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Delhi Gharana
The Delhi or Dilli Gharana, is a tabla discipleship tradition known for being the oldest. This tradition was founded by Sidhar Khan Dhadi in the early-18th Century. The tradition is regarded for establishing a distinction from pakhawaj repertoire, "do ungliyon ka baaj" (two-finger style), and contributing improvisation conventions like peshkar and kayada. Heirs of this gharana went on to establish other traditions like Lucknow gharana, Ajrada gharana, and Farukhabad gharana. History Origins Delhi Gharana was founded by Dadi in the early-18th Century. Sometimes referred to as the inventor of the tabla, Sidhar Khan Dhadi is the earliest available name associated with tabla in historical records. He was initially a pakhawaj player from the tradition of Lala Bhavanidas. Aesthetics Technique Considered a moderately resonant style (like Ajrada), the Delhi gharana is classified with the "bandh baaj" (closed style) rather than the "khula baaj" (open style) of Punjab and Farukhabad. ...
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Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla
Encyclopædia Britannica
The tabla is an essential instrument in the

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Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla
Encyclopædia Britannica
The tabla is an essential instrument in the

Latif Ahmed Khan
Al-Latif (''Al-Laṭīf'' , also anglicized as ''Al-Lateef'') is one of the names of God in Islam, meaning "kind". Latif can also be a masculine given name, as short form of Abdul Latif, meaning "servant of the Gentle". Its feminine form is Latifa. "Al-Latif" also means "The Subtle". Notable persons ;Given name *Latif (singer/songwriter), full name Corey Latif Williams, American rhythm and blues singer *Latif (video game player), full name Abdullatif Alhmili (born 1990), Saudi-American fighting games player *Latif Afridi, Pakistani lawyer *Shah Abdul Latif, Pakistani poet *Latif Ahmadi, Afghan film director * Latif Halmat, or Letîf Helmet, Kurdish-Iraqi poet *Latif Kapadia, Pakistani stage and television actor *Latif Karimov, Azerbaijani carpet designer *Latif Khosa, politician, Governor of Punjab *Latif Nangarhari, Afghan singer * Latif Rahman, Singaporean football *Latif Rashid, Iraqi politician and minister * Latif Safarov, Azerbaijani actor and movie director. *Latif Salifu ...
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Krishna Bisht (student Of Chand Khan)
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the ''Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the ''Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a divine her ...
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Faiyaz Khan (tabla Player)
Ustad Faiyaz Khan (alternative spelling Fiyaz Khan) (1934 – 12 November 2014) was a tabla player of international repute. Biography Faiyaz Khan was born in 1934 in Sikar, Rajasthan, into a family of musicians. Nazir Khan, his father, was a sarangi and tabla player at the court of the Maharaja of Karauli. His elder brother, Munir Khan, was a well-known sarangi player. He was first taught sarangi and vocal music. His initial Tabla training was under Ustad Hidayat Khan. He also learned from the late Ustad Inam Ali Khan of the Delhi gharana of Tabla. Ustad Faiyaz Khan also studied south Indian rhythms from a master of the barrel drum mridangam, Ramnad Ishwaran. He began his career as a staff artist of All India Radio, Jaipur in 1955. In 1958, he moved to Delhi to join All India Radio there. He retired from regular radio service in 1993. Ustad Faiyaz Khan regularly accompanied many great stalwarts and frequently performed as a soloist as well. He also travelled the world ...
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Munir Khan
Munir Khan is an Indian businessman and pseudoscientist. Khan was arrested in 2008, 2009, and 2010 for falsely claiming that his product, "Body Revival", cured cancer. He was again arrested in 2014 and 2015, following complaints by the Indian Food and Drug Administration (FDA) for further false claims about his product. In March 2016, the FDA and Amboli police raided Khan's office in Andheri, and seized 2,099 bottles of Body Revival worth Rs3.3 crore. Khan had claimed the product cured HIV/AIDS, diabetes Diabetes, also known as diabetes mellitus, is a group of metabolic disorders characterized by a high blood sugar level ( hyperglycemia) over a prolonged period of time. Symptoms often include frequent urination, increased thirst and increased ..., heart ailments, tumours, stress, and reversed premature ageing. References Living people Indian businesspeople Health fraud people Businesspeople from Mumbai Indian fraudsters Year of birth missing (living people ...
