'' is an EP by the Norwegian unblack metal band Antestor, released in 2004 by Endtime Productions. Recording The EP contains songs recorded at Antestor's studio sessions in 2004 at Top Room Studios. The band felt that these songs did not fit into the 2005's ''The Forsaken (album), The Forsaken'' full-length and were released on this EP. The EP served as a taster for the upcoming album. ''Det Tapte Liv'' includes two actual songs, "Rites of Death" and "Med Hevede Sverd", and three atmospheric piano and keyboard-based instrumental songs. The song structures are progressive and include several tempo changes. Pekka Ryhänen, reviewer of the Finnish metal site ''Imperiumi.net'', gave the EP 9/10 and describes the style as "modern, artistic, and fast dark metal". At first, ''Det Tapte Liv'' was released in a special limited 1,000 copies heavy printer box edition. The box had room for the upcoming full-length. Later, the EP was released as a regular jewel case with diffe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antestor
Antestor () is a Norwegian Christian extreme metal band formed in 1990 in Jessheim. Credited for starting the northern European Christian metal, Christian black metal scene,Bryzak, Michael. Liner notes of ''The Defeat of Satan'' album. 2003. Endtime Productions Antestor is the only Christian band to have an album released by Cacophonous Records, which has also released records by bands such as Dimmu Borgir, Sigh (band), Sigh, and Cradle of Filth. The band's only release on Cacophonous, ''The Return of the Black Death'', proved influential for the Christian black metal movement, and has sold over 10,000 copies. In the late 1990s they dubbed their musical style as "sorrow metal" rather than black metal because the black metal movement was publicly affiliated with Theistic Satanism, Satanism in Norway. According to ''HM (magazine), HM'' magazine, the progressive elements on the debut album, ''Martyrium (album), Martyrium'', were possibly ahead of their time in the Norwegian extreme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unblack Metal
Unblack metal (also known as Christian black metal) is a religious philosophy and subgenre within black metal, inheriting several characteristics of it, such as the melody, the lyrics and the aesthetics ( corpse paint), whose artists either directly oppose the Satanism prevalent in most black metal, or promote Christianity in their lyrics and imagery. Unblack metal artists are controversial within the black metal subculture, because black metal's pioneers, especially those of the Second Wave, were anti-Christian. It is also suggested that Christianity contradicts black metal's dark nature and the individualistic and misanthropic ideals of many bands. The exact beginning of the unblack metal movement is disputed. The Australian band Horde's 1994 studio album ''Hellig Usvart'' brought the concept and the term ''holy unblack metal'' (a word play on Darkthrone's slogan "unholy black metal" used on the albums ''A Blaze in the Northern Sky'' and ''Under a Funeral Moon'') to media atte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Defeat Of Satan
''The Defeat of Satan'' is an album by the Norwegian band Antestor. The album consists of their first two demos ''Despair'' (1993) and ''The Defeat of Satan'' (1991). The songs were remastered and remixed in 2003 and was published by the Norwegian label Momentum Scandinavia. The demos on this album are historical since they were one of the few Christian metal releases during the time when the black metal movement was developing significantly and drew media attention with violent actions such as the church burnings. Recording history The first part of the album comprises ''Despair'' demo's songs. Musically, the ''Despair'' songs showcase oppressive and sorrowful death/doom similar to that of than 1994's ''Martyrium'', albeit darker in atmosphere. ''Despair'' was released by Strawberry Records and printed 600 copies of it. The last song on the demo, "Jesus, Jesus Ver Du Hjå Meg" is a cover of an old Norwegian funeral hymn. Kjetil Molnes' vocals are mostly deep, guttural death gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Forsaken (album)
The Forsaken is the third studio album by the Christian black metal band Antestor, released in 2005 on Endtime Productions. The album features guest appearances of the established metal musicians Jan Axel Blomberg (Hellhammer) and Ann-Mari Edvardsen. Recording history ''The Forsaken'' was recorded in 2004 at Top Room Studios, which has been used by groups such as Tristania, Borknagar, Mayhem, and Extol. The album was produced by Børge Finstad. Several songs from the recording sessions were dropped from the full-length and were published on an EP titled Det Tapte Liv. The lineup on this recording session featured two former members of the dark metal band Vaakevandring, namely vocalist Ronny Hansen and keyboardist Morten Sigmund Mageroy, as well as the female vocalist Ann-Mari Edvardsen of the gothic metal group The 3rd and the Mortal. Lars Stokstad is the only original Antestor member on this album. The album is known to feature drumming by Jan Axel Blomberg, also known as Hellha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unblack Metal
