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Deep Purple (Sun Ra Album)
''Deep Purple'' (also released as ''Dreams Come True'') is an album by Sun Ra and his Arkestra featuring Stuff Smith on violin. Pressings *Saturn LP 485 (1973) *side A reissued on Evidence 22014 (CD, 1992) *side B reissued on Evidence 22217 (CD, 2000) Track listing Side A # "Deep Purple" (DeRose, Parish) Sun Ra (p, Solovox); Stuff Smith (vln). Sun Ra's apartment, Chicago, c.1953 # "Piano Interlude" (Ra) Sun Ra (p). Chicago, c. 1955 # "Can This Be Love?" (Swift, James)Sun Ra (p); Wilbur Ware (b). Chicago, c. 1955 # "Dreams Come True" (Ra, Mayo)Sun Ra (Wurlitzer ep); Pat Patrick (as); John Gilmore (ts); Art Hoyle (tp); Vic Sproles (b); Robert Barry (d); Clyde Williams (voc). Chicago, 1956. # " Don't Blame Me" (McHugh, Fields)Sun Ra (p); Victor Sproles (b); Robert Barry (d); Tito (cga); Hattie Randolph (voc). Budland, Chicago, late 1956 or early 1957. # "'S Wonderful" (Gershwin)Sun Ra (p); Victor Sproles (b); Robert Barry (d); Tito (cga); Hattie Randolph (voc). Budland, Chicago, l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sun Ra
Le Sony'r Ra (born Herman Poole Blount, May 22, 1914 – May 30, 1993), better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount became involved in the Chicago jazz scene during the late 1940s. He soon abandoned his birth name, taking the name Le Sony'r Ra, shortened to Sun Ra (after Ra, the Egyptian god of the Sun). Claiming to be an alien from Saturn on a mission to preach peace, he developed a mythical persona and an idiosyncratic credo that made him a pioneer of Afrofuturism. Throughout his life he denied ties to his prior identity saying, "Any name that I use other than Ra is a pseudonym." His widely eclectic and avant-garde music echoed the entire history of jazz, from ragtime and ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cool Jazz
Cool jazz is a style of modern jazz music that arose in the United States after World War II. It is characterized by relaxed tempos and lighter tone, in contrast to the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that found in other contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of izzy Gillespie and his followers could be compared to fiery red colors." The term ''cool'' started being applied to this music around 1953, when Capitol Records released the album ''Classics in Jazz: Cool and Quiet''. Mark C. Gridley, writing in the ''All Music Guide to Jazz'', identifies four overlapping sub-categories of cool jazz: # "Soft variants of bebop," including the Miles Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Jazz
Vocal jazz or jazz singing is an approach to jazz using the voice. Vocal jazz emerged in the early twentieth century, with its roots in Blues. Popular blues singers such as Bessie Smith and Ma Rainey had a great deal of influence of jazz vocalists such as Billie Holiday. Other characteristics of vocal jazz such as scat singing came out of the New Orleans jazz tradition. Louis Armstrong's 1926 recording of " Heebie Jeebies" is often cited as the first modern song to employ scatting. This later evolved into the complex vocal improvisation of the bop era that was adopted by Anita O'Day, Sarah Vaughan, Betty Carter, and Dizzy Gillespie. The Boswell Sisters were a vocal jazz trio originating from New Orleans that help popularize vocal jazz music among the general American public during the 1930s. Repertoire of vocal jazz typically includes the music of the Great American Songbook, however contemporary popular music is now often arranged for vocal jazz ensembles in addition to origina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sun Ra Arkestra
The Sun Ra Arkestra is an American jazz group formed in the mid-1950s and led by keyboardist/composer Sun Ra until his death in 1993. The group is considered a pioneer of afrofuturism. As of 2022, the Arkestra is led by saxophonist Marshall Allen, an Arkestra member since 1958, who is supported by more than a dozen other musicians. History The band is headquartered in a rowhouse in Philadelphia's Germantown neighborhood. Saxophonist and current leader Marshall Allen has lived and worked in the house since 1968. In 1976, Vincent Chancey, an American jazz hornist joined the group. In 1993, Allen became the leader of Arkestra after Sun Ra died. In 1999, the Arkestra released the studio album, ''A Song for the Sun.'' In 2009, Philadelphia's Institute of Contemporary Art hosted an exhibition of the group's history and artistry. In 2012 Tara Middleton, a violinist and vocalist joined the group. In 2017, the Arkestra opened for Solange on her tour supporting her 2016 album, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stuff Smith
Hezekiah Leroy Gordon Smith (August 14, 1909 – September 25, 1967), better known as Stuff Smith, was an American jazz violinist. He is well known for the song "If You're a Viper" (the original title was "You'se a Viper"). Smith was, along with Stéphane Grappelli, Michel Warlop, Svend Asmussen, Ray Nance and Joe Venuti, one of jazz music's preeminent violinists of the swing era. Biography He was born in Portsmouth, Ohio, United States in 1909, and studied violin with his father. Smith cited Louis Armstrong as his primary influence and inspiration to play jazz, and like Armstrong, was a vocalist as well as instrumentalist. In the 1920s, he played in Texas as a member of Alphonse Trent's band. After moving to New York City he performed regularly with his sextet at the Onyx Club starting in 1935, and also with Coleman Hawkins, Charlie Parker, Dizzy Gillespie, and later, Sun Ra. After being signed to Vocalion Records in 1936, he had a hit with "I'se a Muggin'" and was bill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deep Purple (song)
"Deep Purple" was the biggest hit written by pianist Peter DeRose, who broadcast, 1923 to 1939, with May Singhi as "The Sweethearts of the Air" on the NBC radio network. "Deep Purple" was published in 1933 as a piano composition. Although it is a slow ballad, its armonic and melodic style echoes the brilliant music by George Gershwin. The following year, Paul Whiteman had it scored for his suave "big band" orchestra that was "making a lady out of jazz" in Whiteman's phrase. "Deep Purple" became so popular in sheet music sales that Mitchell Parish added lyrics in 1938. Larry Clinton and His Orchestra recorded one of the most popular versions of the song on 23 December 1938. Featuring vocalist Bea Wain, the Clinton version was a huge hit. Released in January 1939 on Victor Records, the Clinton recording was number one on the U.S. popular music charts for nine consecutive weeks in 1939. The next most popular version was made by Jimmy Dorsey which reached the No. 2 spot in the cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilbur Ware
Wilbur Bernard Ware (September 8, 1923 – September 9, 1979) was an American jazz double bassist.Feather, Leonard & Gitler, Ira (2007) ''The Biographical Encyclopedia of Jazz'', p. 674. Oxford University Press He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others. Career Ware grew up in Chicago where he taught himself to play drums, banjo, bass while playing at church. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge. He recorded with Sun Ra in the early 1950s. Later in the 1950s, settling in New York City, Ware played with Eddie Vinson, Art Blakey, and Buddy DeFranco. His only album recorded as a leader during his lifetime was '' The Chicago Sound'', from 1957 when he worked for Riverside. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Patrick (musician)
Laurdine Kenneth "Pat" Patrick Jr. (November 23, 1929 – December 31, 1991) was an American jazz musician and composer. He played baritone saxophone, alto saxophone, and Fender bass and was known for his 40-year association with Sun Ra. His son, Deval Patrick, was formerly governor of Massachusetts. Early life Patrick was born in East Moline, Illinois, to Laverne and Laurdine Kenneth Patrick His father (1905–2001), a native of Kansas, worked as an iron moulder at a factory at the time of his son's birth. Patrick first learned piano, drums, and trumpet as a child, and then switched to saxophones. He attended and studied music at DuSable High School in Chicago, where he met future bassist Richard Davis and future saxophonists John Gilmore and Clifford Jordan. Patrick was baritone saxophonist for the Regal Theater's house band while still at school. "In 1949 he enrolled at Florida Agricultural and Mechanical University, but he soon returned to the Chicago area to study at Wils ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Gilmore (musician)
