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Da Capo (Love Album)
''Da Capo'' is the second studio album by the American rock band Love, released in November 1966 by Elektra Records. The album was recorded between September and October 1966 at RCA Studios in Hollywood, California. Background Conflict with Elektra In March 1966, Love's self-titled debut album, along with the single "My Little Red Book", was released to moderate commercial success, reaching number 57 on the ''Billboard'' Top LPs. According to author Barney Hoskyns, the album "trumpeted the presence of a major new musical force on the LA scene". It was also a pivotal release for Elektra Records, giving them their first rock album as well as their first hit single; however, the band quickly grew dissatisfied with the label's production and promotional efforts. In an attempt to get off the label, bandleader Arthur Lee revealed that when he had signed the recording contract on January 4, 1966, he was not yet 21 years old, making the agreement void. This infuriated Elektra ...
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Love (band)
Love is an American rock band formed in Los Angeles in 1965. Led by frontman and primary songwriter Arthur Lee, they were one of the first racially diverse American rock bands. Their sound incorporated an eclectic range of styles including garage, folk-rock, blues, jazz, and psychedelia. While finding only modest success on the music charts, peaking in 1966 with their Top 40 hit "7 and 7 Is", Love would come to be praised by critics as their third album, ''Forever Changes'' (1967), became generally regarded as one of the best albums of the 1960s. The band's classic lineup is considered to consist of frontman Lee, guitarist/singer Bryan MacLean, bassist Ken Forssi, guitarist Johnny Echols, and drummer Alban "Snoopy" Pfisterer. By 1968, only Lee remained and he continued recording as Love with varied members through the 1970s. MacLean and Forssi died in 1998. Lee died in 2006. ''Forever Changes'' was added to the Library of Congress's National Recording Registry in 2011. In rec ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Bruce Botnick
Bruce Botnick (born 1945) is an American audio engineer and record producer, best known for his work with the Doors, the Beach Boys, Eddie Money, Love and film composer Jerry Goldsmith. Early work Botnick engineered Love's first two albums, and co-produced their third album, ''Forever Changes'', with the band's singer-songwriter, Arthur Lee. He also is listed as the one of two recording engineers on the 1965 Curtis Amy LP ''The Sounds of Broadway - The Sounds of Hollywood'' - said to have been released in 1965, although it also has been said to have been released earlier. The LP back cover (liner notes) are written by Curtis Amy, where he formally thanks Bruce Botnick for his work on the recordings. The Doors Botnick audio engineered the Doors' studio recordings starting with their first album in 1966. In November 1970 he took over production of The Doors' ''L.A. Woman'' album, their last with lead singer Jim Morrison, after the band's long-serving producer Paul A. Rothchild f ...
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Proto-punk
Proto-punk (or protopunk) is rock music played mostly by garage bands from the 1960s to mid-1970s that foreshadowed the punk rock movement. The phrase is a retrospective label; the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes. Definition According to the Allmusic guide: Most musicians classified as proto-punk are rock music, rock performers of the 1960s and early-1970s, with garage rock/art rock bands Them (band), Them, the Velvet Underground, the Shaggs, los Saicos, MC5 and the Stooges considered to be archetypal proto-punk artists, along with glam rock band the New York Dolls. Origins and etymology One of the earliest written uses of the term "punk rock" was by critic Dave Marsh who used it in 1970 to describe US group Question Mark & The Mysterians, who had scored a major hit with their song "96 Tears" in 1966. Ma ...
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Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ...
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No-holds-barred
No holds barred or No Holds Barred may refer to: * ''No Holds Barred'' (1952 film), a film starring The Bowery Boys * ''No Holds Barred'' (1989 film), a film starring Hulk Hogan * ''No Holds Barred'' (Biohazard album) (1997) * ''No Holds Barred'' (Tweedy Bird Loc album) (1994) * A 1952 episode of '' The Adventures of Superman'' * ''No Holds Barred: My Life in Politics'', a 1997 memoir by John Crosbie * No Holds Barred: The Match/The Movie, a pay-per-view event produced by the World Wrestling Federation based on the 1989 film * Catch wrestling * Mixed martial arts * Vale tudo Vale Tudo (; en, Everything Goes/Everything Allowed), also known No Holds Barred (NHB) in the United States, is an unarmed, full-contact combat sport with relatively few rules. It became popular in Brazil during the 20th century and would event ...