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Miyan Bakshu Ji
Miyan may refer to: * Miyan (title), a royal title of the Indian subcontinent * Miyan people The Miyan, or Mian, were an indigenous people of the state of Queensland. Name The ethnonym ''mian'' signifies 'man' in their language. Country The Miyan were a people of Central West Queensland, with, according to Norman Tindale, some of tri ..., an ethnic group of Australia * Miyan language, a language of Australia * Mian, Punjab, a village in India See also * * Mian (other) {{Disambiguation Language and nationality disambiguation pages ...
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Shafaat Ahmed Khan
Ustad Shafaat Ahmed Khan (20 May 1954 – 24 July 2005) New Delhi, India, was one of the leading tabla maestros in the field of Hindustani classical music. Shafaat Ahmed Khan came from the "Dilli Gharana" (Delhi gharana) and was the son and disciple of tabla maestro Chhamma Khan who was a prominent exponent of the Dilli Gharana. Shafaat Ahmed Khan was famous for his mastery over clear 'bols' and melodious tone of the tabla, accompaniment (sangat) and systematic improvisation. During his active years he was one of the leading tabla maestros of India. Shafaat Ahmed Khan was a recipient of "Padma Shree" award in 2003. He performed concerts all around the world with classical artistes like Ravi Shankar, Nikhil Banerjee, Shivkumar Sharma, Amjad Ali Khan, Bhimsen Joshi, Jasraj, Hari Prasad Chaurasia Hariprasad Chaurasia (born 1 July 1938) is an Indian music director and classical flautist, who plays the bansuri, in the Hindustani classical tradition. Early life Chaur ...
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Fiyaz Khan
Ustad Faiyaz Khan (alternative spelling Fiyaz Khan) (1934 – 12 November 2014) was a tabla player of international repute. Biography Faiyaz Khan was born in 1934 in Sikar, Rajasthan, into a family of musicians. Nazir Khan, his father, was a sarangi and tabla player at the court of the Maharaja of Karauli. His elder brother, Munir Khan, was a well-known sarangi player. He was first taught sarangi and vocal music. His initial Tabla training was under Ustad Hidayat Khan. He also learned from the late Ustad Inam Ali Khan of the Delhi gharana of Tabla. Ustad Faiyaz Khan also studied south Indian rhythms from a master of the barrel drum mridangam, Ramnad Ishwaran. He began his career as a staff artist of All India Radio, Jaipur in 1955. In 1958, he moved to Delhi to join All India Radio there. He retired from regular radio service in 1993. Ustad Faiyaz Khan regularly accompanied many great stalwarts and frequently performed as a soloist as well. He also travelled the world ...
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Chatur Lal
Chatur Lal (16 April 1925 – 14 October 1965) was an Indian tabla player. Career Chatur Lal was born on 16 April 1925 in Udaipur, Rajasthan. He toured with Ravi Shankar, Nikhil Banerjee, Baba Allauddin Khan, Sharan Rani and Ali Akbar Khan in the 1950s and early 1960s and helped popularize the tabla in Western countries and made the nuances of this Indian drum. His younger brother Ram Narayan was a prominent Sarangi player in the second half of the 20th century. He was the first internationally acclaimed percussionist to introduce Indian classical music with Pandit Ravi Shankar and Ustad Ali Akbar Khan to the West in mid 1950s, when they were invited to perform all over Europe and US for Modern of Museum Art, Rockefeller Centre and Omnibus through Yehudi Menuhin Yehudi or Jehudi (Hebrew: יהודי, endonym for Jew) is a common Hebrew name: * Yehudi Menuhin (1916–1999), violinist and conductor ** Yehudi Menuhin School, a music school in Surrey, England ** Who's Yehoodi?, a ...
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Bol (music)
A bol is a standardized mnemonic syllable used in North Indian classical music to define the tala, or rhythmic pattern. Bol is derived from the Hindi word ''bolna'' (बोलना), which means "speak." One who learns to play the tabla or pakhavaj (or pakhawaj) drum is taught to recite the rhythms as bols, which can be quite complex. Bol is analogous to konnakol, which is used to recite rhythms for the mridangam drum in Carnatic music, which is South Indian classical music. See also * Konakkol * Kuchi shōga * Counting (music) In music, counting is a system of regularly occurring sounds that serve to assist with the performance or audition of music by allowing the easy identification of the beat. Commonly, this involves verbally counting the beats in each measure as th ... References External linksKKSongs Talamala - Tabla Bol Referencehas recordings of tabla bols.Instruments in Depth: Tabla: Drums of North India an online feature froBloomingdale School of Music(March, 200 ...
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