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Daphne (Handel)
''Daphne'' or ''Die Verwandelte Daphne'' (''Daphne Metamorphosed''), HWV 4, is an opera composed by Handel for the Oper am Gänsemarkt in Hamburg in 1706, to a libretto by Hinrich Hinsch. The opera, based on the Daphne myth, was the second part of a double opera. Both works were first performed in Hamburg in January 1708. While the music is lost, the libretto survived, and two suites were reconstructed. History Georg Friedrich Händel composed ''Die Verwandelte Daphne'' at the request of Reinhard Keiser, the manager of the Oper am Gänsemarkt in 1706. The opera was the second part of a double opera, with the first part, ''Florindo''. Origibally both works were planned for one evening. The libretto, based on the Daphne myth, was by , a lawyer, who also wrote the text for Keiser's first opera in Hamburg, ''Mahumet II'' (1696), based on the life of Mehmet II. Hinsch had been writing librettos since 1681. He died in 1712. After completing ''Daphne'', Händel only taught and stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel's Lost Hamburg Operas
In 1703, the 18-year-old composer George Frideric Handel took up residence in Hamburg, Germany, where he remained until 1706. During this period he composed four operas, only the first of which, ''Almira'', has survived more or less intact. Of the other three, the music for ''Nero'' is lost, while only short orchestral excerpts from '' Florindo'' and ''Daphne'' survive. Handel was born and grew up in Halle, where he received his early musical education and became an accomplished organist. In Hamburg he obtained employment as a violinist at the Oper am Gänsemarkt, the city's famous opera house. Here, he learned the rudiments of opera composition, mainly under the influences of Reinhard Keiser, the theatre's music director, and Johann Mattheson, its leading vocalist. The Gänsemarkt was largely dedicated to Keiser's compositions; his temporary absence in 1704 gave Handel his chance, and in quick succession he wrote ''Almira'' and ''Nero'' using librettos by Friedrich Christian F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peneus
In Greek mythology, Peneus (; Ancient Greek: Πηνειός) was a Thessalian river god, one of the three thousand Rivers (Potamoi), a child of Oceanus and Tethys. Family The nymph Creusa bore him one son, Hypseus, who was King of the Lapiths, and three daughters, Menippe (mother of Phrastor by Pelasgus), Daphne and Stilbe.Diodorus Siculus, 4.69.1 Some sources state that he was the father of Cyrene, alternately known as his granddaughter through Hypseus. Daphne, in an Arcadian version of the myth, was instead the daughter of the river god Ladon. Peneus also had a son Atrax with Bura, and Andreus with an unknown consort. Tricce (or Tricca), eponym of the city Tricca, was mentioned as his daughter. In later accounts, Peneus was credited to be the father of Chrysogenia who consorted with Zeus and became the mother of Thissaeus.Pseudo-Clement, '' Recognitions'' 10.21-23 Meanwhile, his daughter Astabe coupled with Hermes and became the parents of Astacus, father of Iocles, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera World Premieres At The Hamburg State Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1708 Operas
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By George Frideric Handel
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Jacobshagen
Arnold Jacobshagen (born 30 December 1965) is a German musicologist. He has been teaching at the Hochschule für Musik und Tanz Köln since 2006. Career Born in Marburg, Jacobshagen studied musicology, history and philosophy at the Free University of Berlin (with Jürgen Maehder), the University of Vienna and Paris as well as culture and media management at the Hochschule für Musik "Hanns Eisler". In 1996 he received his doctorate at the Free University. He then worked as a music dramaturg at the Staatstheater Mainz. He later held a scholarship at the German Historical Institute in Rome and at the . From 1997 to 2006 he worked as a research assistant at the Forschungsinstitut für Musiktheater of the University of Bayreuth. In 2003 he completed his habilitation there (Sieghart Döhring). Since 2006 he has held a professorship for historical musicology at the Cologne University of Music. In 2015 he was elected to the Academia Europaea. Jacobshagen is a member of the board of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muziekweb
The Netherlands Institute for Sound and Vision (Dutch: Nederlands Instituut voor Beeld en Geluid, or short, Beeld en Geluid) is the cultural archive and a museum located in Hilversum. The Institute for Sound and Vision collects, looks after, and provides access to over 70% of the Dutch audio-visual heritage. In total, the collection of more than 750,000 hours of elevision, radio, music and film that began in 1898 and continues to grow daily, makes Sound and Vision one of the largest audiovisual [archive]s in Europe. It was founded in 1997 as the Netherlands Audiovisual Archive (Dutch: ''Nederlands Audiovisueel Archief'' (NAA)), and adopted its current name in 2002. Sound and Vision is the business archive of the national broadcasting corporations, a cultural heritage institute (providing access to students and the general public) and also a museum for its visitors. The digital television production workflow and massive digitization efforts break grounds for new services. Sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition), Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Boydell Press
Boydell & Brewer is an academic press based in Woodbridge, Suffolk, England, that specializes in publishing historical and critical works. In addition to British and general history, the company publishes three series devoted to studies, editions, and translations of material related to the Arthurian legend. There are also series that publish studies in medieval German and French literature, Spanish theatre, early English texts, in other subjects. Depending on the subject, its books are assigned to one of several imprints in Woodbridge, Cambridge (UK), or Rochester, New York, location of its principal North American office. Imprints include Boydell & Brewer, D.S. Brewer, Camden House, the Hispanic series Tamesis Books ("Tamesis" is the Latin version of the River Thames, which flows through London), the University of Rochester Press, James Currey, and York Medieval Press. The company was co-founded by historians Richard Barber and Derek Brewer in 1978, merging the two companies B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Holman
Peter Kenneth Holman MBE (born 19 October 1946, London) is an English conductor and musicologist best known for reviving the music of Purcell and his English contemporaries. Holman, with the ensemble The Parley of Instruments made many of the extensive series of recordings of lesser-known English baroque music on Hyperion Records in that label's ''English Orpheus'' series from 1980-2010. The ensemble was co-founded in 1979 by Holman and the violinist Roy Goodman. Holman and the ensemble now record on the Chandos Classics label. Holman was appointed Member of the Order of the British Empire The Most Excellent Order of the British Empire is a British order of chivalry, rewarding contributions to the arts and sciences, work with charitable and welfare organisations, and public service outside the civil service. It was established o ... (MBE) in the 2015 New Year Honours for services to early music. Publications * Dowland: Lachrimae (1604) 1999 * Henry Purcell 1994 * Life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Parley Of Instruments
The Parley of Instruments takes its name from some of the earliest public concerts in the world, given in London in 1676 by the violinist John Banister. The Parley was founded in 1979—long experience in the scholarship and performance of 17th and 18th century music are brought together in their specialist areas of string and continuo performance practice. Many years of working together have produced a 'house style' that is consistent and well thought-out through a combination of experimentation with historical techniques and experience. Founded to play the rich repertory of Renaissance and Baroque string consort music, The Parley subsequently created the first Renaissance violin consort in modern times. With light internal construction, plain gut strings and short bows, Renaissance violins produce a more blended, viol-like sound than the more familiar Baroque models. The Parley now offers a complete orchestral Renaissance violin band, suitable for the music of Praetorius, Monteverd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
