Cultural Properties Of Japan
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Cultural Properties Of Japan
A is administered by the Government of Japan, Japanese government's Agency for Cultural Affairs (Ministry of Education, Culture, Sports, Science and Technology), and includes Tangible Cultural Properties of Japan, tangible properties (structures and works of art or craft); Intangible Cultural Properties of Japan, intangible properties (performing arts and craft techniques); Mingei, folk properties both tangible and intangible; Monuments of Japan, monuments historic, scenic and natural; Cultural Landscapes of Japan, cultural landscapes; and Groups of Traditional Buildings, groups of traditional buildings. Cultural Properties of Japan#Buried Cultural Properties, Buried properties and Conservation Techniques for Cultural Properties, conservation techniques are also protected. Together these cultural properties are to be preserved and utilized as the heritage of the Japanese people. Not all Cultural Properties of Japan were created in Japan; some are from China, Korea or other countri ...
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Protection Of Cultural Properties Logo
Protection is any measure taken to guard a thing against damage caused by outside forces. Protection can be provided to physical objects, including organisms, to systems, and to intangible things like civil and political rights. Although the mechanisms for providing protection vary widely, the basic meaning of the term remains the same. This is illustrated by an explanation found in a manual on electrical wiring: Some kind of protection is a characteristic of all life, as living things have evolved at least some protective mechanisms to counter damaging environmental phenomena, such as ultraviolet light Ultraviolet (UV) is a form of electromagnetic radiation with wavelength from 10 nm (with a corresponding frequency around 30  PHz) to 400 nm (750  THz), shorter than that of visible light, but longer than X-rays. UV radiation i .... Biological membranes such as bark (botany), bark on trees and skin on animals offer protection from various threats, with ...
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Shinto Shrines
A is a structure whose main purpose is to house ("enshrine") one or more ''kami'', the deities of the Shinto religion. Overview Structurally, a Shinto shrine typically comprises several buildings. The '' honden''Also called (本殿, meaning: "main hall") is where a shrine's patron ''kami'' is/are enshrined.Iwanami Japanese dictionary The ''honden'' may be absent in cases where a shrine stands on or near a sacred mountain, tree, or other object which can be worshipped directly or in cases where a shrine possesses either an altar-like structure, called a ''himorogi,'' or an object believed to be capable of attracting spirits, called a ''yorishiro,'' which can also serve as direct bonds to a ''kami''. There may be a and other structures as well. Although only one word ("shrine") is used in English, in Japanese, Shinto shrines may carry any one of many different, non-equivalent names like ''gongen'', ''-gū'', ''jinja'', ''jingū'', ''mori'', ''myōjin'', ''-sha'', ''taisha ...
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Shachi
Indrani (Sanskrit: इन्द्राणी, IAST: ''Indrāṇī, lit.'' Indra's queen), also known as Shachi (Sanskrit: शची, IAST: ''Śacī''), is the queen of the devas in Hinduism. Described as tantalisingly beautiful, proud and kind, she is the daughter of the asura Puloman and the consort of the king of the devas, Indra. According to legend, due to her heavenly beauty and sensuality, Indrani was desired by many men, many of whom tried to marry her. When Indra was away performing his penance for the slaying of Vritasura, Nahusha, a mortal king of the Lunar dynasty, was chosen as the ruler of heaven. The latter tried to seduce Shachi and make her his queen, though she cleverly executed a scheme to dethrone him and later reunite with her husband. She is an important goddess in Shaktism, a major sect of Hinduism. Indrani (or Aindri) is one of the Sapta Matrika—the seven divine mothers. She is worshipped in South India as an independent deity, and is most often w ...
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Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ...
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