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Culture In North Omaha, Nebraska
Culture in North Omaha, Nebraska, the north end of Omaha, is defined by socioeconomic, racial, ethnic and political diversity among its residents. The neighborhood's culture is largely influenced by its predominantly African American community. Cultural events North Omaha is home to several important annual events that help define and celebrate the community, its history, and its future. Native Omaha Days is a biennial North Omaha cultural tradition, reuniting members of the city's African-American community. The Days are commemorated with a variety of events, including the Evergreen Reunion, named after the town in Alabama from where many families' ancestors migrated. Other annual activities include the Juneteenth Parade, the Fort Omaha Intertribal Powwow, Omaha Blues, Jazz, & Gospel Festival, Florence Days, and the Omaha North High School Homecoming, including a parade for the community. The Stone Soul Picnic is also an important event. Cultural institutions North Omaha i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Waites Plays Vibraphone
is a fictional character featured in video games and related media released by Nintendo. Created by Japanese video game designer Shigeru Miyamoto, Luigi is portrayed as the younger fraternal twin brother and sidekick of Mario, Nintendo's mascot. Luigi appears in many games throughout the Mario (franchise), ''Mario'' franchise, oftentimes accompanying his brother. Luigi first appeared in the 1983 Game & Watch game ''List of LCD games featuring Mario#Mario Bros., Mario Bros.'', where he is the character controlled by the second player. He would retain this role in many future games, including ''Mario Bros.'', ''Super Mario Bros.'', ''Super Mario Bros. 3'', ''Super Mario World'', among other titles. He was first available as a primary character in ''Super Mario Bros. 2''. In more recent appearances, Luigi's role became increasingly restricted to spinoffs, such as the ''Mario Party'' and ''Mario Kart'' series; however, he has been featured in a starring role in ''Nelsonic Industr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dreamland Ballroom
The Jewell Building is a city landmark in North Omaha, Nebraska. Built in 1923, it is listed on the National Register of Historic Places. Located at 2221 North 24th Street, the building was home to the Dreamland Ballroom for more than 40 years, and featured performances by many touring jazz and blues legends, including Duke Ellington, Count Basie, Louis Armstrong, Dizzy Gillespie, and Lionel Hampton. The building has been designated as a Landmark by the City of Omaha, and is listed on the National Register of Historic Places. It is an example of the kind of venue that was integral to the cultural transmission and interchange of musical styles and art, especially in the years before television. In addition such entertainment centers were the chief ways that musicians, both local and national, earned enough to make livings. About Located at 2221-2225 North 24th Street in the Near North Side neighborhood of Omaha, the Jewell Building was built in 1923 by James Jewell Sr., an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Plains Black History Museum
The Great Plains Black History Museum currently resides on the first floor of the historic Jewell Building in North Omaha, Nebraska. It was formerly located at 2213 Lake Street in the Near North Side neighborhood in North Omaha. It was housed in the Webster Telephone Exchange Building, which is listed on the National Register of Historic Places. A nationally renowned institution for more than 40 years, the museum includes more than 100,000 periodicals, manuscripts, photographs and research materials. The museum currently conducts programs and presents exhibits throughout Omaha, the State of Nebraska, regionally and nationally upon request. It is the largest museum devoted to the black experience on the Great Plains. History In 1962, Omaha community leader Bertha Calloway founded the Negro Historical Society. In 1976 she opened the Great Plains Black History Museum, in the Western Telephone Exchange Building. This had been a community center for recovery efforts after the dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omaha Black Music Hall Of Fame
The Omaha Black Music Hall of Fame, or the OBMHoF, is a nonprofit organization founded in 2005 to celebrate, document and honour the legacy of the many top vocalists and musicians whose musical careers began in the metropolitan area of Omaha, Nebraska. It has a particular focus on African American music from North Omaha, and is committed to honoring Omaha's blues tradition from the 1920s to the present day. The OBMHoF holds induction ceremonies every two years that highlight, but are not limited to, classical, rhythm & blues, big band, jazz and gospel music. About Vaughn Chatman, a former Omaha rhythm-and-blues player and attorney in Sacramento, California, formed the Omaha Black Music Hall of Fame in 2005. According to one local newspaper, the Hall of Fame was formed to acknowledge Omaha's own musicians. "Enough Omaha artists have impacted the industry to rival the legacy from historical music hotbeds like Kansas City, Mo. The contributions of these Omaha-bred-and-born may add up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Jones Woods