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John Einarson
John Einarson (born 1952) is a Canadian rock music journalist and writer from Winnipeg, Manitoba. Einarson is the author or co-author of more than a dozen books, including biographies and autobiographies of Neil Young, The Guess Who, Steppenwolf, The Byrds, Buffalo Springfield, Ian and Sylvia, and the Flying Burrito Brothers. As a rock journalist, Einarson has been a contributor to Mojo, Uncut, Goldmine, Winnipeg Free Press and many other publications. A graduate of the University of Manitoba, Einarson taught high school at St. John's-Ravenscourt School for eighteen years and leads tours of Winnipeg rock and roll history. He was the curator of a 2009 exhibit about Manitoba music history at the Manitoba Museum and is in charge of the forthcoming Manitoba Music Museum. Einarson wrote a CBC documentary about Randy Bachman and a Juno Awards-nominated documentary on Buffy Sainte-Marie. He began his music career in the 1970s as part of Pig Iron Blues Band, performing at the Nivervil ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ...
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Age Of Majority
The age of majority is the threshold of legal adulthood as recognized or declared in law. It is the moment when minors cease to be considered such and assume legal control over their persons, actions, and decisions, thus terminating the control and legal responsibilities of their parents or guardian over them. Most countries set the age of majority at 18, but some jurisdictions have a higher age and others lower. The word ''majority'' here refers to having greater years and being of full age as opposed to ''minority'', the state of being a minor. The law in a given jurisdiction may not actually use the term "age of majority". The term typically refers to a collection of laws bestowing the status of adulthood. Those under the age of majority are referred to as minors and may be legally denied certain privileges or rights (e.g. the right to vote, buy alcohol, marry, sign a binding contract). Age of majority should not be confused with the age of maturity, age of sexual consent, ...
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Arthur Lee (musician)
Arthur Taylor Lee (born Arthur Porter Taylor; March 7, 1945 – August 3, 2006) was an American singer-songwriter who rose to fame as the leader of the Los Angeles rock band Love. Love's 1967 album ''Forever Changes'' was inducted into the Grammy Hall of Fame, and it is part of the National Recording Registry. Early years Lee was born in Memphis, Tennessee, on March 7, 1945, in John Gaston Hospital, to Agnes (née Porter), a school teacher, and Chester Taylor, a local jazz musician and cornet player. As an only child, Lee was known by the nickname "Po", short for Porter, and was looked after by additional family members so his mother could proceed with her teaching career. With his father being his first connection with a musician, Lee was fascinated by music at a young age. He would sing and hum along to blues musicians such as Howlin' Wolf and Muddy Waters on the radio. At the age of four, Lee made his debut on the stage at a Baptist church, reciting a small poem about a red ...
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Los Angeles
Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world's most populous megacities. Los Angeles is the commercial, financial, and cultural center of Southern California. With a population of roughly 3.9 million residents within the city limits , Los Angeles is known for its Mediterranean climate, ethnic and cultural diversity, being the home of the Hollywood film industry, and its sprawling metropolitan area. The city of Los Angeles lies in a basin in Southern California adjacent to the Pacific Ocean in the west and extending through the Santa Monica Mountains and north into the San Fernando Valley, with the city bordering the San Gabriel Valley to it's east. It covers about , and is the county seat of Los Angeles County, which is the most populous county in the United States with an estim ...
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Barney Hoskyns
Barney Hoskyns (born 5 May 1959) is a British music critic and editorial director of the online music journalism archive Rock's Backpages. Biography Hoskyns graduated from Oxford with a first class degree in English. He began writing about music for ''Melody Maker'' and ''New Musical Express'', quitting his job as staff writer at ''NME ''to research a book about soul music. The result was ''Say It One Time For The Brokenhearted'' (1987). He went on to write more than fifteen books on musicians and music history. Hoskyns has written regularly on pop culture and the arts for British ''Vogue'', where for five years he was a Contributing Editor, and for ''The Times'', ''The Guardian'', ''The Independent'', ''The Observer'' and ''Arena magazine''. He has also contributed to ''Harper's Bazaar'', ''Interview magazine'', ''Spin magazine'' and ''Rolling Stone'', as well as to Amazon.com and CDNOW. Between 1993 and 1999, Hoskyns worked as Associate Editor and then U.S. Editor of ''Mojo mag ...
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