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Davide Penitente
''Davide penitente'', K. 469 (also ''Davidde penitente''), is a cantata by Wolfgang Amadeus Mozart, to texts by . The cantata was commissioned by the Wiener Tonkünstler-Societät, and first performed on 13 March 1785 in the Vienna Burgtheater. Most of the music is derived from the unfinished Great Mass in C minor, K. 427 (1782–83), although two arias ("A te, fra tanti affanni" and "Fra l'oscure ombre funeste") and a cadenza for the last movement ("Chi in Dio sol spera") were newly composed for the work. It has a duration of approximately 45 minutes. Authorship of text The theme of the work is based on the Psalms and the ''First Book of Samuel'' of the Old Testament. The text was previously attributed to Lorenzo Da Ponte, following a report by Vincent Novello. However, it is now known that the text is taken from Italian translations of the Psalms by (1742–95).Saverio Mattei, ''I libri poetici della Bibbia'', 5 volumes, Naples: Simoniana, 1766–1774. Structure # Alzai l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marriage of Figaro'' (1786), ''Don Giovanni'' (1787), and '' Così fan tutte'' (1790). Early career Lorenzo Da Ponte was born Emanuele Conegliano in 1749 in Ceneda in the Republic of Venice (now Vittorio Veneto, Italy). He was Jewish by birth, the eldest of three sons. In 1764, his father, Geronimo Conegliano, then a widower, converted himself and his family to Roman Catholicism in order to marry a Catholic woman. Emanuele, as was the custom, took the name of Lorenzo Da Ponte from the bishop of Ceneda who baptised him. Thanks to the bishop, the three Conegliano brothers studied at the Ceneda seminary. The bishop died in 1768, after which Lorenzo moved to the seminary at Portogruaro, where he took Minor Orders in 1770 and became Professor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Wolfgang Amadeus Mozart
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Heinrich Graun
Carl Heinrich Graun (7 May 1704 – 8 August 1759) was a German composer and tenor. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time. Biography Graun was born in Wahrenbrück in the Electorate of Saxony. In 1714, he followed his brother, Johann Gottlieb Graun, to the school of the Kreuzkirche, Dresden, and sang in the Dresdner Kreuzchor and the chorus of the Dresden Opera. He studied singing with Christian Petzold and composition with Johann Christoph Schmidt. In 1724, Graun moved to Braunschweig, singing at the opera house and writing six operas for the company. In 1735, Graun moved to Rheinsberg in Brandenburg, after he had written the opera ''Lo specchio della fedeltà'' for the marriage of the then crown prince Frederick (the Great) and Elisabeth Christine in Schloss Salzdahlum in 1733. He was ''Kapellmeister'' to Frederick the Great from his ascension to the throne in 1740 until Graun's death nineteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Harmonia Mundi
Deutsche Harmonia Mundi (founded 1958) is a German classical music record label. It was founded by Rudolf Ruby and based in Freiburg, Breisgau. The company was acquired by BMG Music in 1992 and is now part of Sony Music Entertainment. Ruby had Alfred Krings of WDR assemble their own house orchestra Collegium Aureum, founded 1964, to perform early music, selecting as leader Franzjosef Maier. During the war Ruby had been imprisoned as a member of the Kreisau Circle of anti-Nazi resistance, and at a reunion in the 1960s he met fellow resistance member prince Joseph-Ernst Graf Fugger von Glött who invited him to use the Fugger castle, Schloss Fugger, in Kirchheim in Schwaben for his concerts and recordings. The connection with the Fugger family continued through the "Music of the Fuggers" recording made for DHM by Anthony Rooley. Ruby had distribution deals with his friend Bernard Coutaz of Harmonia Mundi France, until first BASF, then briefly with EMI bought into the label in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigiswald Kuijken
Sigiswald Kuijken (; born 16 February 1944) is a Belgian violinist, violist, and conductor known for playing on period and original instruments. Biography Kuijken was born in Dilbeek, near Brussels. He was a member of the Alarius Ensemble of Brussels between 1964 and 1972 and formed La Petite Bande in 1972. Since 1971 he has taught Baroque violin at the Royal Conservatory of The Hague and the Royal Conservatory of Brussels. He is noted for using the older technique of resting the violin on the shoulder without a shoulder rest, rather than held under the chin. He is a member of the Kuijken String Quartet, which he formed in 1986. In recent years, he has also performed as conductor of symphonies of the Romantic era. His brothers are also known for historically informed performance: Barthold Kuijken is a flutist and recorder player and Wieland Kuijken, also a member of the Kuijken Quartet, is a cellist and gambist. They all have worked extensively with harpsichordist Gustav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Petite Bande
