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Der Traum Ein Leben (opera)
''Der Traum ein Leben'', Op. 50, is a 1937 opera by Walter Braunfels based on Franz Grillparzer's 1834 . The opera's scheduled premiere under Bruno Walter in Vienna in 1938 was cancelled by the Nazis.Opera – Volume 52, Issues 7–12 – Page 1335 2001 "Der Traum ein Leben was one among several products of the years in exile and, though a production was planned under Bruno Walter in Vienna in 1938, it was not heard until a radio broadcast by Hessische Rundfunk in 1950... Braunfels's music in Der Traum ein Leben is not as immediately lyrical as Die Vogel, nor does it have the spiritual qualities of Verkiindigung" Recordings *''Der Traum ein Leben'' – Marie-Luise Schilp, Otto von Rohr, Annelies Kupper Annelies Kupper (21 July 1906 – 8 December 1987), was a German operatic soprano, particularly associated with Mozart and the German repertory. Kupper was born at Glatz (now Kłodzko) in Lower Silesia. She studied in Breslau and was a music te ..., Heinrich Bensing, Alex ...
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Walter Braunfels
Walter Braunfels (; 19 December 1882 – 19 March 1954) was a German composer, pianist, and music educator. Life Walter Braunfels was born in Frankfurt. His first music teacher was his mother, the great-niece of the composer Louis Spohr. He continued his piano studies in Frankfurt at the Hoch Conservatory with James Kwast. Braunfels studied law and economics at the university in Munich until after a performance of Richard Wagner's ''Tristan und Isolde'' he decided on music. He went to Vienna in 1902 to study with the pianist and teacher Theodor Leschetizky. He then returned to Munich to study composition with Felix Mottl and Ludwig Thuille. In February 1918 he was wounded at the front and in June 1918 on his return to Frankfurt converted from Protestantism to Catholicism, composing his ''Te Deum'' of 1920–21 "not as music for musicians but as a personal expression of faith".Braunfels, cited in He achieved early success with the melodious opera '' Die Vögel'' (''The Birds'' ...
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Franz Grillparzer
Franz Seraphicus Grillparzer (15 January 1791 – 21 January 1872) was an Austrian writer who was considered to be the leading Austrian dramatist of the 19th century. His plays were and are frequently performed at the famous Burgtheater in Vienna. He also wrote the oration for Ludwig van Beethoven's funeral, as well as the epitaph for his friend Franz Schubert. While writing during the period of Romanticism, Grillparzer's poetic language owes far more to the period of Classicism which reigned during his formative years. Committed to the classical ideals of aesthetic beauty and morality, his plots shy away from the realism which developed during his time, preferring instead to use the theater to address spiritual values, which in the words of the dying queen of his Libussa, would only come after the period of Materialism had passed. Due to the identity-creating use of his works, especially after World War II, he was named as the national poet of Austria. Biography Franz Grill ...
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Bruno Walter
Bruno Walter (born Bruno Schlesinger, September 15, 1876February 17, 1962) was a German-born conductor, pianist and composer. Born in Berlin, he escaped Nazi Germany in 1933, was naturalised as a French citizen in 1938, and settled in the United States in 1939. He worked closely with Gustav Mahler, whose music he helped to establish in the repertory, held major positions with the Leipzig Gewandhaus Orchestra, New York Philharmonic, Concertgebouw Orchestra, Salzburg Festival, Vienna State Opera, Bavarian State Opera, Staatsoper Unter den Linden and Deutsche Oper Berlin, among others, made recordings of historical and artistic significance, and is widely considered to be one of the great conductors of the 20th century. Biography Early life Born near Alexanderplatz in Berlin to a middle-class Jewish family, he began his musical education at the Stern Conservatory at the age of eight, making his first public appearance as a pianist when he was nine; he performed a concer ...
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Otto Von Rohr
Otto von Rohr (24 February 1914 – 5 July 1982) was a German operatic bass. Life Von Rohr was born in Berlin. After his education at the Musikhochschule Berlin with Hermann Weißenborn, he made his debut 1938 at the Theater Duisburg as Sarastro in ''The Magic Flute''. He remained there until 1941 and was then engaged at the Staatstheater Stuttgart between 1941 and 1979. There he performed until his death in Leonberg Recordings (selection) * Wagner: '' Lohengrin'', with Otto von Rohr, Herbert Schachtschneider (Lohengrin), Leonore Kirschstein (Elsa), Heinz Imdahl (Friedrich von Telramund), Ruth Hesse (Ortrud), Hans Helm, Konzertvereinigung Wiener Staatsopernchor, Large symphony orchestra (with members of the Czech Philharmonic), conductors: Hans Swarowsky Hans Swarowsky (September 16, 1899September 10, 1975,) was an Austrian conductor of Hungarian birth. Swarowsky was born in Budapest, Hungary. He studied the art of conducting under Felix Weingartner and Richard Str ...
