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Culoepuya
The ''culo'e puya'' drums, also known as ''culoepuya'', ''culo e puya'', or ''culepuya'', are a battery of small drums originally from Venezuela, with a Kongo lineage. They are used in an ensemble also known as ''redondo'' drums, after the dance motion and the circle which forms around the dancers during performance. Organology The ''culo'e puya'' battery comprises three drums made of lightweight wood from the tree known locally as ''lano'' or ''ceiba de lana'' (''Ceiba pentandra'', a member of the Bombacaceae family, to which Balsa also belongs). Both ends have skin heads, which are joined with tensors made of rope (nylon rope is commonly used today). The drums are roughly 1.5 m (4 ft.) in length and between 10 and 15 cm (4-6 inches) in diameter. The inside of the drum is carved in the shape of an hourglass, instead of a cylinder. There are three different diameters, each corresponding to a distinct "voice" or pattern. The different diameters are known as: *Pri ...
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Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses ...
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Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ...
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South American Percussion Instruments
South is one of the cardinal directions or compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic ''*sunþaz'' ("south"), possibly related to the same Proto-Indo-European root that the word ''sun'' derived from. Some languages describe south in the same way, from the fact that it is the direction of the sun at noon (in the Northern Hemisphere), like Latin meridies 'noon, south' (from medius 'middle' + dies 'day', cf English meridional), while others describe south as the right-hand side of the rising sun, like Biblical Hebrew תֵּימָן teiman 'south' from יָמִין yamin 'right', Aramaic תַּימנַא taymna from יָמִין yamin 'right' and Syriac ܬܰܝܡܢܳܐ taymna from ܝܰܡܝܺܢܳܐ yamina (hence the name of Yemen, the land to the south/right of the Levant). Navigation By convention, the ''bottom or down-facing side'' of a ...
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Venezuelan Musical Instruments
Venezuela (; ), officially the Bolivarian Republic of Venezuela ( es, link=no, República Bolivariana de Venezuela), is a country on the northern coast of South America, consisting of a continental landmass and many islands and islets in the Caribbean Sea. It has a territorial extension of , and its population was estimated at 29 million in 2022. The capital and largest urban agglomeration is the city of Caracas. The continental territory is bordered on the north by the Caribbean Sea and the Atlantic Ocean, on the west by Colombia, Brazil on the south, Trinidad and Tobago to the north-east and on the east by Guyana. The Venezuelan government maintains a claim against Guyana to Guayana Esequiba. Venezuela is a federal presidential republic consisting of 23 states, the Capital District and federal dependencies covering Venezuela's offshore islands. Venezuela is among the most urbanized countries in Latin America; the vast majority of Venezuelans live in the cities of the nort ...
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Tambor Urbano
Tambor can refer to: * Tambor, Costa Rica, a town in Costa Rica ** Tambor Airport, an airport that serves Tambor, Costa Rica * El Tambor River, river in Guatemala * Jeffrey Tambor (born 1944), American actor * Tambor (dance), Afro-Venezuelan music and dance * ''Tambor'' (Tower), 1998 orchestral composition by Joan Tower * USS Tambor (SS-198), lead ship of her class of submarine * Wat Tambor, a Separatist leader in the prequel era of the ''Star Wars'' universe * Tambor Williams (born 1941), American politician See also * Tamboor Tamboor is a town in Kalghatgi Taluk, Dharwad District in Karnataka, India. It is about 8 km from Kalghatagi and about 11 km from Kalghatgi (via Devikoppa) NH 63, 3 km from main road in Karnataka state, India. Name Tamboor name ca ...
, a town in Kalghatgi Taluk, Dharwad District in Karnataka, India {{disambig, geo, surname ...
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Fulía
The term fulía refers to a variety of folk genres in Venezuela generally performed as part of the vigils of the Cruz de Mayo. Of these genres, there are two that are especially prominent: the fulía central (spanning the coastal areas of the Capital, Central, and Central-Western regions, notably Barlovento) and the fulía oriental (Spanish:"Eastern fulía") or ''cumanesa'' (Spanish: "from Cumaná") (endemic to the states of Sucre and Nueva Esparta). History and Etymology The name and origins of the fulía can both be traced back to the Canarian folía, which in turn is a folkloric derivation of a harmonic formula common in Renaissance and Baroque style by the same name. Though this initial classical folía bears little resemblance to its Venezuelan descendant, there are some elements that have been preserved throughout the centuries, such as the tonicization to both the relative minor and major (as in a Romanesca progression). The folía of the Canary Islands, however, ...
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Venezuelan Music
Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains. Genres Joropo Joropo was developed by creative artists such as Juan Vicente Torrealba, Ignacio Figueredo, Augusto Bracca, Genaro Prieto, Eneas Perdomo and Angel Custodio Loyola, who helped to popularize the music throughout the country. Since then a slick, contemporary form of pop-llanera has developed which has earned the scorn of some purists who perceive it as stale and watered-down. Some singers, such as Adilia Castillo, Lorenzo Herrera, Simon Diaz, Mario Suarez, Edith Salcedo, Magdalena Sanchez, Rafael Montaño, Reyna Lucero, Cristina Maica, José Catire Carpio, Cristobal Jimenez, Juan de los Santos Contreras (El Carrao de Palmarito) and Reynaldo Armas have maintained a huge following over the years. In a similar vein, there is also neo- ...
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Gerard H
Gerard is a masculine forename of Proto-Germanic origin, variations of which exist in many Germanic and Romance languages. Like many other early Germanic names, it is dithematic, consisting of two meaningful constituents put together. In this case, those constituents are ''gari'' > ''ger-'' (meaning 'spear') and -''hard'' (meaning 'hard/strong/brave'). Common forms of the name are Gerard (English, Scottish, Irish, Dutch, Polish and Catalan); Gerrard (English, Scottish, Irish); Gerardo (Italian, and Spanish); Geraldo (Portuguese); Gherardo (Italian); Gherardi (Northern Italian, now only a surname); Gérard (variant forms ''Girard'' and ''Guérard'', now only surnames, French); Gearóid (Irish); Gerhardt and Gerhart/Gerhard/ Gerhardus (German, Dutch, and Afrikaans); Gellért ( Hungarian); Gerardas ( Lithuanian) and Gerards/Ģirts ( Latvian); Γεράρδης (Greece). A few abbreviated forms are Gerry and Jerry (English); Gerd (German) and Gert (Afrikaans and Dutch); Gerrit ...
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Omar Sosa
Omar Sosa (born April 10, 1965) is a jazz pianist from Cuba. Biography A native of Camagüey, Cuba, Sosa studied percussion at the Escuela Nacional de Musica and Instituto Superior de Arte. In the 1980s he started the band Tributo, recording albums and touring with the band. He worked with Cuban vocalist Xiomara Laugart and several Latin jazz bands. In the 1990s he moved from Cuba to Quito, Ecuador; to Palma de Mallorca, Spain; to the San Francisco Bay area, in California, United States; and finally settled in Barcelona, Spain. While in California, Sosa released his first few albums under his own name. He had received Grammy Award nominations for four of his albums, three in the Latin Jazz category, as of 2020. In January 2011, Sosa and the NDR Bigband e(North German Radio Bigband) won the 10th Independent Music Awards (IMAs) in the Jazz Album category for ''Ceremony''. He has also collaborated with Paolo Fresu, Seckou Keita, Adam Rudolph, and many other musicians. Sosa has ...
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Too Much Sugar For A Dime
''Too Much Sugar for a Dime'' is an album by Henry Threadgill, released in 1993 on the Axiom label. It has been described as: "a mad, glorious romp which explores some very dark timbres and tonalities and yet remains witty, fresh and consistently exciting." (Richard Cook & Brian Morton, ''The Penguin Guide to Jazz on CD''). Track listing All compositions written by Henry Threadgill. # "Little Pocket Size Demons" – 10:49 # "In Touch" – 8:49 # "Paper Toilet" – 5:39 # "Better Wrapped / Better Unrapped" – 13:05 # "Too Much Sugar" – 2:58 # "Try Some Ammonia" – 12:23 Personnel *Henry Threadgill — alto saxophone * Mark Taylor — French horn *Edwin Rodriguez — tuba *Marcus Rojas — tuba *Dorian L. Parreott II — tuba (tracks 2, 4, 6) *Brandon Ross — guitar (electric & acoustic) * Masujaa — guitar (electric) *Simon Shaheen — oud and violin (2, 4) *Jason Hwang — violin (2, 4) * Leroy Jenkins — violin (2, 4) *Gene Lake — drums (exc. track 5) *Larry Bright — ...
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Henry Threadgill
Henry Threadgill (born February 15, 1944) is an American composer, saxophonist and flautist. He came to prominence in the 1970s leading ensembles rooted in jazz but with unusual instrumentation and often incorporating other genres of music. He has performed and recorded with several ensembles: Air, Aggregation Orb, Make a Move, the seven-piece Henry Threadgill Sextett, the twenty-piece Society Situation Dance Band, Very Very Circus, X-75, and Zooid. He was awarded the 2016 Pulitzer Prize for Music for his album ''In for a Penny, In for a Pound'', which premiered at Roulette Intermedium on December 4, 2014 Career Threadgill performed as a percussionist in his high-school marching band before taking up baritone saxophone, alto saxophone, and flute. He studied at the American Conservatory of Music in Chicago, majoring in piano, flute, and composition. He studied piano with Gail Quillman and composition with Stella Roberts. He was an original member of the Experimental Band,a precu ...
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Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based ''coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. '' Cajones'' (wooden boxes) were used as drums until the early 20th cent ...
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