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Dante De Maiano
__NOTOC__ Dante da Maiano was a late thirteenth-century poet who composed mainly sonnets in Italian and Occitan. He was an older contemporary of Dante Alighieri and active in Florence. He may have been a Provençal- or Auvergnat-speaker from Maillane (the birthplace of Frédéric Mistral), but more probably he was from the Tuscan village of Maiano near Fiesole. In 1882 Adolfo Borgognoni argued that he was an invention of Renaissance philology, but met with the opposition of F. Novati in 1883 and Giovanni Bertacchi in 1896. Bertacchi argued that Dante da Maiano was the same person as the Dante Magalante, son of ser Ugo da Maiano, who appears in a public record of 1301. At the time this Dante was living in the monastery of San Benedetto in Alpe and was requested ''in mundualdum'' by a relative of his, Lapa, widow of Vanni di Chello Davizzi, to be her tutor. That a Dante da Maiano existed during the lifetime of Dante Alighieri and that he was capable of "tutoring" was thus establish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier
A chansonnier ( ca, cançoner, oc, cançonièr, Galician and pt, cancioneiro, it, canzoniere or ''canzoniéro'', es, cancionero) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally " song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not the music, for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyrics. The most important chansonniers contain lyrics, poems and songs of the troubadours and trouvères used in the medieval music. Prior to 1420, many song-books contained both sacred and secular music, one exception being those containing the work of Guillaume de Machaut. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chansonniers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vita Nuova
''La Vita Nuova'' (; Italian for "The New Life") or ''Vita Nova'' (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse. History and context Referred to by Dante as his ''libello'', or "little book," ''La Vita Nuova'' is the first of two collections of verse written by Dante in his life. The collection is a ''prosimetrum'', a piece containing both verse and prose, in the vein of Boethius' '' Consolation of Philosophy''. Dante used each ''prosimetrum'' as a means for combining poems written over periods of roughly ten years—''La Vita Nuova'' contains his works from before 1283 to roughly 1293. The collection and its style fit in with the movement called ''dolce stil novo''. The prose creates the illusion of narrative continuity between the poems; it is Dante's way of reconstructing himself and his art in terms of his evolving sense of the limitations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is a French cognate of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dolce Stil Novo
''Dolce Stil Novo'' (), Italian for "sweet new style," is the name given to a literary movement in 13th and 14th century Italy. Influenced by the Sicilian School and Tuscan poetry, its main theme is Divine Love. The name ''Dolce Stil Novo'' was used for the first time by Dante Alighieri in ''Purgatorio'', the second canticle of the ''Divina Commedia''. In the ''Divina Commedia'' Purgatory he meets Bonagiunta Orbicciani, a 13th-century Italian poet, who tells Dante that Dante himself, Guido Guinizelli, and Guido Cavalcanti had been able to create a new genre: a ''stil novo''. Poetry from this school is marked by adoration of the human form, incorporating vivid descriptions of female beauty and frequently comparing the desired woman to a creature from paradise. The woman is described as an "angel" or as "a bridge to God." Rather than being material in nature, the Love of the ''Dolce Stil Novo'' is a sort of Divine Love. Poetry of this movement also often includes profound introsp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guittone D'Arezzo
Guittone d'Arezzo (Arezzo, 1235 – 1294) was a Tuscan poet and the founder of the Tuscan School. He was an acclaimed secular love poet before his conversion in the 1260s, when he became a religious poet joining the Order of the Blessed Virgin Mary. In 1256, he was exiled from Arezzo due to his Guelf sympathies. Biography Son of Viva di Michele and chamberlain of his area, he travelled often for business. He was a passionate supporter of the Guelfs, and had a wife and three children who he would later abandon in 1256 after a spiritual crisis. He joined the Order of the Blessed Virgin Mary, a relatively exclusive group permitting members on the basis of financial background, showing Guittone's aristocratic familial origin and wealth. The group's primary goal was to favor and promote the peace between the Guelf and Ghibelline factions. Following his religious awakening, the tone and subject of Guittone's poems shifted. He started to sign his works as Fra Guittone, and in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuscan School
Tuscan may refer to: Places * A person from, or something of, from, or related to Tuscany, a region of Italy * Tuscan Archipelago, islands off Tuscany, Italy. * Tuscan, South Australia was a railway siding and locality in the Murray Mallee region of South Australia Currency * Tuscan pound * Tuscan florin Linguistics * Etruscan language, an extinct language which gives its name to Tuscany * Tuscan dialect, a central Italian dialectal group from which Italian first emerged * Tuscan gorgia, a phonetic sound Cars * TVR Tuscan (other), sports cars manufactured by TVR ** TVR Tuscan Challenge, a motorsport event for TVR Tuscan cars Other uses * Tuscan cuisine * Tuscan order, an architectural order * Tuscan Dairy Farms, an American company * Tuscan red, a color * , several ships of the Royal Navy * ''Tuscan'' (ship), several merchant ships * Tuscan Sun Festival, a music and culture festival in Florence, Italy * Tuscan, "Tipoff US/Canada", a database of possible terrorist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Da Lentini
Giacomo da Lentini, also known as Jacopo da Lentini or with the appellative Il Notaro, was an Italian poet of the 13th century. He was a senior poet of the Sicilian School and was a notary at the court of the Holy Roman Emperor Frederick II. Giacomo is credited with the invention of the sonnet. His poetry was originally written in literary Sicilian, though it only survives in Tuscan. Although some scholars believe that da Lentini's Italian poetry about courtly love was an adaptation of the Provençal poetry of the troubadours, William Baer argues that the first eight lines of the earliest Sicilian sonnets, rhymed ABABABAB, are identical to the eight-line Sicilian folksong stanza known as the ''Strambotto''. Therefore, da Lentini, or whoever else invented the form, added two tercets to the ''Strambotto'' in order to create the 14-line Sicilian sonnet. As with other poets of the time, he corresponded often with fellow poets, circulating poems in manuscript and commenting on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicilian School
The Sicilian School was a small community of Sicilian and mainland Italian poets gathered around Frederick II, most of them belonging to his imperial court. Headed by Giacomo da Lentini, they produced more than 300 poems of courtly love between 1230 and 1266, the experiment being continued after Frederick's death by his son, Manfred. Origins These poets drew inspiration from the troubadour poetry of Occitania written in langue d'oc, which applied the feudal code of honor to the relation between a man (acting as the vassal) and a woman (acting as king or superior). This is a reversal of the traditional role of women, traditionally dependent on men, and marks a new awareness in medieval society: the decadence of feudalism with the increasing power of the middle class, causes a shift in the reading public, the epic (traditionally devoted to great military pursuits) gradually giving way to the lyric (generally focused on love). In the lower Middle Ages more and more women were r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernart De Ventadorn
Bernart de Ventadorn (also Bernard de Ventadour or Bernat del Ventadorn; – ) was a French poet-composer troubadour of the classical age of troubadour poetry. Generally regarded as the most important troubadour in both poetry and music, his 18 extant melodies of 45 known poems in total is the most to survive from any 12th-century troubadour. He is remembered for his mastery as well as popularization of the ''trobar leu'' style, and for his prolific ''cançons'', which helped define the genre and establish the "classical" form of courtly love poetry, to be imitated and reproduced throughout the remaining century and a half of troubadour activity. Now thought of as "the Master Singer," he developed the '' cançons'' into a more formalized style which allowed for sudden turns. Bernart was known for being able to portray his women as divine agents in one moment and then, in a sudden twist, as Eve – the cause of man's initial sin. This dichotomy in his work is portrayed in a "gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadours
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenso
A ''tenso'' (; french: tençon) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God (Peire de Vic), the poet's horse (Gui de Cavalhon) or his cloak (Bertran Carbonel). Closely related, and sometimes overlapping, genres include: * the ''partimen'', in which more than two voices discuss a subject * the ''cobla esparsa'' or ''cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples *Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. *Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. *Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of the two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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