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Annelies Kupper
Annelies Kupper (21 July 1906 – 8 December 1987), was a German operatic soprano, particularly associated with Mozart and the German repertory. Kupper was born at Glatz (now Kłodzko) in Lower Silesia. She studied in Breslau and was a music teacher there before making her operatic debut in 1935. She then appeared in Schwerin (1937–38), Weimar (1938–40), Hamburg (1940–46), Munich (1946–61). She sang Eva in ''Die Meistersinger'' at the Bayreuth festival, in 1944, and returned as Elsa in ''Lohengrin'' in 1960. She created Danae in Richard Strauss's ''Die Liebe der Danae'' at the Salzburg festival, in 1952. Kupper was especially admired as Countess Almaviva, in addition to Wagner and Strauss roles, she also gained considerable acclaim as Aida and Desdemona (in '' Otello''). A sensitive and warm-voiced singer, she retired in 1961, and taught at the Music Conservatory in Munich. She died in Munich at age 81. Selected recordings * ''Lohengrin'' – Lorenz Fehenberger, An ...
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Heinrich Bensing
Heinrich Bensing (26 July 1911 – 30 December 1955) was a German opera singer. Life Bensing was born in Metz. After the Second World War, he had guest contracts with the Hamburg State Opera (1947-1955), with the Vienna State Opera (1949-1954) and with the Cologne Opera House. After 1945 he sang ''Don José'' in ''Carmen'', the title role in '' The Tales of Hoffmann'', the Duke of Mantua in '' Rigoletto'', Radames in '' Aida'', the title role in ''Don Carlos'' and Pinkerton in ''Madama Butterfly''. He died in Frankfurt at age 42. Repertoire Bensing was especially considered a valued singer in the Italian repertoire. He belonged to the "small circle of German tenors who possessed vocal brilliance and power for the great parts of Italian opera." Recordings On the occasion of the re-release of this radio production of ''Die Frau ohne Schatten'' from the year 1950 (Symphonie-Orchester des Hessischen Rundfunks, conductor: Winfried Zillig) on CD, Bensing's "experience in the Ital ...
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Kurt Schröder
Kurt Schröder (1888–1962) was a German composer and conductor. Schröder composed a number of film scores. During the 1930s he worked in Britain for Alexander Korda's London Film Productions, and scored the company's breakthrough hit ''The Private Life of Henry VIII'' in 1933. Selected filmography * ''Who Takes Love Seriously?'' (1931) * '' Der Mörder Dimitri Karamasoff'' (1931) * ''The Trunks of Mr. O.F.'' (1931) * '' Where Is This Lady?'' (1932) * ''Wedding Rehearsal'' (1932) * '' Men of Tomorrow'' (1932) * ''The Song You Gave Me'' (1933) * ''Mirages de Paris'' (1933) * ''Cash'' (1933) * '' Red Wagon'' (1933) * ''The Girl from Maxim's'' (1933) * ''The Private Life of Henry VIII.'' (1933) * ''On Secret Service'' (1933) * '' Black Roses'' (1935) * '' Escapade'' (1936) * ''Uncle Bräsig'' (1936) * ''Seven Slaps'' (1937) * ''Fanny Elssler'' (1937) * '' Triad'' (1938) * ''The Scapegoat'' (1940) * ''The Girl at the Reception'' (1940) * ''Twilight Twilight is light produced b ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1937 Operas
Events January * January 1 – Anastasio Somoza García becomes President of Nicaragua. * January 5 – Water levels begin to rise in the Ohio River in the United States, leading to the Ohio River flood of 1937, which continues into February, leaving 1 million people homeless and 385 people dead. * January 15 – Spanish Civil War: Second Battle of the Corunna Road ends inconclusively. * January 20 – Second inauguration of Franklin D. Roosevelt: Franklin D. Roosevelt is sworn in for a second term as President of the United States. This is the first time that the United States presidential inauguration occurs on this date; the change is due to the ratification in 1933 of the Twentieth Amendment to the United States Constitution. * January 23 – Moscow Trials: Trial of the Anti-Soviet Trotskyist Center – In the Soviet Union 17 leading Communists go on trial, accused of participating in a plot led by Leon Trotsky to overthrow Joseph Stalin's regime, and assassinate ...
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Operas By Walter Braunfels
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas Based On Plays
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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