John Gilmore (September 28, 1931 – August 20, 1995) was an American jazz saxophonist, clarinetist, and percussionist. He was known for his tenure with the avant-garde keyboardist/bandleader Sun Ra from the 1950s to the 1990s. Biography Gilmore was raised in Chicago and played clarinet from the age of 14. He took up the tenor saxophone while serving in the United States Air Force from 1948 through 1951. He then pursued a musical career, beginning as a tenor saxophonist on a national tour with the Harlem Globetrotters in an ensemble that included pianist Earl Hines in 1952. In 1953 Gilmore met pianist and bandleader Sun Ra who had a profound impact on him as a musician. For the next four decades, he recorded and performed almost exclusively with Sun Ra; first as a trio, and then in the band Arkestra. This was puzzling to some, who noted Gilmore's talent, and thought he could be a major star like John Coltrane or Sonny Rollins. Despite being five years older than Gilmore, Colt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Sproles
Victor Sproles (November 18, 1927 in Chicago – May 13, 2005) was an American jazz bassist. Sproles worked in the 1950s with Red Rodney and Ira Sullivan and appears on the Sun Ra recordings '' Super-Sonic Jazz'', '' Sound of Joy'' and '' Deep Purple''. In 1957 he appeared on the Verve recording ''Stan Meets Chet'' with Stan Getz and Chet Baker. In 1960 he joined Johnny Griffin's Big Soul Band and in 1961 played in Muhal Richard Abrams' Experimental Band. In 1964 he joined Art Blakey's Jazz Messengers, recording the album SMake It'' for Limelight; Lee Morgan and his old Sun Ra bandmate John Gilmore were in the group. He recorded two more albums with the Messengers after Gilmore left. He subsequently appeared Lee Morgan's Blue Note albums '' The Rumproller'' and ''The Sixth Sense''. In 1974 he played in Clark Terry's big band and appeared on Buddy DeFranco's album ''Free Fall''. Discography *1955: ''Modern Music from Chicago'' — Red Rodney with Ira Sullivan (ts, t), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Blame Me (Dorothy Fields And Jimmy McHugh Song)
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show ''Clowns in Clover'' and was published in 1933. Popular versions that year were recorded by: Ethel Waters (US No. 6), Guy Lombardo, and Charles Agnew. Later recordings *It was a No. 21 hit for Nat King Cole in 1948. *The song received two significant "rock era" remakes: a ballad version by the Everly Brothers in 1961 which reached No. 20 on ''Billboard'', and an up-tempo version by Frank Ifield which reached No. 8 on the UK Singles Chart on 15 February 1964, as well as in New Zealand. In the U.S., Ifield's version reached No. 128. Other recordings * Charles Agnew and his Hotel Stevens Orchestra (1933). ''The New Yorker'' magazine reviewed this recording as "richly played." * Duke Jordan with Sam Jones and Al Foster (1975) * Terence Blanchard with Cassandra Wilson – ''Let's Get Lost'' (2001) * King Cole October 1938, July 1944,The King Cole Trio: The Mac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'S Wonderful
"S Wonderful" is a 1927 popular song composed by George Gershwin, with lyrics written by Ira Gershwin. It was introduced in the Broadway musical ''Funny Face'' (1927) by Adele Astaire and Allen Kearns. The song is considered a standard and has been recorded by many artists, especially jazz artists. In 1928, Adele Astaire, who introduced the song on stage the previous year, recorded one of the earliest versions with Bernard Clifton. The most successful recordings in 1928 were however by Frank Crumit and by the Ipana Troubadors. Other recordings Other vocal versions include those of Bing Crosby (recorded in 1954 for use on his radio show and it was subsequently included in the box set ''The Bing Crosby CBS Radio Recordings (1954-56)'' issued by Mosaic Records (catalog MD7-245) in 2009.), Sun Ra, Brian Wilson, Anita O'Day, Gene Kelly, Ella Fitzgerald (for her album ''Ella Fitzgerald Sings the George and Ira Gershwin Song Book''), Michael Feinstein (for his album ''Pure Gershwin''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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