Desperation (Hostyle Gospel Album)
''Desperation'' is the third album from Hostyle Gospel. Hostyle Gospel Ministries released the project on August 13, 2013. Hostyle Gospel Ministries worked with Blessing Adeoye Jr., Chivas Hemphill (Chevaltron-X), Scott Degroot, Joel Elam, Lamorax and Sene on the production of this album. A group member said, "The idea behind this album was to show how broken this world we live in is and how we need a Savior to save us." Reception Specifying in a seven star review by Cross Rhythms, Tony Cummings responds, "If you want your spiritual declarations shouted at you and you recognize that all of us are involved in an all-out spiritual battle there's much here on the group's third album to inspire you." Willis Fedd, writes in an 8.3 review from 1truthonline, replying, "Over all this a good album. With it only spanning 12 tracks it allows the listener to stay focused on the message. Lyrically, Hostyle Gospel gives great spiritual references and their delivery is on point. Their music pro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hostyle Gospel
Hostyle Gospel is an American Christian hip hop group from Champaign, Illinois. Its members include Demetrius Morton (King Soloman), Raynard Glass (Proverb), and Fontaine Pizza (Big Job). Hostyle Gospel is best known for their aggressive Christian rap style. The group is also known for creating their own sound called Christian battle music, which also can be referred to as Christian war music or The Hostyle Gospel sound. History Formation and Early Successes (2003–2015) Hostyle Gospel was formed in 2003 from a central Illinois group known as Elite M.O.C. It originally only had two members: Raynard Glass and Demetrius Morton. However, Fontaine Pizza joined the band in 2005. It also has several other members who work on music production, graphic design, and website management. In 2013, Hostyle Gospel got together with the Champaign School of Music and hosted the Family Rock Jam Session for the Community of Champaign/Urbana. The event was the first Christian hip hop performance ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Christian Hip Hop
Christian hip hop (originally gospel rap, also known as Christian rap, gospel hip hop or holy hip hop) is a subgenre of contemporary Christian music and hip hop music. It emerged from urban contemporary music and Christian media in the United States during the 1980s. Christian hip hop music first emerged on record in 1982 with a track entitled "Jesus Christ (The Gospel Beat)" by Queens, New York artist McSweet. The first full-length, Christian hip hop album, ''Bible Break'', by Oklahoma artist Stephen Wiley, was released in 1985 with the title track becoming a hit on Christian radio in 1986. Other early Christian hip recording artists from the mid-1980s included P.I.D. (Preachas in Disguise), who recorded to funky rock rhythms, as well as JC & the Boys and Michael Peace. During the 1990s and 2000s, rapper KJ-52 rose to prominence in the field. Christian rock band DC Talk blended hip-hop and rock, and were successful in mainstream Christian music. All three band members have ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Crunk
Crunk is a subgenre of hip hop music that emerged in the early 1990s and gained mainstream success during the mid 2000s. Crunk is often up-tempo and one of Southern hip hop's more dance and club oriented subgenres. An archetypal crunk track frequently uses a main groove consisting of layered keyboard synths, a drum machine clapping rhythm, heavy basslines, and shouting vocals, often in a Call and response (music), call and response manner. The term "crunk" was also used throughout the 2000s as a blanket term to denote any style of Southern hip hop, a side effect of the genre's breakthrough to the mainstream. The word derives from its African-American slang past-participle form, "crunk", of the verb "to crank" (as in the phrase "crank up"). It refers to being excited or high on drugs. Etymology The term has been attributed mainly to African-American slang, in which it holds various meanings.Oxford English Dictionary It most commonly refers to the verb phrase "to crank up". It is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Christian Rap
Christian hip hop (originally gospel rap, also known as Christian rap, gospel hip hop or holy hip hop) is a subgenre of contemporary Christian music and hip hop music. It emerged from urban contemporary music and Christian media in the United States during the 1980s. Christian hip hop music first emerged on record in 1982 with a track entitled "Jesus Christ (The Gospel Beat)" by Queens, New York artist McSweet. The first full-length, Christian hip hop album, ''Bible Break'', by Oklahoma artist Stephen Wiley, was released in 1985 with the title track becoming a hit on Christian radio in 1986. Other early Christian hip recording artists from the mid-1980s included P.I.D. (Preachas in Disguise), who recorded to funky rock rhythms, as well as JC & the Boys and Michael Peace. During the 1990s and 2000s, rapper KJ-52 rose to prominence in the field. Christian rock band DC Talk blended hip-hop and rock, and were successful in mainstream Christian music. All three band members have ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hardcore Hip Hop
