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Der Hirt Auf Dem Felsen
"The Shepherd on the Rock" (), D. 965, is a Lied for soprano, clarinet, and piano by Franz Schubert. It was composed in 1828 during the final months of his life. Lyrics Of the seven verses, the first four and the last came from the poetry of Wilhelm Müller, while verses five and six were attributed to Helmina von Chézy but were written by Karl August Varnhagen von Ense. Background The Lied, Schubert's penultimate composition, was written as a belated response to a request from the operatic soprano Anna Milder-Hauptmann, a friend of Schubert. She had requested a show-piece that would allow her to express a wide range of feelings, and he wrote it as thanks for her attempts to stage one of his operas in Berlin. She received a copy of the score from Schubert's brother Ferdinand in September 1829, and the work was published a year and a half after Schubert's death. Milder sang it for the first time at the House of the Blackheads in Riga on 10 February 1830."Anna Milder-Hauptma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shepherd On The Rock (Schubert) Facsimile W
A shepherd or sheepherder is a person who tends, herds, feeds, or guards flocks of sheep. ''Shepherd'' derives from Old English ''sceaphierde (''sceap'' 'sheep' + ''hierde'' ' herder'). ''Shepherding is one of the world's oldest occupations, it exists in all parts of the globe, and it is an important part of pastoralist animal husbandry. Because of the ubiquity of the profession, many religions and cultures have symbolic or metaphorical references to the shepherd profession. For example, Jesus called himself the Good Shepherd, and ancient Greek mythologies highlighted shepherds such as Endymion and Daphnis. This symbolism and shepherds as characters are at the center of pastoral literature and art. Origins Shepherding is among the oldest occupations, beginning some 5,000 years ago in Asia Minor. Sheep were kept for their milk, meat and especially their wool. Over the next thousand years, sheep and shepherding spread throughout Eurasia. Henri Fleisch tentatively sugges ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of The Blackheads (Riga)
The House of the Blackheads ( lv, Melngalvju nams, german: Schwarzhäupterhaus) is a building situated in the old town of Riga, Latvia. The original building was erected during the first third of the 14th century for the Brotherhood of Blackheads, a guild for unmarried merchants, shipowners, and foreigners in Riga. Major works were done in the early 17th century, adding most of the Mannerist ornamentation. The sculptures were made by the workshop of August Volz. Additionally, it is the site of the first decorated Christmas tree, which was erected in 1510. The building was bombed to a ruin by the Germans on June 28, 1941 — a week after the launching of Operation Barbarossa — and the remains were demolished by the Soviets in 1948. It was rebuilt between 1996 and 1999 with funds provided by Valērijs Kargins, the president of Parex Bank. Part of the funds donated were from all the people who wanted to participate in the rebuilding process, by joining in the event ''I buil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieter Klöcker
Dieter Klöcker (13 April 1936, Wuppertal – 21 May 2011, Freiburg im Breisgau) was a German clarinetist known for rediscovering many forgotten composers of the 18th century. Specifically forgotten music of the clarinet. From 1975 to 2002, Klöcker taught clarinet and chamber wind music at the Hochschule für Musik Freiburg. He was the leader of Consortium Classicum with which he also rediscovered the repertoire for Harmonie, a form of historical small wind ensemble. With them in particular he has also amassed an impressive discography. Publications (selection) * Musicological research articles in various journals on Ludwig van Beethoven, Antonio Casimir Cartellieri, Joseph Haydn, Franz Anton Hoffmeister, Giacomo Meyerbeer, Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Donath
Helen Jeanette Donath (née Erwin; born July 10, 1940) is an American soprano with a career spanning fifty years. Biography She was born in Corpus Christi, Texas and studied there at Del Mar College. Later she studied in New York with Paola Novikova. She debuted as a concert and Lieder singer in New York in 1958. In 1961, she became a member of the at the Cologne Opera. She sang from 1963 until 1968 at the Staatsoper Hannover where she met her future husband, choir master and conductor Klaus Donath. Their son, Alexander Donath, is a stage and opera director. In 2000, all three were involved in Michigan Opera Theatre's production of ''Der Rosenkavalier'' where Donath sang the Marschallin.George Bulanda"S/he loves me (not)" MetroTimes.com, April 19, 2000. In 1967, she sang Pamina in Mozart's ''The Magic Flute'' at the Salzburg Festival, which began a long association with the festival. From 1970 until 1990, she was a regular member of the Vienna State Opera. She has performed all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortepiano
