Damn! (Jimmy Smith Album)
''Damn!'' is a 1996 album by the American jazz organist Jimmy Smith. The album was Smith's first album for Verve Records for over twenty years.Discogs accessed March 20, 2015 ''Damn!'' peaked at number 13 on the ''Billboard'' Top Jazz Album charts. It's the last recording session of the drummer Art Taylor, a few weeks before his death. Reception The review by Steve Leggett awarded the album four stars with Leggett writing that "The whole album, start to finish, works a wonderful groove, but versions her ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jimmy Smith (musician)
James Oscar Smith (December 8, 1925 – February 8, 2005) was an American jazz musician whose albums often appeared on ''Billboard'' magazine charts. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music. In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians. Early years There is confusion about Smith's birth year, with sources citing either 1925 or 1928. Born James Oscar Smith in Norristown, Pennsylvania, he joined his father doing a song-and-dance routine in clubs at the age of six. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist. After a period in the U.S. Navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Watermelon Man (composition)
"Watermelon Man" is a jazz standard written by Herbie Hancock for his debut album, '' Takin' Off'' (1962). Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.Strong, Martin Charles (2004). ''The Great Rock Discography: Complete Discographies Listing Every Track''. Canongate. pp. 652–653. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album ''Head Hunters'' (1973).Brackett, Nathan (2004). ''The New Rolling Stone Album Guide''. Simon & Schuster. p. 361. 1963 Herbie Hancock version Hancock wrote the piece to help sell his debut album as a leader, '' Takin' Off'' (1962), on Blue Note Records; it was the first pie ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roy Hargrove
Roy Anthony Hargrove (October 16, 1969 – November 2, 2018) was an American jazz musician and composer whose principal instruments were the trumpet and flugelhorn. He achieved worldwide acclaim after winning two Grammy Awards for differing styles of jazz in 1998 and 2002. Hargrove primarily played in the hard bop style for the majority of his albums, but also had a penchant for genre-crossing exploration and collaboration with a variety of hip hop, soul, R&B and alternative rock artists. As Hargrove told one reporter, "I've been around all kinds of musicians, and if a cat can play, a cat can play. If it's gospel, funk, R&B, jazz or hip-hop, if it's something that gets in your ear and it's good, that’s what matters." Biography Hargrove was born in Waco, Texas, to Roy Allan Hargrove and Jacklyn Hargrove. When he was 9, his family moved to Dallas, Texas. He took lessons at school initially on cornet before turning to trumpet. He was discovered by Wynton Marsalis when Marsalis visi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Curtis Fuller
Curtis DuBois Fuller (December 15, 1932May 8, 2021) was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings. Early life Fuller was born in Detroit on December 15, 1932. His father had emigrated from Jamaica and worked in a Ford automobile factory, but he died from tuberculosis before his son was born. His mother, who had moved north from Atlanta, died when he was 9. He spent several years in an orphanage run by Jesuits. He developed a passion for jazz after one of the nuns there brought him to see Illinois Jacquet and his band perform, with J. J. Johnson on trombone. Fuller attended a public school in his hometown, together with Paul Chambers, Donald Byrd, Tommy Flanagan, Thad Jones, and Milt Jackson. There, he took up the trombone when he was sixteen, after attempting the violin and with the saxophone (his next choice) being unavailable. He studied under Johnson and Elmer James. Career Fuller joined ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Randy Weston
Randolph Edward "Randy" Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection. Weston's piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines."Randy Weston talks about his new solo double CD Sound" YouTube video, March 27, 2018. Beginning in the 1950s, Weston worked often with trombonist and arranger Melba Liston. Described as "America's African Musical Ambassador", Weston once said: "What I do I do because it's about teaching and informing everyone about our most natural cultural phenomenon. It's really about Africa a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hi-Fly (Randy Weston Song)
"Hi-Fly" (also sometimes spelled "Hi Fly" or "High Fly") is one of the best known compositions by pianist Randy Weston, written in the 1950s and inspired by his experience of being 6 feet 8 inches tall, "and how the ground looks different to you than everybody else". Since first being recorded on 1958's '' New Faces at Newport'', "Hi-Fly" appears on several other albums by Weston, including '' Live at the Five Spot'' (1959), '' Niles Littlebig'' (1969), '' Tanjah'' (1973), ''Perspective'' (with Vishnu Wood, 1976), ''Rhythms and Sounds'' (1978), ''Earth Birth'' (1995), ''Zep Tepi'' (2005), and ''The Storyteller'' (2009). Jon Hendricks wrote lyrics to the song, recorded first in 1959 on the album ''The Hottest New Group in Jazz'' and also appearing on 1961's ''High Flying With Lambert, Hendricks & Ross''. Among others who have recorded vocal covers are Abbey Lincoln (on ''The World Is Falling Down'', 1991), Mel Tormé (on 1962's '' Comin' Home Baby!'' and other albums), Karin Krog on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Scrapple From The Apple
"Scrapple from the Apple" is a bebop composition by Charlie Parker written in 1947, commonly recognized today as a jazz standard, written in F major. The song borrows its chord progression from " Honeysuckle Rose", a common practice for Parker, as he based many of his successful tunes over already well-known chord changes. While the A section is based on " Honeysuckle Rose", the B section or "middle eight" comes from the rhythm changes, which are based on George Gershwin's "I Got Rhythm". Other versions * Lenny Breau – '' Pickin' Cotten'' (1977, released 2001) * Sonny Criss with Tal Farlow – ''Up, Up, and Away'' (1967) * Miles Davis – ''Many Miles of Davis'' (1962) * Curtis Fuller – ''Jazz Conference Abroad'' (1962) * Dexter Gordon – ''Our Man in Paris'' (1963) * Jim Hall – ''Jim Hall Live!'' (1975) * Tom Harrell with Kenny Garrett and Kenny Barron – ''Moon Alley'' (1985) * Keith Jarrett – '' After the Fall'' (1998, released 2018) * Frank Morgan Quartet – ''Yard ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |