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Dance Or Die (Family Force 5 Album)
''Dance or Die'' is the second studio album from the band Family Force 5. It was produced by Joe Baldridge (tobyMac) and lead vocalist Solomon "Soul Glow Activatur" Olds. The album was released on August 19, 2008 both in stores and via digital distribution. This is the band's second full-length album release. However, it is the band's first release on the Tooth & Nail Records label. The band was previously with Gotee Records. The record was leaked in its entirety on the internet on August 15, 2008. As of December 2009 the album has sold over 100,000 units. ''Dance or Die'' won Best Album at the 2008 Rock on Request Awards. Genre The album has been labeled as crunkcore, Christian rock, grunge, electronica, synthpop, dance-rock, R&B, urban Urban means "related to a city". In that sense, the term may refer to: * Urban area, geographical area distinct from rural areas * Urban culture, the culture of towns and cities Urban may also refer to: General * Urban (name), a list ...
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Family Force 5
FF5 (formerly known as Family Force 5, The Phamily, Ground Noise and The Brothers) is an American Christian rock band from Atlanta, Georgia. The band formed in 2005 by brothers Solomon "Soul Glow Activatur" Olds, Joshua "Fatty" Olds, and Jacob "Crouton" Olds along with their two friends, Nathan "Nadaddy" Currin and Brad "20 Cent" Allen, who was later replaced by Derek "Chapstique" Mount. The group has released five studio albums, nine EPs, and two remix albums. They are often noted for their raucous, party-centric personae and eclectic mix of genres, ranging from rap metal to dance-pop. In 2018, the remaining two members, Jacob and Joshua Olds, re-branded the group as FF5 and released the EP ''El Compadre'' on March 2 of that year. History Formation (1993–2003) Family Force 5 was formed in Atlanta, Georgia, under their original name, The Brothers. Three of the five original members, Solomon ("Soul Glow Activatur") and twins Joshua ("Fatty") and Jacob ("Crouton"), are so ...
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Rock On Request Awards
''Rock on Request'' was an American daily Internet publication owned by Lycos devoted to music criticism and commentary, music news, and artist interviews. Its focus was on rock music. The webzine was created in Holly Springs, North Carolina on May 20, 2007 by the music journalist Christina Avina, which had previously worked for Associated Content Yahoo! Voices, formerly Associated Content (AC), was a division of Yahoo! that focused on online publishing. Yahoo! Voices distributed a large variety of writing through its website and content partners, including Yahoo! News. In early December 20 .... The webzine featured the latest news, interviews, record reviews, live shows, as well competitions. It held a yearly awards called the Rock on Request Awards, which were disestablished in 2010. The webzine later established a Battle of the Bands. References External linksOfficial Website Online music magazines published in the United States Magazines established in 2007 Magazi ...
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Rock Band Network
The ''Rock Band'' Network (abbreviated RBN) was a downloadable content service designed by Harmonix with the help of Microsoft to allow musical artists and record labels to make their music available as playable tracks for the ''Rock Band'' series of rhythm video games, starting with '' Rock Band 2''. It was designed to allow more music to be incorporated into ''Rock Band'' than Harmonix themselves could produce for the games, and it was seen as a way to further expand the games' music catalog into a wide variety of genres. The Network started closed beta testing in July 2009. The ''Rock Band'' Network Store was publicly available on March 4, 2010 for all Xbox 360 players in selected countries (US, Canada, UK, France, Italy, Germany, Spain, Sweden, and Singapore). ''Rock Band'' Network songs were exclusive to the Xbox 360 for 30 days on each song's release, after which a selection of songs would be made available on the PlayStation 3. The ''Rock Band'' Network was based on the X ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Urban Contemporary
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ...
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Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ...
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Dance-rock
Dance-rock is a dance-infused genre of rock music. It is a post-disco genre connected with pop rock and post-punk with fewer rhythm and blues influences. It originated in the early 1980s, following the decline in popularity of both punk and disco. Examples of early dance-rock include Gina X's "No G.D.M.", Russ Ballard's "On the Rebound", artists such as Dinosaur L, Liquid Liquid and Polyrock, and the compilation album '' Disco Not Disco''. Definitions Michael Campbell, in his book ''Popular Music in America'', defines the genre as "post-punk/post-disco fusion". Campbell also cited Robert Christgau, who described dance-oriented rock (or DOR) as an umbrella term used by various DJs in the 1980s. However, AllMusic defines "dance-rock" as 1980s and 1990s music practiced by rock musicians, influenced by Philly soul, disco and funk, fusing those styles with rock and dance. Artists like the Rolling Stones, David Bowie, Duran Duran, Simple Minds, INXS, Eurythmics, Depeche Mode, the C ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ...
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Grunge
Grunge (sometimes referred to as the Seattle sound) is an alternative rock genre and subculture that emerged during the in the American Pacific Northwest state of Washington, particularly in Seattle and nearby towns. Grunge fuses elements of punk rock and heavy metal, but without punk's structure and speed. The genre featured the distorted electric guitar sound used in both genres, although some bands performed with more emphasis on one or the other. Like these genres, grunge typically uses electric guitar, bass guitar, drums and vocals. Grunge also incorporates influences from indie rock bands such as Sonic Youth. Lyrics are typically angst-filled and introspective, often addressing themes such as social alienation, self-doubt, abuse, neglect, betrayal, social and emotional isolation, addiction, psychological trauma and a desire for freedom. The early grunge movement revolved around Seattle's independent record label Sub Pop and the region's underground music scene. The ...
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Crunkcore
Crunkcore (also known as crunk punk and scrunk) is a musical fusion genre characterized by the combination of musical elements from crunk, post-hardcore, heavy metal, pop, electronic and dance music. The genre often features screamed vocals, hip hop beats, and sexually provocative lyrics. The genre developed from members of the scene subculture during the mid 2000s. History and characteristics According to MasterClass, crunkcore originated by fusing " post-hardcore punk and hip hop into an aggressive, party-hearty sound in the mid-2000s." The genre took influence from various subgenres related to post-hardcore (screamo and emo) and heavy metal (metalcore and nu metal). Other genres to influence crunkcore acts include rap rock, electropop, dance-pop, techno, and funk. Writer and musician Jessica Hopper claims that Panic! at the Disco's fusion of emo and electronic elements influenced the development of crunkcore in the mid-2000s. While crunkcore is typically characterized by ...
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Rock On Request
''Rock on Request'' was an American daily Internet publication owned by Lycos devoted to music criticism and commentary, music news, and artist interviews. Its focus was on rock music. The webzine was created in Holly Springs, North Carolina on May 20, 2007 by the music journalist Christina Avina, which had previously worked for Associated Content. The webzine featured the latest news, interviews, record reviews, live shows, as well competitions. It held a yearly awards called the Rock on Request Awards ''Rock on Request'' was an American daily Internet publication owned by Lycos devoted to music criticism and commentary, music news, and artist interviews. Its focus was on rock music. The webzine was created in Holly Springs, North Carolina on M ..., which were disestablished in 2010. The webzine later established a Battle of the Bands. References External linksOfficial Website Online music magazines published in the United States Magazines established in 2007 Magazin ...
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