Hardcore hip hop (also hardcore rap) is a genre of hip hop music that developed through the East Coast hip hop scene in the 1980s. Pioneered by such artists as Run-DMC, Schoolly D, Boogie Down Productions and Public Enemy, it is generally characterized by anger, aggression and confrontation. History Music experts have credited Run-DMC as the first hardcore hip hop group. Other early artists to adopt an aggressive style were Schoolly D in Philadelphia and Too $hort in Oakland, California. Before a formula for gangsta rap had developed, artists such as Boogie Down Productions and Ice-T wrote lyrics based on detailed observations of "street life", while the confrontational and aggressive lyrics and chaotic, rough production style of Public Enemy's records set new standards for hardcore hip hop and hip hop production.Hardcore Rap Allmusic. Accessed May 22, 2008. Though initially a largely East Coast phenomenon, by the late 1980s, hardcore rap increasingly became largely synony ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gangsta Rap
Gangsta rap or gangster rap, initially called reality rap, emerged in the mid- to late 1980s as a controversial hip-hop subgenre whose lyrics assert the culture and values typical of American street gangs and street hustlers. Many gangsta rappers flaunt associations with real street gangs, like the Crips and Bloods. Gangsta rap's pioneers Ice-T in 1986, and especially N.W.A in 1988 and the rise of Tupac Amaru Shakur in 1992. In 1992, via record producer Dr. Dre, rapper Snoop Dogg, and their G-funk sound, gangsta rap took the rap genre's lead and became mainstream, popular music. Gangsta rap has been recurrently accused of promoting disorderly conduct and broad criminality, especially assault, homicide, and drug dealing, as well as misogyny, promiscuity, and materialism. Gangsta rap's defenders have variously characterized it as artistic depictions but not literal endorsements of real life in American ghettos, or suggested that some lyrics voice rage against social oppression ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Immortal Combat (Hostyle Gospel Album)
''Immortal Combat'' is the second album from Hostyle Gospel. Hostyle Gospel Ministries released the project on January 11, 2011. Hostyle Gospel Ministries worked with Samuel Shaw and Jarrett Johnson on the production of this album. Reception Specifying in a six-star review (out of 10) by Cross Rhythms, Steve Hayes responds, "The album moves across hip-hop territory through Midwest, east, west, old skool and beyond." Jono Davies, indicating in a four star review from Louder Than The Music, realizing, "If you're looking for an album that is dynamic, with interesting lyrics and pounding beats that would fit on any mainstream hip hop album, Immortal Combat might be an album worth trying." Neil Christian, writes in a 4.7 out of 10 stars review from Holy Culture, replying, "what Hostyle Gospel has done, is create an album cover that personifies the album’s theme. You already know what the message is without hearing a single bar of the album. The image of four guys, dressed in khakis, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hostyle Takeover
''Hostyle Takeover'' is the fourth album from Hostyle Gospel. Hostyle Gospel Ministries released the project on October 14, 2016. The Christian hip hop group worked with Tone Jonez, Lamorax, John Givez, Gemstones, Fred Lynch, Marty B, Laquisha Burries and Jonathan Jackson on the production on this album. Hostyle Gospel is very forthright when talking about their faith on this project and they make sure that it's conveyed that they are representing God in their music. The group also addresses social issues, their marriages, grief and hardship in their lives on this project. Reception Specifying in a nine star review by Cross Rhythms, Lins Honeyman responds, "Hostyle Gospel's success lies in an ability to offer up some truly creative and challenging wordplay delivered with technical brilliance and stylistic diversity. Track listing Music videos * "Skittles & Iced Tea" (featuring John Givez) * "Clap" (Gemstones) Personnel Performance * Hostyle Gospel - primar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cross Rhythms
Cross Rhythms is a Christian media organisation based in Stoke-on-Trent, England. It operates an FM and online radio station, produces radio shows sent internationally, and its website has resources about contemporary Christian music. History 1983–2002 In 1983, Chris Cole started a 30-minute weekly Christian music radio show on Plymouth Sound FM, an Independent Local Radio station in Plymouth. Originally titled ''The Solid Rock of Jesus Christ'', the programme aired on Sunday evenings. It grew into a one-hour programme, and became one of the most listened to programmes in its time slot in South Devon. The show continued until 1996. In May 1990, music journalist Tony Cummings founded the magazine '' Cross Rhythms''. In 1991, publication of the magazine was taken over by Cole's publishing company, Cornerstone House. That same year, Cross Rhythms took over the organisation and management, of what had previously been the Umberleigh Rock Gospel Festival. The event was ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |