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Cub Records
Cub Records was an American record label, and a subsidiary of MGM Records, which started in 1958 for rhythm and blues releases. Artists who released records on Cub included the Impalas (" Sorry (I Ran All the Way Home)"), Jimmy Jones (" Handy Man", " Good Timin'"), the Stereos (" I Really Love You"), and Jimmy Velvit ("Sometimes At Night", "We Belong Together"). The label lasted until 1968. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References External links Cub Records album discography from BSN Pubs Defunct record labels of the United States MGM Records Record labels established in 1958 Record labels disestablished in 1968 1958 establishments in the United States {{US-record-label-stub ...
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Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer Studios Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by amazon (company), Amazon through MGM Holdings, founded on April 17, 1924 and based in Beverly Hills, California. MGM was formed by Marcus Loew by combining Metro Pictures, Goldwyn Pictures, and Louis B. Mayer Productions, Louis B. Mayer Pictures into one company. It hired a number of well known actors as contract players—its slogan was "more stars than there are in heaven"—and soon became Hollywood's most prestigious film studio, producing popular musical films and winning many Academy Awards. MGM also owned film studios, movie lots, movie theaters and technical production facilities. Its most prosperous era, from 1926 to 1959, was bracketed by two productions of ''Ben-Hur (1959 film), Ben Hur''. After that, it divested itself of the Loews movie theater chain, and, in the 1960s, diversified ...
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The Stereos
The Stereos were an American pop/rock/ doo-wop group from Steubenville, Ohio. They began as The Buckeyes around 1955 with members Bruce Robinson and Ronnie Collins, and released two singles on the Cincinnati label Deluxe Records in 1957. In 1959, the group added Leroy Swearingen and released their first single as The Stereos, "A Love for Only You"; it flopped, and Swearingen left the group to be replaced by Nathaniel Hicks. Swearingen, however, wrote the song " I Really Love You", which became their biggest hit, peaking at number 15 on the U.S. Black Singles chart and number 29 on the ''Billboard'' Hot 100. Billboard Singles AllMusic They continued releasing singles up until 1968, none of which came close to reaching the success of "I Really Love You". George Harrison covered "I Really Love You" for his 1982 album '' Gone Troppo''. Members *Bruce Robinson – lead vocals *Leroy Swearingen – tenor *Nathaniel Hicks – tenor (replaced Swearingen in 1960) *Ronnie Collins – b ...
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Record Labels Established In 1958
A record, recording or records may refer to: An item or collection of data Computing * Record (computer science), a data structure ** Record, or row (database), a set of fields in a database related to one entity ** Boot sector or boot record, record used to start an operating system ** Storage record, a basic input/output structure Documents * Record, a document ** Business record, of economic transactions ** Criminal record, a list of a person's criminal convictions ** Docket (court), the summary of proceedings in a court (US) ** Medical record, of a person's medical history and treatments ** Minutes, a summary of the proceedings at a meeting ** Public records, information that has been filed or recorded by public agencies ** Recording (real estate), the act of documenting real estate transactions ** Service record, usually associated with military service ** Transcript (law), a verbatim ''record'' of some proceedings, in particular a court transcript is a record of a law ...
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Defunct Record Labels Of The United States
Defunct (no longer in use or active) may refer to: * ''Defunct'' (video game), 2014 * Zombie process or defunct process, in Unix-like operating systems See also * * :Former entities * End-of-life product * Obsolescence Obsolescence is the state of being which occurs when an object, service, or practice is no longer maintained or required even though it may still be in good working order. It usually happens when something that is more efficient or less risky r ...
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List Of Record Labels
File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, by genre, by company and by location. Alphabetical * List of record labels: 0–9 * List of record labels: A–H * List of record labels: I–Q * List of record labels: R–Z By genre * Bing Crosby's record labels after 1955 *List of Christian record labels *List of electronic music record labels * List of hip hop record labels *List of tango music labels By company *List of EMI labels *List of Kakao M labels *Record labels owned by Sony BMG *List of Sony Music labels *List of Universal Music Group labels * List of Warner Music Group labels By location *List of Bangladeshi record labels *List of record labels from Bristol *List of New Zealand record labels *List of Quebec record labels *List of West Coast hip hop record labels *List of ...
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We Belong Together (Robert & Johnny Song)
"We Belong Together" is a 1958 American rhythm and blues hit written and recorded by Robert & Johnny, with a co-writing credit to Hy Weiss. It reached #12 on the R&B charts and #32 on the ''Billboard'' Hot 100 chart. Cover versions The song was later recorded by several others. The Fleetwoods released a version on their 1959 album, ''Mr. Blue.'' A rendition by Ritchie Valens was released in 1959 on the Del-Fi record label and can be found on several of his albums. It is also featured in a scene from the 1987 hit film about Valens, '' La Bamba'' in which the song was sung by Los Lobos. The Belmonts released a remake on the Laurie label, Laurie 3080, in 1961, after they had split with Dion. It was not a hit, but was later reissued on a collector's label because of its musical value. In 1961, Jimmy Mullins, known as Jimmy Velvit, recorded it in the Dallas, Texas area. It was issued in January, 1962 on M-G-M's Cub Records label (K9105). It attracted a lot of attention and air ...
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Jimmy Velvit
James Mullins (born January 11, 1941), better known as Jimmy Velvit, is an American rock and roll singer, who began his career in the 1960s. He is originally from Coalgate, Oklahoma, later from Dallas, Texas. He is best known for recording a white rhythm and blues version, in 1962, of Robert & Johnny's 1958 hit "We Belong Together". Velvit's first release was "Sometimes at Night" on Division Records in 1961, afterwards released on Cub Records (a division of M-G-M). He also recorded under the name 'James Bell', in 1968, when he charted "He Ain't Country", a Country & Western release, for Bell Records. In 2001, his album ''Sun Sea and Sand'' (Seduction SCD-103) was nominated for a Grammy Award. Velvit was still recording and performing . Discography ;45 RPM Singles (listed in alphabetical order by label) (incomplete) *Donna/Her Love – Abnak Records 108 – 1965 *That's All I Got From You (with Bobby Hendricks)/I Got A Feeling – Alta Records 108 – 1963 *Sometimes I Wonder ...
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I Really Love You
"I Really Love You" is a song written by Leroy Swearingen, and originally recorded by his Steubenville, Ohio, vocal group called The StereosThe Stereosat Allmusic in 1961. Background The lead singer on the original recording was Ronnie Collins. This song featured the percussion sounds of people walking in rhythm, first heard in the introduction, as well as between the verses and the Bridge section, and finally heard in the outro before the song's fade. The bass vocal is heard singing the doo wop nonsensical syllables, as well as the Bridge section of the song. Chart performance The record, issued on Cub Records, a subsidiary of MGM Records, reached number 29 on the '' Billboard'' Top 40 chart and number 15 on the R&B chart. George Harrison version *Later on, the song was covered by former Beatle George Harrison on his 1982 studio album ''Gone Troppo ''Gone Troppo'' is the tenth studio album by English rock musician George Harrison, released on 5 November 1982 by Dark H ...
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Good Timin' (Jimmy Jones Song)
"Good Timin" was a number-one single in the UK Singles Chart during 1960, written by Fred Tobias and Clint Ballard Jr., and performed by Jimmy Jones. In the U.S., the follow-up to " Handy Man" went to number three on ''Billboard'' Hot 100 chart and number eight on the R&B chart. The song extrapolates the historical encounters between David and Goliath and between Columbus and Isabella as reason enough for a boy to meet a girl. Charts Weekly charts Year-end charts Cover versions "Good Timin" was later covered by Kyu Sakamoto in Japanese. Australian band Ol' 55 covered the song on their album '' The Vault'' (1980). UK band Showaddywaddy Showaddywaddy are a rock and roll group from Leicester, England. They specialise in revivals of hit songs from the 1950s and early 1960s, while also issuing original material. Showaddywaddy spent 209 weeks on the UK Singles Chart, and had 10 T ... also covered the song and released it as a single in 1981, but it failed to reach ...
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MGM Records
MGM Records was a record label founded by the Metro-Goldwyn-Mayer film studio in 1946 for the purpose of releasing soundtrack recordings (later LP albums) of their musical films. It transitioned into a pop music label that continued into the 1970s. The company also released soundtrack albums of the music for some of their non-musical films as well, and on rare occasions, cast albums of off-Broadway musicals such as ''The Fantasticks'' and the 1954 revival of ''The Threepenny Opera''. In one instance, MGM Records released the highly successful soundtrack album of a film made by another studio, Columbia Pictures's ''Born Free'' (1966). Background There was also a short-lived Metro-Goldwyn-Mayer Records of 1928, which produced recordings of music featured in MGM movies, not sold to the general public but made to be played in movie theater lobbies. These Metro-Goldwyn-Mayer records were manufactured under contract with the studio by Columbia Records. History Soundtrack albu ...
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Handy Man (song)
"Handy Man" is a song written by singer Jimmy Jones and songwriter Otis Blackwell. Recordings by Del Shannon and also The Sparks Of Rhythm list Charles Merenstein as a co-writer, as does BMI. The Sparks Of Rhythm version on the Apollo 541 single version released in 1959 credits Andrew Barksdale and Merenstein as writers omitting Jimmy Jones. The song is noted for Jones singing "Come-a, come-a come-a come-a, come come-a, yeah" lyrics, which are heard at the beginning as well as in the coda of the song, before the song's fade. It was originally recorded by The Sparks Of Rhythm, a group Jones had been a member of when he wrote it, although he was not with them when they recorded it. That version was in a minor key, and had a completely different melody. When Jimmy Jones recorded it, the song was changed to a major key, with a completely different melody. In 1959, Jones recorded the song himself, in a version which had been reworked by Blackwell, who also produced the session. In ...
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Jimmy Jones (singer)
James Jones (June 2, 1930 – August 2, 2012) was an American singer-songwriter who moved to New York City while a teenager. According to Allmusic journalist Steve Huey, "best known for his 1960 R&B smash, ' Handy Man', Jones sang in a smooth yet soulful falsetto modeled on the likes of Clyde McPhatter and Sam Cooke." Career Jones was born in Birmingham, Alabama. His first job in the entertainment industry was as a tap dancer. He joined a doo-wop group named the Berliners in 1954. They later changed their name to Sparks of Rhythm. In 1955 Jones co-wrote " Handy Man", which was recorded by the Sparks of Rhythm in 1956 (after Jones left the group). After recording with other groups, Jones went solo and, in 1959, teamed up with Otis Blackwell who reworked "Handy Man" which Jones recorded on the MGM subsidiary Cub Records. When the flute player did not show up for the session, Blackwell famously whistled on the recording. "Handy Man", released in 1959, gave Jones his first US and ...
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