Unblack metal (also known as Christian black metal) is a religious philosophy and subgenre within black metal, inheriting several characteristics of it, such as the melody, the lyrics and the aesthetics ( corpse paint), whose artists either directly oppose the Satanism prevalent in most black metal, or promote Christianity in their lyrics and imagery. Unblack metal artists are controversial within the black metal subculture, because black metal's pioneers, especially those of the Second Wave, were anti-Christian. It is also suggested that Christianity contradicts black metal's dark nature and the individualistic and misanthropic ideals of many bands. The exact beginning of the unblack metal movement is disputed. The Australian band Horde's 1994 studio album ''Hellig Usvart'' brought the concept and the term ''holy unblack metal'' (a word play on Darkthrone's slogan "unholy black metal" used on the albums ''A Blaze in the Northern Sky'' and ''Under a Funeral Moon'') to media atte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kristian Wåhlin
Kristian Wåhlin (born 4 December 1971) is a Swedish musician, singer, graphic designer and album cover artist for many bands in the extreme metal scene worldwide. He is often credited under his pseudonym Necrolord. Biography Wåhlin's interest in art began while attending Schillerska Grammar School, a secondary educational institution in central Gothenburg. He has referenced Romantic and Renaissance painters like Caspar David Friedrich, Albrecht Dürer and Hieronymus Bosch as early influences. This interest also coincided with the time in which he studied music. At the age of 17, Wåhlin formed Grotesque (as guitarist) with school friend Tomas Lindberg on vocals, Alf Svensson on guitar, and Tomas Eriksson on drums. The 1990 break-up of Grotesque would lead to the formation of At the Gates, who would be credited as instigators of the ''"Gothenburg Melodic death metal sound"''. Wåhlin would collaborate with Lindberg and other At the Gates members a short time additionally in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Axel Blomberg
Jan Axel Blomberg (born 2 August 1969) is a Norwegian heavy metal drummer known professionally as Hellhammer. He is best known as the drummer of Mayhem, which he joined in 1988. In 1987 Blomberg formed the avant-garde black metal band Arcturus (under the name Mortem) with Steinar Sverd Johnsen, which broke up in April 2007 and reunited in 2011. He named himself after the Swiss extreme metal band Hellhammer. Praised as a talented musician, Blomberg is a three-time winner of the Spellemannprisen award. Early life As a child, Blomberg's main interests were football (soccer) and wrestling. At first he had no interest in drums or drumming, but as music became more appealing to him he started to find the different instruments interesting, which eventually led to an interest in drums. His grandparents purchased him his first three drum kits; the first one was a four-piece jazz kit. With these he began learning how to play drums by playing along with albums he listened to. He was int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antestor Albums
Antestor () is a Norwegian Christian extreme metal band formed in 1990 in Jessheim. Credited for starting the northern European Christian black metal scene,Bryzak, Michael. Liner notes of ''The Defeat of Satan'' album. 2003. Endtime Productions Antestor is the only Christian band to have an album released by Cacophonous Records, which has also released records by bands such as Dimmu Borgir, Sigh, and Cradle of Filth. The band's only release on Cacophonous, ''The Return of the Black Death'', proved influential for the Christian black metal movement, and has sold over 10,000 copies. In the late 1990s they dubbed their musical style as "sorrow metal" rather than black metal because the black metal movement was publicly affiliated with Satanism in Norway. According to '' HM'' magazine, the progressive elements on the debut album, ''Martyrium'', were possibly ahead of their time in the Norwegian extreme metal scene. The group has gone through several line-up changes over the years, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albums With Cover Art By Kristian Wåhlin
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