Helen Elizabeth Jones Woods (October 9 or November 14, 1923 – July 25, 2020) was an American jazz and swing trombone player renowned for her performances with the International Sweethearts of Rhythm. She was inducted into the Omaha Black Music Hall of Fame in 2007. Early life Helen Elizabeth Jones was born on October 9 or November 14, 1923. She spent a brief period in an orphanage for white children in Meridian, Mississippi before being adopted by Dr. Laurence and Grace Jones. They were the founders of the Piney Woods Country Life School, a Black boarding school with a strong musical presence. Career In her 1940s heyday, young Helen Elizabeth Jones was in the top female jazz band in the United States. From an early age, Woods was fascinated by the slide motion of the trombone. She started playing with the group when she was only 11 years old, when it was still the "school band" of Piney Woods Country Life School in Mississippi. Helen was one of six surviving members of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombonist
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass clef, with h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Sweethearts Of Rhythm
The International Sweethearts of Rhythm was the first integrated all-women's band in the United States. During the 1940s the band featured some of the best female musicians of the day. They played swing and jazz on a national circuit that included the Apollo Theater in New York City, the Regal Theater in Chicago, and the Howard Theater in Washington, D.C. After a performance in Chicago in 1943, the ''Chicago Defender'' announced the band was "one of the hottest stage shows that ever raised the roof of the theater!" They have been labeled "the most prominent and probably best female aggregation of the Big Band era". During feminist movements of the 1960s and 1970s in America, the International Sweethearts of Rhythm became popular with feminist writers and musicologists who made it their goal to change the discourse on the history of jazz to include both men and women musicians. Flutist Antoinette Handy was one scholar who documented the story of these female musicians of color. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Mae Winburn
Anna Mae Winburn ''(née'' Darden; August 13, 1913 – September 30, 1999) was an influential American vocalist and jazz bandleader who flourished beginning in the mid-1930s. An African American, she is best known for having directed the International Sweethearts of Rhythm, an all-female big band that was perhaps one of the few – and one of the most – racially integrated dance-bands of the swing era. Career Indiana and Nebraska Her first known publicized performance was singing with the studio band of Radio WOWO, Fort Wayne. She worked at various clubs in Indiana, including the Chateau Lido in Indianapolis (where she appeared under the pseudonym Anita Door). From there she moved to North Omaha, Nebraska, where she sang and played guitar for a variety of territory bands, or groups whose touring activities and popularity were geographically limited to several adjoining states, that were led by Red Perkins. During that time Winburn was a collaborator of Lloyd Hunter, frequen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lloyd Hunter
Lloyd Hunter (May 4, 1910–month and date unknown, 1961) was an American trumpeter and big band leader from North Omaha, Nebraska.(nd"Jammin’ For the Jackpot: Big Bands and Territory Bands of the 30s" New World Records, p. 10. . Biography Hunter was trained by Josiah Waddle, the first African-American musician to organize a band in Omaha, Nebraska, Omaha, around 1915. Hunter's bands played regionally, filling high school auditoriums, jitney ("Dime-a-Dance") halls, farm buildings and amusement parks throughout Nebraska, Iowa, Kansas and South Dakota from the 1920s through the 1950s. Lloyd Hunter's Serenaders Lloyd Hunter's Serenaders were one of several black territory bands that played venues in the African American community of the Near North Side (Omaha, Nebraska), Near North Side of Omaha from the early 1920s through the big band era. In 1924, Hunter formed his first six-piece band. In 1927 it became an 8-piece band with Lloyd Hunter on trumpet, Elmer Crumbley on trombone, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophonist
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in some s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preston Love
Preston Haynes Love (April 26, 1921 – February 12, 2004) was an American saxophonist, bandleader, and songwriter from Omaha, Nebraska, United States, best known as a sideman for jazz and rhythm and blues artists like Count Basie and Ray Charles. Biography Preston Love grew up in North Omaha and graduated from North High. He became renowned as a professional sideman and saxophone balladeer in the heyday of the big band era. He was a member of the bands of Nat Towles, Lloyd Hunter, Snub Mosley, Lucky Millinder and Fats Waller before getting his big break with the Count Basie Orchestra when he was 22. Love played and recorded with the Count Basie band from 1945–1947, and played on Basie's only No. 1 hit record, "Open The Door Richard." Love eventually became a bandleader himself, playing with Lena Horne, Billie Holiday, his friends Johnny Otis and Wynonie Harris, with whom he had several hits. In 1952, he launched the short-lived Spin Records, as a joint effort with son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
