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Cultural Property (Japan)
A is administered by the Japanese government's Agency for Cultural Affairs (Ministry of Education, Culture, Sports, Science and Technology), and includes tangible properties (structures and works of art or craft); intangible properties (performing arts and craft techniques); folk properties both tangible and intangible; monuments historic, scenic and natural; cultural landscapes; and groups of traditional buildings. Buried properties and conservation techniques are also protected. Together these cultural properties are to be preserved and utilized as the heritage of the Japanese people. Not all Cultural Properties of Japan were created in Japan; some are from China, Korea or other countries. See for example the letter from Duarte de Menezez to Toyotomi Hideyoshi, pictured above, a National Treasure originating in India. In total, some 857 Important Cultural Properties are Chinese in origin, 96 from Korea, 27 from the West, and three from elsewhere. To protect Japan's cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protection Of Cultural Properties Logo
Protection is any measure taken to guard a thing against damage caused by outside forces. Protection can be provided to physical objects, including organisms, to systems, and to intangible things like civil and political rights. Although the mechanisms for providing protection vary widely, the basic meaning of the term remains the same. This is illustrated by an explanation found in a manual on electrical wiring: Some kind of protection is a characteristic of all life, as living things have evolved at least some protective mechanisms to counter damaging environmental phenomena, such as ultraviolet light Ultraviolet (UV) is a form of electromagnetic radiation with wavelength from 10 nm (with a corresponding frequency around 30 PHz) to 400 nm (750 THz), shorter than that of visible light, but longer than X-rays. UV radiation i .... Biological membranes such as bark (botany), bark on trees and skin on animals offer protection from various threats, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinto Shrines
A is a structure whose main purpose is to house ("enshrine") one or more ''kami'', the deities of the Shinto religion. Overview Structurally, a Shinto shrine typically comprises several buildings. The '' honden''Also called (本殿, meaning: "main hall") is where a shrine's patron ''kami'' is/are enshrined.Iwanami Japanese dictionary The ''honden'' may be absent in cases where a shrine stands on or near a sacred mountain, tree, or other object which can be worshipped directly or in cases where a shrine possesses either an altar-like structure, called a ''himorogi,'' or an object believed to be capable of attracting spirits, called a ''yorishiro,'' which can also serve as direct bonds to a ''kami''. There may be a and other structures as well. Although only one word ("shrine") is used in English, in Japanese, Shinto shrines may carry any one of many different, non-equivalent names like ''gongen'', ''-gū'', ''jinja'', ''jingū'', ''mori'', ''myōjin'', ''-sha'', ''taisha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shachi
Indrani (Sanskrit: इन्द्राणी, IAST: ''Indrāṇī, lit.'' Indra's queen), also known as Shachi (Sanskrit: शची, IAST: ''Śacī''), is the queen of the devas in Hinduism. Described as tantalisingly beautiful, proud and kind, she is the daughter of the asura Puloman and the consort of the king of the devas, Indra. According to legend, due to her heavenly beauty and sensuality, Indrani was desired by many men, many of whom tried to marry her. When Indra was away performing his penance for the slaying of Vritasura, Nahusha, a mortal king of the Lunar dynasty, was chosen as the ruler of heaven. The latter tried to seduce Shachi and make her his queen, though she cleverly executed a scheme to dethrone him and later reunite with her husband. She is an important goddess in Shaktism, a major sect of Hinduism. Indrani (or Aindri) is one of the Sapta Matrika—the seven divine mothers. She is worshipped in South India as an independent deity, and is most often w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living National Treasures Of Japan
is a Japanese popular term for those individuals certified as by the Minister of Education, Culture, Sports, Science and Technology as based on Japan's . The term "Living National Treasure" is not formally mentioned in the law, but is an informal term referencing the cultural properties designated as the National Treasures. The Japanese government provides a subsidy of 2 million yen per person per year for Living National Treasures. The total amount of the subsidy is determined by the national budget, and since 2002 it has been 232 million yen. Therefore, the number of Living National Treasures in existence is a maximum of 116, and if there are 116 Living National Treasures, no person with any outstanding skills will be newly designated as a Living National Treasure unless a vacancy occurs due to death. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Important Cultural Properties Of Japan
An The term is often shortened into just is an item officially classified as Tangible Cultural Property by the Japanese government's Agency for Cultural Affairs ( Ministry of Education, Culture, Sports, Science and Technology) and judged to be of particular importance to the history, arts, and culture of the Japanese people. Classification of Cultural Properties To protect the cultural heritage of Japan, the Law for the Protection of Cultural Properties was created as a under which important items are appropriated as Cultural Properties,In this article, capitals indicate an official designation as opposed to a simple, unofficial definition, e.g "Cultural Properties" as opposed to "cultural properties". thus imposing restrictions to their alteration, repair and export. Besides the "designation system", there exists a , which guarantees a lower level of protection and support to Registered Cultural Properties. Cultural Properties are classified according to their nature. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Calligraphy
also called is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only, but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles. Styles The term shodō (書道, "way of writing") is of Chinese origin, and is widely used to describe the art of Chinese calligraphy during the medieval Tang dynasty. Early Japanese calligraphy was originated from Chinese calligraphy. Many of its principles and techniques are very similar, and it recognizes the same basic writing styles: * seal script (篆書 ''tensho'') (pinyin: ''zhuànshū''). The seal script (tensho) was commonly used throughout the Zhou dynasty (1046–256 BC) and the following Qin dynasty (221–206 BC) of China. After this time period, tensho style fell out of popularity in favor of reisho. However, tensho was still used for titles of published works or inscriptions. The c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Handicrafts
Traditional in Japan have a long tradition and history. Included in the category of traditional crafts are handicrafts produced by an individual or a group, as well as work produced by independent studio artists working with traditional craft materials and/or processes. History Japanese craft dates back since humans settled on its islands. Handicrafting has its roots in the rural crafts – the material-goods necessities – of ancient times. Handicrafters used naturally- and indigenously-occurring materials. Traditionally, objects were created to be used and not just to be displayed and thus, the border between craft and art was not always very clear. Crafts were needed by all strata of society and became increasingly sophisticated in their design and execution. Craft had close ties to folk art, but developed into fine art, with a number of aesthetic schools of thought, such as , arising. Craftsmen and women therefore became artisans with increasing sophistication. However, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