La Petite Bande is a Belgium-based ensemble specialising in music of the Baroque and Classical eras played on period instruments. They are particularly known for their recordings of works by Corelli, Rameau, Handel, Bach, Haydn, and Mozart. History The ensemble was brought together in 1972 by Sigiswald Kuijken, originally for the one-off purpose of recording Lully's comédie-ballet, ''Le Bourgeois gentilhomme'', conducted by Gustav Leonhardt for the Deutsche Harmonia Mundi label. The ensemble was given its name from Lully's '' Petite Bande des Violons du Roi'', an orchestra of 21 string players at the court of Louis XIV. The nucleus of the original group was the Leonhardt Consort along with Sigiswald Kuijken and his brothers Wieland and Barthold. Following the recording, the group continued to give concerts throughout Europe and became a permanent ensemble based in Leuven with Kuijken as director. Their initial repertoire concentrated on French Baroque music, but soon bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nederlands Kamerkoor
The Netherlands Chamber Choir (Dutch ''Nederlands Kamerkoor'') is a full-time and independent professional Dutch choir. It was founded in 1937 by a :nl:Felix de Nobel as the ''Chorus Pro Musica'' to perform Bach cantatas for the Dutch radio. "It is impossible to pinpoint exactly when the Nederlands Kamerkoor (Netherlands Chamber Choir) came into existence. In 1937 the young musician Felix de ..." For over eighty years, the Nederlands Kamerkoor (Netherlands Chamber Choir) has enjoyed a place at the top of the international choral world. Since the very beginning the choir has been known for being adventurous and innovative. It owes this reputation to commissions of works by both well-known composers and young talent, and a continuous search for new formats and exciting collaborations. Famous composers such as |
Hans Peter Blochwitz
Hans Peter Blochwitz (born 28 September 1949) is a German lyric tenor, who is known internationally in opera and concert, especially for singing parts in Mozart operas. Career Born in Garmisch-Partenkirchen on 28 September 1949, Blochwitz first studied computer science at the Technische Hochschule Darmstadt and holds a Ph.D. He studied singing from 1975 in Mainz with Elisabeth Fellner Köberle and in Frankfurt with Erna Westenberger and Karlheinz Jarius. He appeared in 1978 in Frankfurt as a soloist in Bach's Mass in B minor, and in 1984 as the Evangelist in Bach's ''St Matthew Passion'' at the Altenberger Dom. He made his operatic debut in September 1984 as Lenski in Tchaikovsky's '' Eugen Onegin'' at the Frankfurt Opera; he subsequently sang in Brussels, Geneva, Hamburg, Milan, and Vienna, especially as a Mozart singer. When Peter Schreier, a lyric tenor himself, conducted his first production of Mozart's ''Don Giovanni'' in 1987, he cast Blochwitz as Don Ottavio. In September ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krisztina Laki
Krisztina Laki (born 16 September 1944) is a Hungarian coloratura soprano who worked mainly on the opera stage in Germany, with guest appearances in major European opera houses. She has held master classes internationally. Career Born in Érd, Laki studied voice at the Franz Liszt Academy of Music in Budapest with József Réti. She made her debut in 1971 as Gilda in Verdi's ''Rigoletto'' at the Stadttheater Bern, where she also appeared as the Queen of the Night in Mozart's ''Die Zauberflöte'' and as Sophie in ''Der Rosenkavalier'' by Richard Strauss. In 1974 to 1979, she sang at the Deutsche Oper am Rhein. She appeared in 1977 at La Scala in Milan as Blonde in Mozart's ''Die Entführung aus dem Serail'', directed by Giorgio Strehler, and alongside Edita Gruberová as Konstanze. From 1980 to 1989 she worked mainly with the Cologne Opera. Laki retired from the stage in 2001. She has held master classes internationally and has been a juror at music competitions. Selected re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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