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Der Thurm Zu Babel
''Der Thurm zu Babel'' (''The Tower of Babel'') is a one-act 'sacred opera' by Anton Rubinstein to a libretto by Julius Rodenberg based on the story in the Book of Genesis, chapter II. The opera was written in 1869 and had its first performance in Königsberg on 9 February 1870. Background The term 'sacred opera' (''geistliche Oper'' in German) was invented by Rubinstein to denote staged works with "use of polyphonic choruses and a sober, edifying style relying on ‘exalted declamation’." Rubinstein composed three other works of this type ('' Sulamith'', ''Moses'' and ''Christus)''. A fifth sacred opera, ''Cain'', was uncompleted at his death. The composer had hoped for a premiere in Berlin, but was consoled by the work's second production in Vienna on 20 February 1870, (which was attended by Johannes Brahms), after which Rubinstein wrote it had been 'brilliantly performed and very well received by the public.' The work's first performance in America was in May 1881 in New Yor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marten Van Valckenborch Tower Of Babel-large
A marten is a weasel-like mammal in the genus ''Martes'' within the subfamily Guloninae, in the family Mustelidae. They have bushy tails and large paws with partially retractile claws. The fur varies from yellowish to dark brown, depending on the species; it is valued by animal trappers for the fur trade. Martens are slender, agile animals, adapted to living in the taiga, which inhabit coniferous and northern deciduous forests across the Northern Hemisphere. Classification Results of DNA research indicate that the genus ''Martes'' is paraphyletic, with some studies placing ''Martes americana'' outside the genus and allying it with ''Eira'' and ''Gulo'', to form a new New World clade. The genus first evolved up to seven million years ago during the Miocene epoch. Fossils Several fossil martens have been described, including: *†''Martes campestris'' (Pliocene) *†''Martes wenzensis'' (Pliocene) *†''Martes vetus'' (Pleistocene) Another described fossil species, ''Martes n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (music)
In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Taruskin
Richard Filler Taruskin (April 2, 1945 – July 1, 2022) was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives, has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including ''The New York Times''. He researched a wide variety of areas, but a central topic was the Russian music of the 18th century to present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume ''Oxford History of Western Music''. He received several awards, including the first Noah Greenberg Award from the American Musicological Society in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baal
Baal (), or Baal,; phn, , baʿl; hbo, , baʿal, ). ( ''baʿal'') was a title and honorific meaning "owner", "lord" in the Northwest Semitic languages spoken in the Levant during Ancient Near East, antiquity. From its use among people, it came to be applied to gods. Scholars previously associated the theonym with solar god, solar cults and with a variety of unrelated patron deity, patron deities but inscriptions have shown that the name Ba'al was particularly associated with the storm god, storm and fertility god Hadad and his local manifestations. The Hebrew Bible includes use of the term in reference to various Levantine mythology, Levantine deities, often with application towards Hadad, who was decried as a false god. That use was taken over into Christianity and Islam, sometimes under the form Beelzebub in demonology. Etymology The spelling of the English term "Baal" derives from the Koine Greek, Greek ''Báal'' ( which appears in the New Testament and Septuagint, and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demon
A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in religion, occultism, literature, fiction, mythology, and folklore; as well as in media such as comics, video games, movies, anime, and television series. Belief in demons probably goes back to the Paleolithic age, stemming from humanity's fear of the unknown, the strange and the horrific. ''A Dictionary of Comparative Religion'' edited by S.G.F. Brandon 1970 In ancient Near Eastern religions and in the Abrahamic religions, including early Judaism and ancient-medieval Christian demonology, a demon is considered a harmful spiritual entity which may cause demonic possession, calling for an exorcism. Large portions of Jewish demonology, a key influence on Christianity and Islam, originated from a later form of Zoroastrianism, and was transferred to Judaism during the Persian era. Demons may or may not also be considered to be devils: minions of the Devil. In ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japhet
Japheth ( he, יֶפֶת ''Yép̄eṯ'', in pausa ''Yā́p̄eṯ''; el, Ἰάφεθ '; la, Iafeth, Iapheth, Iaphethus, Iapetus) is one of the three sons of Noah in the Book of Genesis, in which he plays a role in the story of Noah's drunkenness and the curse of Ham, and subsequently in the Table of Nations as the ancestor of the peoples of the Aegean Sea, Anatolia, and elsewhere. In medieval and early modern European tradition he was considered to be the progenitor of the European peoples, Javakhishvili, Ivane (1950), ''Historical-Ethnological problems of Georgia, the Caucasus and the Near East''. Tbilisi, pp. 130–135 (in Georgian). while Islamic traditions also include the Chinese people among his descendants. Etymology The meaning of the name ''Japheth'' is disputable. There are two possible sources to the meaning of the name: * From Aramaic root , meaning ''to extend''. In this case, the name would mean ''may He extend'' (Rashi). * From Hebrew root , meaning ''beauty,'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ham (son Of Noah)
Ham (in ), according to the Table of Nations in the Book of Genesis, was the second son of Noah and the father of Cush, Mizraim, Phut and Canaan. Ham's descendants are interpreted by Flavius Josephus and others as having populated Africa and adjoining parts of Asia. The Bible refers to Egypt as "the land of Ham" in Psalm 78:51; 105:23, 27; 106:22; 1 Chronicles 4:40. Etymology Since the 17th century, a number of suggestions have been made that relate the name ''Ham'' to a Hebrew word for "burnt", "black" or "hot", to the Egyptian word '' ḥm'' for "servant" or the word '' ḥm'' for "majesty" or the Egyptian word ''kmt'' for "Egypt". A 2004 review of David Goldenberg's ''The Curse of Ham: Race and Slavery in Early Judaism, Christianity and Islam'' (2003) states that Goldenberg "argues persuasively that the biblical name Ham bears no relationship at all to the notion of blackness and as of now is of unknown etymology." In the Bible indicates that Noah became the father of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shem
Shem (; he, שֵׁם ''Šēm''; ar, سَام, Sām) ''Sḗm''; Ge'ez: ሴም, ''Sēm'' was one of the sons of Noah in the book of Genesis and in the book of Chronicles, and the Quran. The children of Shem were Elam, Ashur, Arphaxad, Lud and Aram, in addition to unnamed daughters. Abraham, the patriarch of Jews, Christians, and Muslims, was one of the descendants of Arphaxad. Islamic literature describes Shem as one of the believing sons of Noah. Some sources even identify Shem as a prophet in his own right and that he was the next prophet after his father. Shem is mentioned several times in Genesis 5-11 as well as 1 Chronicles 1:4. In the Bible Genesis 10 Genesis 10:21 refers to relative ages of Shem and his brother Japheth, but with sufficient ambiguity to have yielded different English translations. The verse is translated in the King James Version as: "Unto Shem also, the father of all the children of Eber, the brother of Japheth the elder, even to him wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angel
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (literally "messenge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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