A fortepiano , sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments for which composers of the Classical era, especially Haydn, Mozart, and the younger Beethoven wrote their piano music. Starting in Beethoven's time, the fortepiano began a period of steady evolution, culminating in the late 19th century with the modern grand. The earlier fortepiano became obsolete and was absent from the musical scene for many decades. In the 20th century the fortepiano was revived, following the rise of interest in historically informed performance. Fortepianos are built for this purpose in specialist workshops. Construction The fortepiano has leather-covered hammers and thin, harpsichord-like strings. It has a much lighter case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Levine (conductor) (born 1952), American philosopher
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Joseph Levine may refer to: * Joseph E. Levine (1905–1987), American film producer * Joseph Levine (philosopher) Joseph Levine (born January 17, 1952) is an American philosopher at the University of Massachusetts Amherst who received his PhD from Harvard University in 1981. He works on philosophy of mind and is best known for formulating the explanatory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William McColl (clarinetist)
William McColl is an American clarinetist and professor of music. Education His primary teachers have included Leopold Wlach at the Akademie für Musik und darstellende Kunst in Vienna (known from 1970 to 1998 as the Hochschule für Musik and today as the Universität für Musik) as well as Keith Stein, George Waln and Herbert Blayman. Career He played clarinet with the U.S. Seventh Army Symphony Orchestra, Philharmonia Hungarica, the Puerto Rico Symphony Orchestra and was a featured performer at the Casals Festival in Puerto Rico. As a specialist in early clarinets and basset horns, he has done international tours, recordings and concert appearances with the Amadeus Winds, the Philharmonia Baroque Orchestra, and the Boston Handel and Haydn Society, among others. He was professor of clarinet at the University of Washington from 1968 to 2006. He is a founding member of the Soni Ventorum Wind Quintet and of the New World Basset Horn Trio. He has recorded solo and chamber works on M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Minor
A minor is a minor scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has no flats and no sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic minor and melodic minor scales are: : : Well-known compositions in A minor *Johann Sebastian Bach ** Violin Concerto in A minor, BWV 1041 *Ludwig van Beethoven ** Violin Sonata No. 4, Op. 23 ** String Quartet No. 15, Op. 132 ** Bagatelle in A minor, "Für Elise" * Johannes Brahms **Double Concerto, Op. 102 * Frédéric Chopin ** Étude Op. 10, No. 2 ** Étude Op. 25, No. 4 ** Étude Op. 25, No. 11, ''Winter Wind'' ** Mazurka Op. 17, No. 4 ** Mazurka Op. 59, No. 1 ** ''Boléro'', Op. 19 ** Prelude No. 2 in A minor, Op. 28/2 ** Waltz in A minor, Op. 34, B. 150 * Franz Liszt ** Transcendental Étude No. 2, ''Fusà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-flat Major
A-flat major (or the key of A-flat) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has four flats. The A-flat major scale is: : Its relative minor is F minor. Its parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor contains seven flats and G-sharp minor only contains five sharps, making A-flat minor rarely usable. Its enharmonic, G-sharp major, with eight sharps, including the F, has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor. (The same enharmonic situation also occurs with the keys of D-flat major and C-sharp minor.) Compositions in A-flat major Beethoven chose A-flat major as the key of the slow movement for most of his C minor works, a practice which Anton Bruckner imitated in his first two C minor symphonies and also AntonÃn Dvořák in his only C minor symphony. The second movement of Haydn's 43rd sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
